Extremely rare Hohokam/Sacaton Red on Buff miniature clay censor red/buff ca. 1000 ad. No Restoration, No repaint, in as found condition. It is approx: 2"wide X 1"high. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

The first contact with Europeans brought with it small pot to the Hopi people of the mesa's and to make things even worst they experience the worst droughts they had experience at that time which made some flee and take refuge with and in the Zuni Pueblo's to the east of them, the refugees returned to the Hopi lands appro: 1700 ad, and they had adopted the Zuni polychrome style of pottery making from that point forward to approx: 1890 ad. This canteen is appro: 1850 to 1890 ad...

Anasazi / Snowflake B/W Olla with a Hand Lug as found condition with a little paint loss, please refer to pictures, ca. 900 to 1300 ad. It is 5.5"high X 5.5"wide. No restoration, no repaint. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

Anasazi / Cedar Creek polychrome black on orange slip with white outline on outside, broken and glued with approx: 2% professional restoration no shards have been restored just the corners of 3 or 4 shards, it is appro: 11.5" wide X 5" high. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

Anasazi Soap stone Bead Necklace, ca. 1250 ad. approx: 30" long if stretched out in a straight line, the black/grey stone is Az. soapstone. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

Anasazi Soap stone Bead Necklace, ca. 1250 ad. approx: 30" long if stretched out in a straight line, A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

Anasazi Red Clay Bead Necklace, ca. 1250 ad. approx: 26" long if stretched out in a straight line, the red beads are clay(very rare) and the black stone is Az. soapstone. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

A variant of Hopi Mona Kachina River or Thunder Kachina -Green case mask, triangular mouth, a band across the forehead. Fur ruff. Kilt, sash, woman's belt, red moccasins. Bluish body paint. Appears singly in Mixed Kachina Dances. Third Mesa. -Height: 9 inches -Width: 2.5 inches -c.1930-1940

-Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman’s old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs...

-She wears a white sack mask with red spots painted on her cheeks, fox skin ruff, woman’s dress, and maiden’s shawl. She may be barefooted or wear white boots. She usually carries a gourd filled with water. She is said to be the mother of all the kachinas, and is a principal actor in the Water Serpent Ceremony. She may appear at other ceremonies such as the Niman Kachina Dance. --Provenance: Dorothy Louise Luhrs PHD...

- Green case mask with black crow wings on the side. Fox skin ruff. She wears a woman's dress and ceremonial robe with green moccasins. At Oraibi she carries a yucca whip, at Second Mesa a tray of corn. The Crow Mother is mother of the Hu Kachinas and appears in the Bean Dance. By some Hopis she is considered to be the mother of all the kachinas...

Sikyatki Polychrome bowl ca 1400 to 1625 ad. with Kachina face black/red on yellow. broken glued approx. 1% restoration of corner chips of shards. It is approx.: 11"wide X 5"deep, Extremely rare. I guarantee this item 100% full money back no question asked. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU NEED MORE PICTURES OR YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

Sikyatki Polychrome bowl ca 1400 to 1625 ad. with birds black/red on yellow. broken glued approx. 1% restoration of corner chips of shards. It is approx.: 10"wide X 4"deep, Extremely rare. I guarantee this item 100% full money back no question asked. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU NEED MORE PICTURES OR YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

An animated clown in motion with his hands raised above his head. Height: 10.25" c.1930

It's a variant of the Butterlfy Kachina from Jemez that went to Zuni before it reached the Hopi. Its name is Poli Sio Hemis. White and red case mask, tableta similar to Hemis Kachina except for the addition of a tube mouth. White kilt, sash, etc. White,red, and yellow body paint. Ordinary Kachina dance. White and black eagle feathers painted on the tableta. Height:15.5'' Width (shoulder to shoulder) :4.5'' C.1900

This is one of the finest Columbia River Gem Points known to exist. It may be the finest Gunther Barbed/Rogue River ever found. It is the largest example I have ever seen. It is a huge 2 3/4" long. It is made from the finest quality translucent moonstone white agate. It has beautiful patina. The tip and barbs are perfect, not even a spider bite anywhere on the piece. It is a G-10+. It was made by a master knapper. I purchased it in 1988. I have full provenance that goes to the buyer...

