This set of 6 crystal wine glasses was produced in the United States by one of the fine manufacturers in the 1890s. They are not signed; therefore we are unable to identify them precisely. They are 5 inches tall and 3 inches wide. The crystal is hand blown with bright clarity. The stems are hollow with a teardrop. The cutting is very intricate with hob stars and cross hatching. The foot has a star burst...

A beautiful and elegant Bohemian wine goblet with a stem with 2 knops and multiple merises; bowl engraved with birds, berries, and foliage; 6 1/2" tall, 3 1/2" bowl diameter, 3 3/4" foot diameter

Rarely do you find a pair of early 1800's Anglo Irish cut crystal decanters complete with their original stoppers. They are in excellent condition for their age with just a few small chips. The most notable is a chip on one of the bases that you can see when turning the decanter upside down. The decanters are stable, don't wobble, no hairlines, and no cracks. Measure about 9.75 inches high, diameter about 3.75". Dates Circa 1800-1850.

A scent bottle, enameled and gilded by James Giles, the most famous and important English decorator of glass and porcelain in the 18th century...

An attractive early American pattern or pressed glass 8-1/4" diameter and 3-3/8" tall fruit bowl in the Delaware pattern, issued by the U.S. Glass Company in 1899. This item is in excellent original condition with no chips, cracks, losses, damage or repairs other than some minor rubbing to the thick gilt edge which appears about 90% intact. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use...

An antique Georgian balustroid drinking glass featuring a bell bowl over a shoulder annulated knop. Further, there is medial teared inverted baluster knop and a basal knop. The foot is domed and folded with a rough snapped pontil.

No condition issues and standing 5 3/8" tall, with a bowl diameter of 2" and a foot diameter of 2 1/4".

Webb satin finish peachblow rose bowl, 3 inches in diameter and 3 inches tall. The bowl is cased in white with the exterior shaded from dark red at the top to a yellowish red at the bottom. The rim is crimped and edged in gold. The body of the rose bowl is decorated with gold prunus and a butterfly. There is a ground and polished pontil mark.

Offered is this beautiful, iridescent Bohemian glass bowl, made most likely by Rindskopf, a contemporary of Loetz, around 1900. The bowl is decorated with oil-spot, vibrant, iridescent colors. It is 11 1/4 inches (28,5 cm) wide, and 4 3/4 inches (12 cm) high. It is in good condition, without chips, cracks or repairs. The bowl's body has four dimples and a ruffled rim. Pontil bottom.

This set of 11 flint glass cordial glasses was produced around 1830.  It was probably made at the Sandwich glass factory or some other renowned New England glass company.  They measure 3 1/2 inches high and the diameter of the opening is 1 3/4 inches.  These glasses are hand blown with a rough pontil on the foot.  They are cut with a panel pattern...

This is an elegantly proportioned wine glass with a flared bell bowl and a color twist stem. The stem has two translucent red and two opaque white spiral threads surrounding a loose vertical cable. The foot is of conical form with a rough snapped pontil.

The glass is of heavy, bright metal, and displays good tooling marks and striations. 19th century...

Offered is this monumental-sized New England peachblow glass lily vase, made around 1890. The vase is 17 1/2 inches tall, 7 inches wide at the top and has a base-width of 6 1/4 inches. Though New England glass company made lily vases in various sizes, it is rare to come across a New England peachblow glass vase of this large a size (this is the largest-size lily vase they made)...

A beautifully fashioned English antique firing dram glass. Most glasses of this type (opaque twist firing glasses) have an ogee or ovoid bowl, as opposed to this funnel, or conical, type. The lower half of the bowl is fluted, while the stem contains a double series opaque twist comprised of a pair of spiral threads outside of a central gauze.

Condition is excellent, with no problems at all. Good color, striations, and tooling...

A stunning cut double-overlay white/cranberry/clear cologne bottle, mostly likely by the New England Glass Company. The broad base is slightly footed and decorated with opaque white casing cut in a classic foral vine pattern to a transparent rose-cranberry base. The panel-cut tapered neck is enhanced with a faceted applied ring. The open-top tulip-form stopper has a long knopped neck and white/cranberry panel cutting on the petals. The concave base is polished.

Origin: America, 1850-70...

A beautiful, hand painted Bohemian glass portrait vase, made probably by Moser, around 1880. The vase is 10 1/4 inches (26 cm) tall and 2 3/4 inches (7 cm) wide. It is in fine condition.

You would be forgiven if you thought that this vase was made by Tiffany since its maker, Alton Manufacturing, hired away several Tiffany glass makers to start its production of competing wares in 1907, the only year the company produced glass.

This example of the Trevaise branding, analagous to favrile, has a flaring bulbous form with mauve ground and freely flowing and lingering tendrils with leaves attached, punctuated with white flowering blossoms...

Save 15% today... This fabulous find is a delicate blown lead crystal cruet with a large bubble Stopper. Both the body and the stopper share the broad leaves and vines cut and etched motif. It is numbered on the bottom, 43. I don't know if someone etched this number on later or if it was part of numbering system from its maker... who knows. The handle is over-sized, applied and cut to easily manipulate this dear cruet. It is 6" high to the top of the etched stopper.

An extremely rare and fine composite stem English Georgian marriage wine goblet with Dutch engraving.

The round funnel bowl features an oval cartouche with a pair of clasped hands, reaching out of clouds, in front of a blazing heart, all of this backed by rays of sunshine. The cartouche is surrounded by fulsomely engraved elaborate scrolls, foliage, and groups of flowers, all highlighted by superb polished details...

A fine pair of 19th century clambroth glass candle holders. Stout but elegant baluster turned sticks with broad, stable feet. Fine and practical decorative accents. The reference to clambroth says it all - the milky glass almost translucent (more so toward the foot - see second illustration) with opaque bubbles throughout...