This is an antique ceramic Ge yao(classical chinese crackle ware ) bracelet found in Borneo, condition not perfect with that obvious one hairline crack (one round) as shown but not broken into half yet, other area intact and fine glaze. it has three spur marks because of the Sung style firing techniques, diameter of the hole is 8.5 cm

Carved 19th Century Soapstone teapot. Dark brown color . 14 cm Wide X 7,5 cm High.good condition, it's just has a chips at the lid.

This is a classical form Song dynasty small moulded longquan or celadon dish with appliqué twin fish in the centre and an everted flatten flatten mouth rim. The exterior is moulded with an overlapping upright lotus petal radiating from the foot. The dish is glazed with an uneven light green colour with glaze crazing.

There is no crack, repair or restoration...

This is a northern Song dynasty green glazed bowl. It stands on a foot rim with a recess base exposing the light buff colour stoneware and then extending upwards with a C-shaped rounded body with a rounded rim like a lip. On the cavetto, it is incised with four bud of swirling flowers with lightly combed designed in between and the centre of the bowl.

The bowl is in good condition with the exception of minute abrasion and glaze fritting...

This is a Tang dynasty funerary sancai or tri-colour tea cup set. It has a tray with seven cups on it. All the items stand on a flat base. The tri-colour is green, beige and amber, both in long streak partially outside and inside of the tray and tea cup.

There is no repair or restoration, some abrasion and bubble burst. Some expected degradation, chips & minor losses as a consequence of long period of burial and subsequent cleaning...

This is a qingpai ewer or jug from the Song Dynasty. The qingapi ewer is of sea greenish hue. It stands on a recess 2 tier base with a curving body of a baluster or bulbous shape extending towards a flatten shoulder and then a mildy everted neck and mouth. The body is also lightly incised with some form of design. This is a shipwreck item.

The qingpai ewer is in good condition. There is no repair or restoration...

This is a nice small qingpai jarlet from the Song Dynasty. The qingpai colour is of sky blue hue. It stands on a flat base with a ribbed body with a shoulder towards the mouth rim. On the shoulder it has a ring of lotus leave life lappet.

The qingpai jarlet is in good condition. No chip, repair, restoration or glaze fritting, only some bubble burst as shown in the pictures.

The measurement of the qingpai jarlet: The height is 4.2cm and the and the width is 5.3cm.

A very rare Jianyang temmoku wine jar of Song dynasty (11th to 12th century) that has the characteristic black body clay, traces of burial earth are left intact around the handle and mouth areas of the vase for authentication purposes. The typical thick black glaze with the aforementioned black body clay, clearly designates the origin about 230 km from Jingdezhen in the region of Jiangxi province. Condition is very good without any hairlines, chips, or repairs...

A Chinese doctor would use this stoneware clay pillow to support the wrist while taking the pulse of a patient.

The pillow was made using slab construction and all the surfaces are decorated with a star pattern and covered with a traditional glaze. There is a tiny vent hole on the bottom to facilitate firing. It measures 4.5x3 x 1.5 inches and is covered with traditional green glaze...

This is a small and thinly potted Song Dynasty (960 – 1276) small yingqing bowl. It stands on a short glazed foot rim and base rising to an everted c-shaped glazed body stopping short of the rim. Both the rim inside and outside of the bowl is unglazed exposing the porcellanous body.

The small yingqing bowl has abrasion, glaze crazing, pin holes and a small chip on the rim which can be seen in all the pictures. There is no repair or restoration...

Large Chinese jardiniere with a rich dark green glaze with a dragon, a rooster, two deer, and the Shou character for longevity. In pristine condition, it measures 7" high x 9" diameter. Dates 1850 or earlier

A nice Chinese wine jug measuring 12" (30.5 cm) high, 11" (27.9 cm) diameter. This attractive example dates late 19th century. Beautiful dark brown glaze.

This is a medium height carved cizhou wine jar with thick dark brown glazed from the Yuan dynasty (1277-1367). The vase stand on a recessed foot. The body is curved with two vertical sets of scroll within a double band..

Only minor abrasion especially on the mouth rim, pin holes and manufacturing faults as shown in the photograph, otherwise no chip, rim fritting, crack, repair or restoration...

This is a cizhou style wine jar in a baluster shape from the Yuan dynasty (1277-1367 A.D). It stands on a shallow short recessed foot-rim like a stand and then everted outward like a short “C” shaped pedestal and the everted outward and upwards to a baluster shaped body with a flat shoulder and then straight upwards towards a very short neck mouth rim. The jar is divided into four horizontal bands with design in between them...

A simple black glazed ribbed vase with foliated rim...

This is a nice pair of tomb guardian, one piece in the form of a warrior and the other a mythical beast. The pair of tomb guardian is made of white earthen ware with copper green glaze. The green glazed is also nearer to the celadon glazed type. The clay, glaze and style suggest that the pair of tomb guardian suggest that this pair of tomb guardian straddles between the late Sui dynasty to the early Tang dynasty or about 7 century.

There is a re-attachment to the broken right ear of ...

A Yuan dynasty (1277-1367) ewer with wide splayed mouth and incised handle set opposite the sprout applied with black and brownish glaze falling short of the foot.

Only minor abrasion, no chip, crack, repair or restoration. The ewer is In good condition.

The measurement of the Yuan dynasty ewer: Height is 15cm, length from mouth tip to handle is 14cm.

This is a Yuan Dynasty (1227 – 1367) cizhou style vase painted in iron brown colour. There are two layer of glazing on this cizhou vase. The dark olive colour glaze can be seen at the rim of the mouth and about half an inches from the splayed foot base. It is first glazed with a dark olive green glazing and then a white layer of glaze is applied, and then the cizhou painting on it. The painting is stylized into sections. The top is painted with some form of plants (grass) followed by the lotus...