This G-10+ Columbia River Eastgate Gem Point is undeniably one of the best ever found. It was found in Sherman County, Oregon. It is made out of translucent honey colored agatized petrified brunt palm wood which is heavily patinated. It is 1 3/4" long. There isn't a ding, flea bite or mistake made anywhere including the tip. There are no stacks or curves. The left side mirrors the right. You cannot tell the difference between side A and side B. This is true art and balanced perfection...

Hopi Polychrome Wood Rügan Kachina Doll *Rügan Rasp Kachina -A class of male kachinas that come in groups, accompanied by the Corn Maidens, who play on rasp musical instruments. There are said to be various types who have the same songs but my informants could not name or describe them all. The feather headdress made of four eagle feathers, two projecting horizontally above each ear, seems to be characteristic of all kachinas called Rügan. *Rügan B Rasp Kachina - White case mask with ...

-Hopi Polychrome Wood Kachina Doll -Rare Variant either Red Fox Kachina(Sikyataqa A Runner) or Chipmunk Kachina (Kona A Runner) -Red Fox Kachina : Yello sack mask with feathers on top of head. Rag ruff, Breech Clout. Yellow body paint. He carries a yucca leaf whip to whip his victims. Chipmunk Kachina : Yellow Case mask with tube mouth, with black, white, and red vertical stripes on back similar to those on the head. He carries a yucca leaf whip and whips his victims. -Height : 8 and 1/4 i...

-Hopi Wood Polychrome Kachina Doll -Bison Maiden Kachina Doll -Mosairu Kachina Buffalo Girl -Height: 9 1/4 inches -C.1920 - The Buffalo Dance my be given during the interval between the Soyal or Solistice Ceremony and the Powamu or Bean Dance. Usually, two girls and two boys dance as Buffalo and Buffalo Girl accompanied by a large male chorus. It is one of the dances most frequently seen off reservation.

A hand carved cottonwood Hopi Kachina Doll, representing a variant of the Kwasus Alektaqa Kachina, circa 1880. Provenance: Harrisburg, PA - collection acquired in 1940s from Arizona University. 11" tall.

A medium-sized Hopi Kachina doll hand carved by Wilson Tewaquaptewa circa 1910. With painted details, carved arms, attached protruding ears and tableta. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on ...

If you own the finest Columbia River gem point collection, this will be your centerpiece. It is the only AUTHENTICATED PRECIOUS FIRE OPAL POINT FROM OREGON KNOWN TO EXIST. This opal point was found in 1955 at the foot of Hart Mountain, Crump Lake area, Oregon, by Bob Rock, in the presence of the late Carroll Howe which I confirmed with a telephone call to Carroll. Carroll wrote four books on northwest material. There is an opal outcropping about 30 miles away that matches this type of opal. ...

A small Hopi Kachina doll, possibly depicting Samawutaqa, circa 1930-1940. Description of Samawutaqa from Colton, 1949, p. 61: "Appears in Mixed Kachina Dance. This is said to be the only kachina that the Tewa people brought with them from the Rio Grande to Hano about 1700." 7" tall.

A cottonwood Hopi Mudhead Kachina doll circa 1900. Depicting Koyemsi, the Mudhead Clown, of slightly attenuated form, arms hugging the torso, the case mask decorated with three circular attachments, representing gourds; painted with red, black and brown pigments. Description by Colton, 1949, p.59: "Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own, At First Mesa they are said to sing Zuni songs." 8 1/2" tall.

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1930-1940, with chicken feathers. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIM...

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1915. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS 6" tall x 2.5" wide ...

A coin silver cigar band with a primitive, stamped, coin-silver button ring, circa 1890-1900. Similar examples of this button can be found in, "Indian Silver Jewelery of the Southwest 1868-1930," by Larry Frank. Page 66, item 68 shows a very similar set of six stamped buttons with a high domed centers circa 1890s, found at Hopi in 1911.

A medium sized Hopi Kachina doll carved by Wilson Tewaquaptewa circa 1930. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS: 7" tall.

A medium sized carved wood Hopi Kachina doll - Hornet Kachina (Tatangaya) circa 1930. Description of Tatangaya from Colton: "Two types...At Second and Third Mesas he wears a green case mask with datura flower ears. Stripes of all colors surround the face. Cloth ruff, breech clout, and green moccasins. Yellow and red body paint. The Hornet Kachina appears in groups or singly in Mixed Kachina Dance, and the Pamuya. He is said to be of Zuni origin." DIMENSIONS: 7" tall.

