Circa mid-century, this heavy chunky modernist onyx ring was produced by Antonio Pineda.

It's a rarely seen design, wide, solid, and absolutely killer, with inlaid onyx in a 970 silver setting.

Measures a 6 on a ring sizer. The side is quite wide, so may fit a little more snug than that...

This brilliant vintage squash blossom necklace is anecdotally from the 1950s but stylistically typical of the 1970s (the leaves surrounding the turquoise cabochons were popular at that period.) It is sterling silver and turquoise but unmarked. The 1/4” sterling beads are bench-made. The necklace is 27” in length, with a naja that measures 2 5/8 in width by 3 inches in length. The necklace is set with 17 turquoises...

One of the few female designers of Mexico’s 20th c. Silver Renaissance that we know of, Erika Hult de Corral excelled in the creation of slick abstract and brutalist jewelry. She started creating her own work in Taxco’s “middle period” and continued being active in the post-1980 years as well. Big, bold and beautiful, the result of the artist’s few yet perfectly placed brushstrokes, the dove-shaped pendant at hand conveys that precious sense of elegant, unimpeded motion...

Handwrought in the early 1940's, this trapezoid design by Spratling measures 17" long and 1" high. The panels catch and reflect light beautifully as the wearer moves about. The necklace is in excellent condition. Spratling hallmarks are found on the slide-in clasp and on one panel.

An early Mexico City (I will suggest) maestro, P. Ochoa must have been a contemporary of Matilde Poulat’s and M. Velazquez’s. His work, wrought in the same “Mexico City” style of repoussage which for me represents the country’s Arts and Crafts version in jewelry-making, is very rare to come upon but, I think, of the highest quality...

Made in the very late 1940s or in the opening years of the 1950s at the latest, this Marcel Boucher sterling silver necklace is a Mexican piece from the renowned designer’s “Parisina” line. Parisina pieces are not easy to find - Boucher had them made in Mexico for a few years around WWII because the war effort had put restrictions in the availability and use of silver. Yet this specific design, I have never encountered before ...

A stunning Antonio Pineda modernist bracelet, its rectangular, slick links held together with bezel-set carnelian connectors, each one of which features a daringly protruding silver “tongue”. I love the gutsyness of the design and the mischievous sense of humor behind it but I am also taken with the rich color in the stones which changes hue as it responds to the changing light...

Antonio Pineda cuffs don't surface very often and this specific design is even more difficult to find. An ode to the art of a-symmetry, the cuff is wrought in the maestro's favorite fine ,.970 alloy and quite substantial. The stone that adorns its widest end, rich in greens and blues, is agate, I think, but it might be a very special kind of turquoise as well. Warm patina, perfectly conveyed less-is-more attitude and Antonio's exquisite finishing are all present here to please the eye...

Measuring 19 1/2" long this stunning piece was designed by Frederick Davis c.1930-40's. The necklace weighs 75 grams and is comprised of jade beads and hand tooled silver balls of graduated size. The largest silver ball is 1/2". The largest jade beads are 3/4" long. The silver balls appear not to have been polished for decades and the patina is gorgeous. A few pin head size dings noticed on close inspection with a loupe...

Carved in translucent amethyst the “mask” adorning the Piedra y Plata silver ring presented here bespeaks Felipe Martinez’s talent as a sculptor. His jewelry, always combining sterling with the most amazing stones, showcases some of the best lapidary work in the world of vintage Mexican jewelry and his “masks”, I consider some of the most evocative, spiritual examples in the field...

Referred to as the “shells” or sometimes even “snails” bracelet, Margot de Taxco’s des. 5104 is a series of fleshy, perfectly swirling repousse links that feel so comfortable around the wrist, you might take them as an extension of your body. The example at hand vibrates with that warm light only well-aged, well-loved silver acquires and the thick sterling sheet used to craft the bracelet has allowed it to mature without burdening it with the scars and blemishes of age...

Working out of San Miguel de Allende, Carmen Beckmann is one of the “second generation” (if I may be allowed the term here) designer / silversmiths who contributed to Mexico’s 20th c. Silver Renaissance. In her work, Beckmann is often inspired by ancient Maya and Aztec motifs to which she adds her unique modernist “twist” - quite successfully in my opinion at least...

