Big and beautifully aged this floral sterling silver Hector Aguilar brooch is representative of the 1940s' love affair with all motifs from nature. The flower is here layered, with deep hand-chased details in the petals and foliage, a strong curving stem and cluster of small beads right at its center. I love the way the bloom is wide open, its face turned to the sun, taking in light and heat and turning it to color, aromas and beauty for our visual enjoyment...

Piedra y Plata was the name of Felipe Martinez's taller. He was known for his incredible stone work. He sourced gorgeous stones for his treasures he produced and I believe the stones here are Chrysocolla. They have natural matrix running through out. This bracelet is 7 inches long and 1 inch tall. The patina is rich and natural. With a weight of 50 grams of thick silver Martinez has produced a tasteful,streamline size full of details. There is no damage...

The quintessential Art Deco designer, Abraham Paz is one of the earliest maestros of Mexico's 20th c. Silver Renaissance. He worked in Mexico City and many of the designs we associate with Fred Davis are actually Paz's creations. His minimalist "masks", shield-form links and tiered ring settings epitomize the elegant geometry the 1920s and 1930s are known for while also foreshadowing the less-is-more attitude of modernism...

The presence is big with this Aguilar design. Each link is woven into a tied bow with thick, dimensional, ribbons of silver. Really beautiful natural patina Each is hand chased and finished with a dimpled dot in the center which is iconic in his use. 18 inches long and 7/8th of an inch tall of quality workmanship. 125 grams with no damage or repairs. Take this jewel anywhere, just LOOK AT THAT NECKLACE!

Intricately constructed this hand wrought 940 sterling silver necklace was designed by Taxco, Mexico artist Hector Aguilar. Rarely seen on the market it is 20 1/2" long x 1/4" wide and weighs a comfortable 55 grams. It’s in beautiful condition with a tight & secure slide-in clasp. Fully hallmarked HA 940 TAXCO and TALLER Borda and Aguilar's eagle # 9. Hector Aguilar designs are included in permanent museum collections including MFA Boston & LACMA.

Architectural in a dramatic yet also minimalist way, this Hans Hansen sterling silver ring does not come up very often. Set on a cylindrical post its tambour-shaped face holds a polished round black onyx disk within it. The transition from sterling to stone is seamless, the surfaces of the two materials "married" to each other in the most perfect way while the tambour's sides are reflected in the simple wide shank...

An absolutely gorgeous sterling and lapis ring by Arizona Modernist H. Fred Skaggs. This bold ring has an eye catching setting and a beautiful, deep, bright 1 3/8" long lapis stone. It is a size 6 1/2 and weighs 23 grams. No condition issues, no chips or cracks to the stone. This ring will delight any collector of Skaggs pieces.

The signatures of Chato Castillo and Ingrid's combine on this exquisite Mexican Deco silver fan pendant necklace - neither is a a common occurrence and both are synonymous with imaginative design and high quality. Chato is reported to have been the driving adventurous force behind most of the Los Castillo innovations - the revival of ancient techniques, the experimentation with materials - while Ingrid's still remains among the elusive early Taxco retailers...

Perfectly carved obsidian teardrops with shimmering golden depths and high purity silver combine in this modernist Antonio Pineda set of dangle earrings. There is an innate elegance in the way the silver embraces the volcanic glass, like slender flames of a hot fire emanating from black coals. In the darkness, you only see the silver; in the light it is only the obsidian that catches the eye. Antonio at one of his best moments, I believe...

Light and airy this vintage Hector Aguilar foliate brooch looks almost like an anatomical leaf study in fine, .940 silver. I think it is a fern leaf that is presented in its absolutely bare essentials yet the stem's playful curve and the graduated lessening of the pin's width as it proceeds from base to leaf tip impart a pleasantly deceiving illusion of sculpturality. Easy to wear, soothing on the eye, perfect for the time when trees put on their fall colors...

Celia Harms known for her work with gemstones has 12 stones on each half of this bracelet. All different colors with most being Mexican fire opals. The height of the bracelet is 2.5 inches and the diameter is 2.75 inches. This is one of her earlier works as it is closed with a barrel and pin. The patina is lovely and there is no damage. It has quite a presence with a weight of 107 grams. This fits like a bangle on the wrist...

One of Enrique Ledesma's signature designs, the necklace at hand is a must-have for the collector because of the rare color agate used to complete the trapezoid links. Most frequently found with black onyx, obsidian and green stones (chrysocolla or chrysoprase) this is an ode to "less-is-more" necklace and to come upon an example with this rich, reddish brown agate is a real treat...

A most unusual Mexican Deco necklace, this Mexico City figural example falls under several categories. Its links are inlaid with azur-malachite in the Los Castillo "mozaico azteca" style but it also belongs in the "mask" jewelry sub-genre thanks to the repousse portrait adorning the central station...

Big, with pronounced repoussage, a series of beautiful turquoise cabs crowning the crest of the creature's shell, this vintage Mexican Deco figural brooch was most probably made in the country's capital as its workmanship indicates. This type of "high relief", textured repousse jewelry is reminiscent of Matilde Poulat's techniques and closely associated with Mexico City maestros. Here, the texturing is not as predominant as in other pieces yet if one looks closely, one can see the silversmith's ...

Perfect for the medium to smaller wrist, this vintage modernist Enrique Ledesma hinged bracelet features a big, asymmetrical medallion with green stone inlay in the "mozaico Azteca" tradition of the Los Castillo. The transition from stone to metal is seamless and if one looks closely (in the photos it is more evident thanks to the macro lens), one can see evidence of the maestro's polishing wheel that brought the two surfaces together in a perfectly smooth union. The bracelet has a 6" inner circ...

Huge, meticulously worked, with such detail and rich presence this Mexican Deco sterling silver bird of paradise is one of my absolutely favorite brooch designs. I have to admit that I really love brooches - I seek them out and try to find the best examples for One Good Eye Silver and it doesn't matter to me if they are "in" or not at the specific point in time. Brooches are classy; they can be delicate and romantic; and they can be bold and beautiful. This bird-of-paradise is open-back repousse...

One of the most talented Taxco maestros, Francisco Rivera trained in Spratling's Las Delicias and as a mature maestro he created jewelry for Emma Melendez in addition to having his own line. Rivera is one of those artists a collector / lover of vintage Mexican silver does not discover immediately. One has to train one's eye first and develop the sophistication that allows one to go looking beyond the "big" signatures in order to discover amazing examples of "wearable treasures" made by less cele...

Classic, simple elegance is displayed in this phase 1, William Spratling Necklace. The lack of o rings in construction lends itself to a fluid look. Properly hallmarked and showing the 92 rubbed from the making with the 5 showing. It is heavy repousse and is 66 grams of quality. There is 16.25 in. of wearable length. It is built on a slant and lays beautifully. The height at it's tallest is half an inch. A beautiful addition for collectors with no damage and a heavy natural patina, LOOK AT THAT ...