This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

Very nice old Maru Japanese Obi in excellent condition. Neutral colors throughout the delicate weave of repeat scenes of cart

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Large Japanese temple cloth woven with cotton and strips of paper, great for a wall decoration. The dimensions are 107" x 47" (271.8cm x 119.4cm). Many things in Japan were made from paper, just like soy sauce was added in almost all cooking. Textiles were no exception. Some monks in Japan still make their own paper for their clothes. There are few beautiful samurai haori jackets made out of paper that still exist today in textile museums (which we have only seen in photos)...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops...

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

This is very rare Shibori Kimono produced in Akita Asamai area for Edo period. This is dyed with a natural indigo plant carefully. As for this, a pattern is Eba-gara. Three carps swim in the water like a brick. In the Hanada-colored ground, three bold carps and waterweeds with the force are expressed in indigo dyeing Shibori. This cotton is spun by hand...

This Japanese antique tsutsugaki textile fireman coat Sashiko Edo era(1800-1867), has a beautiful and dynamic drawing of a hawk that spreads its wings and flaps powerfully on the bold waves. This powerful hawk movement is a painting that is rarely seen in the firefighter Sashiko. And the sharp eyes of the hawk are very impressive. There is a light stain on the bottom wave, but it is not noticeable. There is no damage. The letters on the lining of the collar are the names of the owners stabbed ...

It is the design of Ryuo Shikai. The figure that protects sea fishes from evil is represented by dragons and anchors. This is a very rare firefighter Sashiko jacket. And it has a very large size. The condition of the painting is in very good condition, as it is rarely used.　 In this item, the anchor is drawn large in the center to calm the anger, and the octopus and fish at the gate of Ryuo are very attractive. In Japan, anger and anchor are expressed with the same pronunciation, so the expr...

This is Shibori Kimono produced in Akita Asamai area for Edo period. As for this, a pattern is Eba-gara. A carp swims in spray like a brick. The lower part is expressed in dark indigo dyeing Shibori in Shirakage-Shibori at the upper part. This cotton is spun by hand. And it is a smooth good-quality texture item. The Eba-gara Shibori kimono was a great high-quality item ordered in particular for Nishimonai-Bon dance. The Bon festival dance is enlivened wonderfully by a high Shibori technolog...

This is the one in the middle of Edo period. (1603-1867) Tsutsugaki textile of very valuable museum class. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Moreover, it is very difficult to express the picture only of this in hemp. It is because hemp is not dyed easily. Tsutsugaki to make good use of this advanced exact technology is very rare. Plea...

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). This is a very advanced technique. And the entire surface is stitched with sashiko. The lining is indigo dyed. Song dynasty in the early 12th century Water Gate Break is a famous scene in "Suikoden".　Chou Jun, who appears in Chinese biography stories, has the best swimming talent among biographic characters and is famous for breaking e...

This is a Japanese antique Edo Period tsutsugaki fireman sashiko coat textile. It is an item with the long and thickness that is very firm. Sashiko-cloth is sewn on the back and collar to represent affiliation and status. His position is sub-chief. It has a taste of the Edo period's long-term use.A bold rain dragon design. It is said that the dragon summons rain and extinguishes great fires. There are light stains ,fading and scuffs from age, but they are not noticeable. There is no big damage...

This is chirimen-silk yuzen-dye and Embroidery yogi kimono in Edo period(1800-1867)Very rare.This yuzen-dye yogi kimono is a museum class.It all is expressed with embroidery and yuzen-dye. It is wonderful beautiful kimono. It does not have a stain. There is a small hole in several places. There is the part which a thread of the embroidery came off. However, it is excellent condition. size:186cm x 156cm(73.6" x 61.4")

This is Japanese antique rare Edo era yuzen dye Hand-painted dye and Hand embroidery kimono. It is a gorgeous and beautiful kimono with an excellent design of dahlia, chrysanthemums, nadeshiko, running water, roses, and hagi flowers. There is a fading discoloration in the flower pattern over time. However, there is no damage and overall it is in very good condition. This kimono is from the late Edo period.(1850-1869) This kimono is an unlined kimono that is worn outside of winter. Yuze dye ...