A rare Jimmie Kootz carving of a Double Eagle Kachina in puppet form circa 1940-1950. DIMENSIONS: ~5 1/2" tall (arms extended upward); 1 3/4" wide (at midsection including second doll).

A rare Jimmie Kootz carving of Koshare Clown Kachina in puppet form circa 1940-1950. With articulated arms and legs and two independent strings, one attached to the top of each arm. Koshare's general description from Colton: "Face mask painted white with black eyes and mouth. Two soft black and white striped horns on top of head. Rag ruff. Breech clout. Bare feet. Body painted in black and white horizontal stripes. No regular accessories." DIMENSIONS: 7 3/8" tall (arms extended upward); 1 7/8" w...

Tularosa Black on White Duck Effigy with Dog Head Lug, ca 1175 to 1300 ad., it is in as found condition, no restoration or repaint. It is 4.5"high X 4.75"long. A "Certificate Of Authenticity, Release and Disclosure" Statement will be provided. IF YOU ARE INTERESTED IN BUYING OR MAKING A OFFER PLEASE EMAIL ME TIM JONES AT tejones0433@msn.com

A rare large pictorial beaded Iroquois animal whimsey, circa 1890. Depicting what looks like a mythological deer or elk figure. A great folk art piece. One of the largest and most spectacular whimseys known. With a great sculptural relief, and beaded in white, blue, green, copper, light tan, numerous beaded suspensions with tubular beads, sequins. Excellent Condition. 11 1/8" wide; 12 1/2" tall; 15 3/8" tall (w/suspensions).

A Hopi polychrome wood Kachina doll depicting Hólolo, circa 1915-1920. Description from Colton, "Case mask painted green or brown, with pop eyes, snout, cheeks painted with half moons or small circles. Douglas fir or juniper ruff. Kilt, sash, fox skin, and green moccasins. Body painted red with yellow shoulders, forearms and lower legs. Carriers rattle and bow and arrows. Appears in kivas in spring or in Mixed Kachina Dance." Good Condition consistent with age, some paint loss. 14" tall, 5 5/8"...

A New Mexican straw-overlay black-stained pine document box circa 1850. Provenance: Al Luckett Collection, sold at Sotheby's "American Furniture and Decorative Arts from Spain's Northern Colonial Frontier", New York, Thursday January 15, 1998, Lot No. 39. Extremely Fine Condition considering the age. 16 1/8" long, 10 3/8" wide, 7 1/4" high.

A San Juan carved wood figure from mid-twentieth century. Secular carving of the Deer Dancer. Excellent condition. 12 1/4" tall.

A uncommon Hopi polychrome mudhead pottery vessel circa 1920-1930. It is very unusual to have a mudhead depicted on a pottery vessel. Excellent condition, with no loss. 6 1/2" diameter

A polychrome Hopi wicker tray circa 1920-1930. Depicting a Palik Mana wearing an elaborate tableta and a woman's shawl. On the back of the tray there is an uncommon reversal of the image which shows the figure's backside. It is also rare in that the entire body is shown, rather than just the face. Excellent condition, with normal fading on the front. 13" diameter

A pair of Sioux buffalo hide moccasins circa 1880. With dark blue, red, white hearts, and green in geometric square and triangular designs. Excellent condition.

Hopi Hemis Kachina doll with tablita. Circa 1880-1890. Minor paint and wood loss. Dimensions: 14 1/4" tall.

A rarely carved secular version of the Buffalo Dance figure. Circa 1920. Having secular eyes, a buffalo dance headdress with horns, kilt, arm bands, and moccasins, and wearing a decorative, wooden, tail-like appendage. Excellent condition with only minor paint loss. In the four decades that I've been collecting and dealing kachinas, this is the first Buffalo Dance figure I've had. Dimensions: 8 1/2" tall.

Circa 1840-1850. Buffalo hide quiver with traces of red and green pigment. Contains seven arrow shafts, four with metal points. Ash bow with original animal hair and fiber string. Provenance: Mordecai Thomas Bertram (1843-1904) collected c. 1860-1870 on the Sauk and Fox reservation, then descended within the family.

