Elegant hand wrought 940 sterling silver pin designed & signed c. 1950's by Taxco, Mexico artist Hector Aguilar (1905-86). Pin measures 2" X 2". Beautiful condition and patina. Pin back and safety in fine working order. Fully hallmarked on the reverse. Aguilar designs are included in the permanent 20th century Mexican silver collection at Los Angeles County Museum of Art.

Ultimately modernist in its approach to personal adornment, with Enrique Ledesma's signature perfection in the marriage of silver and stone, a necklace and earrings set with triangular links of sterling framing richly colored azur-malachite. Honesty of materials, craftsmanship of the highest level and immaculate finishing create a superb example of Taxco lapidary and silversmithing prowess. The necklace measures 15 3/4" long (wearable) by 5/8" wide while the clip-back earrings are 7/8" by 3/4"...

This Victoria signed brooch is a published design in the Penny Morrill's books on Mexican Silver and it is also extremely collectable. The pattern is unique and it is made with quality workmanship. Dimensions are 2.5in. by 2.75in. No damage and very well cared for.

Elegant branch coral and sterling silver pin or brooch designed and signed circa 1930-40's by Taxco, Mexico designer Matilde Poulat. Poulat signed her work Matl, a variation of the Aztec word for water. Pin measures 1 1/2" X 1 1/2". Beautiful condition, signed on the back Matl 0.925 HECHO EN MEXICO. This early piece was designed and made before Poulat's passing in 1960. A similar design of this pin is pictured on p.221 of MEXICAN SILVER by Penny Morrill and Carole Berk.

Rancho Alegre featured Miguel Martinez as a principle designer and this is an early hallmark of Miguel's as shown. The silver is thick and almost pure. The tips are also beautiful and hand made. The rope is black cording and can be replaced quite easily if desired but it is in it's original state for the purest at heart. I would be happy to put the tips on a new cord for you. I have a picture of the leaf cuff by Doris with it which is also listed on my site...

Handmade sterling silver pin designed and signed c.1950 by Taxco, Mexico artist Salvador Teran. Marked SALVADOR STERLING MEXICO 103. Layered sections of silver combine to paint a stunning and mysterious modernist portrait. Female or feline? Pin measures 2 1/4" X 1 1/2". 25 grams. Beautiful vintage condition.Pin back and lock work perfectly. No dents, dings or repairs...

Generously long, with a hefty chain and an unusual stylized floral design, this early Mexican Deco necklace combines silver and copper in a playful yet still bold way. The graduated tulip links bring to my mind classic representations of the flower in Ottoman art - the blooms are slender and tall as opposed to the hybrids we are used today which are shorter and rounder...

The name of Plateria Cortes, a Taxco retail store is often found on jewelry signed by Enrique Ledesma and this is the case with the modernist sterling silver and green stone necklace at hand. This type of curved trapezoid links embellished with inlay is a signature design for the maestro yet here there are two sections of stone in each station which is a welcome variation that does not come up as often as the typical single segment...

A most unusual Mexican Deco necklace, this Mexico City figural example falls under several categories. Its links are inlaid with azur-malachite in the Los Castillo "mozaico azteca" style but it also belongs in the "mask" jewelry sub-genre thanks to the repousse portrait adorning the central station. And even though this is not a work from Taxco and its maker is, for all intents and purposes, an "unsung" contributor to Mexico's 20th c...

One of the Mexico City maestros active in the first decades of Mexico's 20th c. Silver Renaissance, Abraham Tobias was a contemporary of Matilde Poulat's and he created jewelry in the so-called Mexico City style repousse. Many of his pieces are based on Matl originals and admittedly the boldness and quality of his repoussage is very very close to, if not often en par with, Matilde's own...

Last year I was lucky to find three examples of jewelry by Celia Harms, a talented designer who lived and worked in Vera Cruz in the 1950s and '60s. The Etruscan style sterling vermeil cross pin / pendant necklace I am presenting is the last of that trove and a very classy duo as well. I am very particular with vermeil - I don't really like it unless it is old and has mellowed almost to the point of ... extinction yet here it has an understated matte finish that exudes a calm warmth...

Following in the tradition of Mexico City “jeweled” jewelry closely associated with Matilde Poulat, this Mexican Deco silver and amethyst cross pendant necklace is not signed for maker yet its rich patina, beautiful stones and exceptional chain more than compensate for the absence. I could hardly exaggerate how rare it is to find a repousse chain of this beauty, let alone one adorned with richly colored amethyst cabs...

One of the few female designers of Mexico’s 20th c. Silver Renaissance that we know of, Erika Hult de Corral excelled in the creation of slick abstract and brutalist jewelry. She started creating her own work in Taxco’s “middle period” and continued being active in the post-1980 years as well. Big, bold and beautiful, the result of the artist’s few yet perfectly placed brushstrokes, the dove-shaped pendant at hand conveys that precious sense of elegant, unimpeded motion...

This amethyst ring is an iconic Antonio Pineda design, shown on p. 154 of Silver Seduction. It's a mid-century piece, collector quality, with perfectly matched amethyst cylinders which are channel set in a thick and chunky 970 silver setting. The stones are perfectly matched in color, and this ring can be worn by either a man or a woman. Measures 7 1/4 on a ring sizer, although because of the thickness and width of the band it will fit slightly smaller. Signed and hallmarked with the Antonio...

In keeping with the love the 1960s and '70s had for huge, "ethnic" pendants this Los Ballesteros sterling silver sunburst stunner is inspired by ancient Aztec and Maya calendar disks and measures 3.5 in without the bail! Several silversmithing techniques were combined to create the pendant - cutwork, chasing, overlay, oxidation - and right at the center, a crown-set amethyst brings intense color to an otherwise silver and black background. The chain itself is an incredible find not just because ...

In the last couple of years I found myself drawn closer and closer to the jewelry created by the Los Ballesteros workshop. I am especially attracted to their “mask” pieces in all the forms they can be found as well as to what I like to call their “hinged bangle” bracelets. I consider both kinds the absolute jewel in the taller’s creative crown and it seems that there is always something new and different to discover. The perfectly carved tiger’s eye “Joker” pendant is a piece I h...

This lovely pair of handmade silver earrings designed by Taxco, Mexico artist Hector Aguilar measure 1 3/4" x 1 3/4" and weigh 21 grams. Each earring is accented with a turquoise cab. All five of the earring hoops move freely. The screw backs are in fine working order. The earrings are in beautiful condition with a soft aged patina. Fully hallmarked HA 940 TAXCO with eagle #9.

Eagle 22, one of the assay marks used by Fred Davis, is stamped on the bracelet at hand and its design combined with the fact that Davis was not at all meticulous at signing his pieces makes me believe that we might as well be dealing here with one of this creations. The carved amethyst "masks" are rendered in the most minimalist manner, a classic Abraham Paz / Fred Davis characteristic. For me, they also bring to mind ancient Cycladic art yet they were made thousands of years later in a totally...