This is Japanese rare edo hand shibori (Tie-dye) & Hand embroidery and Natural safflower dyeing silk kimono. This shibori and embroidery technique is wonderful, very luxurious and beautiful kimono. The cranes around and the flying cranes are very charming. There is no stain, but there are parts where the embroidery is slightly off. But overall it is in good condition. This kimono is from the Edo period.(1800-1850) Size:Length:160cm (62.99inch) Cuff to cuff, across the back: 122cm (48.0i...

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).It is the pattern that is impressive with a dragon and the boldness of the sword. It is a very high technique. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 116cm. The lining is indigo dyeing. Textile is thick cotton with wonderful atmosphere of the era. I recommend it to collection of you. It...

This is antique Indigo dye Stripe cotton sashiko boro noragi textile of the Meiji era(1868-1912). It is boro cotton and patchwork of very beautiful indigo dyeing. All this sashiko stitches are made by hand. I can enjoy it with the both sides. It is very rare textile. This is textile made in the japan Seto Inland Sea district.I recommend it to collection of you. size:114cm x 113cm (44.9" x 44.5") Box.G

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. The silk brocade of this kesa is a pale orange color and finely woven with colorful designs of dragons in clouds. The silk is Imperial Chinese, as shown by the five clawed dragons. Lined with dark blue silk.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed f...

This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

Important Antique Japanese Buddhist Pilgrim's coat. Buddhist monks would embark on a pilgrimage to travel temple to temple. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here.

Very rare to find one with so many locations marked and visited. Condition is very good origin...

Japanese antique edo(1800-1830) indigo dye silk kosode gosyyotoki pattern kimono of tsutsugaki and embroidery. Although there is light discoloration, there is no damage and it is in very good condition overall. Kimono with no lining, worn in spring and autumn. size::Length:155cm(61.0inch) / Cuff to cuff, across the back: 122cm (48.0inch)

Antique Japanese hikeshi banten, fireman's coat. Made of cotton and stitched over every inch using a sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi) and their primary goal in containing a fire was to knock out the surrounding buildings so the fire had no more fuel. These special coats...

This is good-quality Yogi of Tsumugi-Silk used in the Tohoku district at the end of Edo period. Yogi which it is polychromatic, and was dyed is an upper item. This is one of the upper wedding ceremony items. As for this, basics are dyed in indigo plant and Kariyasu. At first this is dyed in Tsutsugaaki, and 90% are finished, and a part of the tiger is pictured freehand carefully successively. All is natural dye and sumi, and this is produced. The state that this does not have a stain and damag...

Yokote Kasuri Yogi was used in the Akita region during the Meiji period. Dyed with natural indigo. In this regard, the cotton is hand-spun. The pattern is Urashima Taro. This pattern is extremely rare. Very good condition No stains or damage. Size 147cm x 140cm (57.8" x 55.1")

This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton. It is an item from the Edo to Meiji era. This item was made in Sado region of Japan. It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist. The rubbing of the thread due to use has a warm touch. And the indigo dye lumps seem to look into the very beautiful sea. It does not stain or damage. Very good condition. Size:Length:84cm / 33.0inch :: C...

Antique Japanese theater robe, hand-embroidered with intricate motifs of ocean waves and flames. The central image is of a large embroidered dragon with glass eyes, swimming in the ocean waves, with Mount Fuji across the shoulders. The interior is lined in solid light orange fabric with floral print towards the bottom. Mid Meiji period (1868 - 1912)

Size: 50" L x 74" H

This is the one in the of Edo period. (1800-1867) wonderful textile of very valuable museum class. The lotus flower represents the Pure Land. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Tsutsugaki to make good use of this advanced exact technology is very rare. Please look at the cloud. The technology of this expression is a feature ...

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about. This has several places...

This is a Bakumatsu item. This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues. The "Hannya" mask expresses the wrath of Bato Kan...

Antique Japanese asa (hemp) woven vest with a beautiful paste resist pattern of swimming koi fish and waves sewn over a hand painted scene of reeds. Beautiful and charming with its original condition. Edo Period (circa early 1800's). Size: 31.5" H x 23.5"

Japanese Antique Kesa Cloth (Buddhist Priest's Vestment) made with prized brocade displaying the crest of the Tokugawa shogunate and framed with a rare purple and gold silk brocade with red accents. The "triple hollyhock" mon belonged to the Tokugawa feudal military government of Edo Japan (1600-1868).

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched ga...