Circa 1875-1880. Depicting a warrior killing or scalping another man, the warrior holding an elaborate war shield with long feather decorated panel hanging from its center and followed by his horse. The word "Owl" above. On the reverse is written, "This drawing was from a book shown by Robert Miller Gallery N.Y. 1970's. I think it is Southern Cheyenne. George Terasaki sold the book to Miller. Modern artists like David Hockney and Janet Fish received drawing from this book. Don Crouch" Dimensions...

Circa 1875-1880. Depicting two warriors on horseback in combat. The warrior on the left wears a long feather headress and carries a pistol. The warrior on the right carries a bow case across his shoulder and holds an arrow in his left hand. "Kaw Indian" written in ink below. On the reverse is written, "This drawing I purchased from George Terasaki in late 1960's early 1970 from George. This page is Southern Cheyenne, could be Northern Cheyenne. It was from a group of drawings from a loose book....

Rare, beaded hide, sinew sewn, miniature Sioux Blanket Strip circa 1880. Decorated with four central medallions with geometric designs. It is attached to a red textile. This may be one of the smallest blaket strips known. The strip measures 30 1/2" Long x 1 1/2" Wide, and the medallions are 2 1/8" in diameter. The red textile measures 43" Tall x 40" Wide.

Rare Kiowa belt with 10 German silver conchos on a harness leather strip with buckskin tie suspensions and rectangular cutouts on each end of the leather strip. Belt is 34" long x 3" wide. Conchos are 2 7/8" in diameter. One Concho has different design elements from the other 9. Most likely a man's belt. Circa 1900.

Navajo silver canteen, circa 1920. Excellent condition; shows use. Stamped with various geometric decorations. Beautiful cap with handmade silver chain. 3" long; 2 7/8" diameter.

Navajo Turquoise and Silver Cross, mid-twentieth century c.1950. Sand cast, silver cross with central turquoise stone set in silver bezel. Heavy casting. 2 1/2" L x 1 3/4" W.

This rare Archaic E-Notch point, made from translucent gray glossy flintridge, is in perfect condition. It has heavy grinding on the base and in the bottom portion of the notches. This is a classic example of the type and is beautifully beveled. It was found near Circleville, Pickaway County, Ohio. Comes with a Gregory Perino certificate of authenticity and shows very nice mineralization and patination.

Northwest coast model totem pole c.1910-1920. Vancouver BC inscribed on the back, "Sam" inscribed on the front. 12 1/4" h, cedar. Minor wood loss, minor paint loss. Otherwise good condition. $275.00

Hopi Polychromed cylinder doll c.1880-90. With pop-eyes, snout, hands carved in relief, red stripe, red dots, green copper carbonate case mask. 5" in height. George Blitz collection, New York

Plateau Parfleche c.1880-1890, size 24" x 13 1/4", Buffalo hide tie, Provenance: Nelson - Atkins Museum Trust, Kansas City, MO, excellent condition, slight soiling from age and wear.

Navajo Squash Blossom Necklace, circa 1930-40. Size 13 1/2 inches per side. Provenance: Belonging to Dorcas Trilostson Crawford, Albuquerque, NM. Decended in the family. Price: $5,950.

Rare Mandan Beaded and Quilled Hide Tobacco Bag. Tin cone and red feather suspensions, hide fringe. Size: 26" length x 6.25" width. Excellent condition. Circa 1870 - 1880. Provenance: Paul Dyke, Artist, Rimrock, AZ

Sioux beaded hide tobacco bag. Quilled and cone suspensions. Quilled slatted panel. Green and ochre glass bead fringe. 35 1/2" by 5 1/2".

1.25" long x 1.25" wide. Silver and semi-precious stones (turquoise, jet, abolony, carl). A knife wing god with silver wings and tail feathers, applied silver beading and scrolling wire details.

1 3/8" long x 1 3/8" wide. Silver and semi-precious stones (turquoise, jet, abolony, carl). A knife wing god with silver wings and tail feathers, applied silver beading and scrolling wire details.

2.25" wide x 1" long. Sterling silver.

Hopi Pin With Original Open Clasp c. 1920-1930 1.5" wide x 1.25" long.