Following in the tradition of Mexico City “jeweled” jewelry closely associated with Matilde Poulat, this Mexican Deco silver and amethyst cross pendant necklace is not signed for maker yet its rich patina, beautiful stones and exceptional chain more than compensate for the absence. I could hardly exaggerate how rare it is to find a repousse chain of this beauty, let alone one adorned with richly colored amethyst cabs. The stones’ circular shape is cleverly reflected in the beading on the c...

The disk that comprises the top of this sterling silver ring has a lot going on. Its highly textured design evokes basketry that is visible underneath as well as from above. It's a bold, dynamic design supported by sturdy construction and expert workmanship. The inner ring bears the sterling mark of 925 and a maker’s mark composed of two captial Gs, the second one upside-down. Unfortunately as of this writing the maker is unknown, so we can't give the credit due this talented metalsmith. The ...

This sterling silver brooch and pendant was handmade c. 1960's by Mexico City artist Anna Morelli (1921-2008). The piece measures 3 1/4" X 2 1/2" and is in beautiful condition. Fully signed by the artist on the reverse. In 1960 Morelli was an early founding member of the Bazar del Sabado in Mexico City along with Ricardo Salas Poulat where she sold her earliest jewelry designs. Morelli achieved international fame when she was asked to design the jewelry for the Conan the Destroyer film. Mexican...

Spratling often used the butterfly in his jewelry and object designs. His rare bezel set amethyst and sterling silver tray measures 3 3/4" X 3 3/4" and weighs 72 grams. The piece is in beautiful condition. Spratling's hallmarks and eagle 30 impressed on the reverse.

Aguilar uses turquoise cabs in this unusual example of his braided wire bracelet which is most often seen with silver domes at the bracelet's ends. Also unusual is the petite size of the cuff. The inside measures 4 3/4" end to end with a one inch gap opening. It is 3/8" wide at the center front and 3/4" high at the turquoise cabs. The wire design is somewhat flexible allowing for a bit more length. The patina is excellent. The stones are rich in color. One stone has a pinhead size nick. Both the...

Pekka Piekainen modernist sterling silver ring

Finland

1974

This solid and substantial ring weighs 25 grams

Size 7

Overall dimensions - 1 1/2" x 1 5/8"

A true showstopper in excellent condition

Hallmarked appropriately

This bracelet measures 7" long with the largest charm measuring 2" and is in excellent condition. One charm carries the hallmark SPRATLING OF MEXICO SILSON INC. During their 5 year partnership in the 1940's, Spratling provided his original designs to Victor Silson who produced the designs using silver plated pewter. In her very informative book MEXICAN SILVER, Penny Morrill provides details about the years of the partnership and production of the Spratling designs.

This bold sterling silver belt buckle was designed and signed in the 1940's by Taxco, Mexico designer William Spratling. Weighing a hefty 35 grams the buckle measures 1 7/8" X 1 3/4" & will take a 1 1/4" wide strap. Beautiful condition and patina. No dents or dings. Fully hallmarked WS TAXCO 980 on the reverse. This design is pictured on p.35 of MEXICAN SILVER by Penny Morrill & Carole Berk, p. 172 of MEXICAN JEWELRY by Pack & Davis & on p. 108 of SPRATLING SILVER by Cederwall & Riney.

This early, hand-forged sterling silver rope buckle designed by Taxco, Mexico artist William Spratling measures 1 3/4" X 1 3/4" and weighs 35 grams. The buckle will take up to a 1 3/8" wide strap. The condition is excellent with a beautifully aged patina. Spratling hallmarks on reverse.

This rare, vintage, hand forged silver necklace was designed by Taxco, Mexico artist William Spratling. The necklace is 18" long and weighs 80 Grams. The piece is in beautiful condition. The slide in clasp is in fine working order as is the attached safety chain. The WS hallmark with eagle 30 stamp is on the clasp. This design appears to be Spratling's take on the Byzantine design.

Spratling was known to keep pet parrots and other animals on his ranch in Taxco. This handmade and finely detailed inspiration is called Lorenzo. He measures 4 1/2" long and weighs 60 grams. The bezel set amethyst measures 1 3/4" long. Both silver and stone are in beautiful condition. Spratling 1940's hallmarks are on the reverse. This design is pictured in MEXICAN SILVER by Penny Morrill & Carole Berk. It's also pictured on Phyllis Godard's spratlingsilver.com where she calls this design Lorenz...

This carved rough cut fire opal ring was constructed circa 1950's and is a size 6 1/2. The rectangular stone is 3/4" X 5/8". The stone is set in a silver frame and rises 3/8" high. Hallmarked ANTONIO TAXCO SILVER MADE IN MEXICO. The worn outline of the eagle stamp can be seen. Some surface wear on close inspection. Beautiful colors within seem to dance as the ring moves in the light.

The early Aguilar hallmarks on this piece indicate it was designed and made between 1948-1955. Weighing 90 grams the bracelet measures 1" X 7" but will comfortably fit up to a 6 3/4" wrist. The bracelet has a beautifully aged patina with some surface wear & a pin head size ding noticed on close inspection. This bracelet is pictured on p. 64 of SILVER MASTERS OF MEXICO by Penny C. Morrill.

Constructed in the mid 1930's, this early 980 sterling Spratling design measures 7" long and will fit up to a 6 3/4" wrist. The piece weighs 51 grams and is in excellent condition with a beautifully aged patina. This design is featured on page 60 of WILLIAM SPRATLING AND THE MEXICAN SILVER RENISSANCE by Penny Morrill. The bracelet also appears on Goddards' spratlingsilver.com where it is noted that Spratling referred to this design as the "pulsera de cocos". Hallmarked on the reverse WS TAXCO 98...

Here is a sweet ring, which comes out of the era when Edwardian styles were sliding into Art Deco. (1920s – 1935-ish) It is marked “925” for sterling silver, and set with a ruby, birthstone for those born in July. Rubies have been called “the queen of stones and the stone of kings.” The ring has the mellow patina of age, and is size 6. It could be re-sized. The photos are part of the description; please examine them carefully. Thanks! We do lay-away. Shipping, handling & insurance with...

This Antonio Pineda necklace is composed of eleven diamond shaped pyramidal onyx stones which are framed by silver "X" links. The clasp is a tongue in box which is a silver pyramidal shape as well. It's a design which is rarely seen, and a superb modernist piece which is fully articulated and lays perfectly on the neck. It's difficult to measure, so I've shown it against a ruler. I would say it fits more like a choker necklace and is meant to be worn higher on the neck. Weight is a hefty 11...

Spratling designed this lovely hand carved rosewood necklace and bracelet in the 1940's. Both pieces are inlaid with thick sterling silver wire. The necklace has a wearable length of 15 1/2". The rosewood crescent is 4 1/4" across. The front of the bracelet is 1 1/2" high. It will fit up to a 6 1/2" wrist. The back opening is 1 1/4". Both bracelet and necklace are in beautiful condition and each carry the 1940's Spratling hallmarks. The necklace & bracelet are pictured on spratlingsi...

Frank Patania Sr. (1899-1964) designed this textured necklace in the 1950's. The center panel measures 1 1/4" high x 1 5/8" across. The wearable length is 17" and can be adjusted down to 15" if desired. The necklace weighs 46 grams & is in beautiful condition with a warm, aged patina. Patania's FP STERLING hallmarks are found on the back of the necklace.

This beautifully hand forged pin was designed by Mexico City artist Matilde Poulat c. 1930-40's. The pin measures 2" X 2" & weighs 20 grams. Penny Morrill explains on p. 217 of her book MEXICAN SILVER that the horizontal "S" is the symbol of happiness & the cascabeles signify fidelity. The pin is in excellent, unpolished condition. Both the pin back & safety lock are in fine working order. Signed Matl & 925 on reverse. MATL designs are included in the permanent collection of Mexican silver at ...

This vintage hand-forged tie bar & belt buckle were designed by Hector Aguilar c. 1940-50's. The buckle measures 1 3/4" X 1 1/2". The money clip/tie bar is 1 3/4" long. Both are in excellent condition and together weigh 45 grams. Each piece carries Aguilar's hallmarks. The buckle is pictured on p. 107 of SILVER MASTERS OF MEXICO by Penny Morrill. Great gift idea!

This sculpturally beautiful design is signed with Spratling's earliest hallmarks dating the piece to c. 1933-38. Each hand forged link is made of solid sterling silver giving the piece a hefty, yet wearable weight of 170 grams. The necklace is 15 3/4" long X 7/8 of an inch wide. Excellent condition with a gorgeously aged patina. The design is pictured on Phyllis Goddard's spratlingsilver.com.

This wonderfully detailed pin is by Edmond-Henri Becker, one of the best-known French medalists from the turn of the last century. The front shows Joan of Arc (patron saint of France and of soldiers) in profile, also a shield decorated with a sword, a crown, and 2 fleurs-de-lis. Above her head is a banner saying “Jehanne d’Arc” and “1429”. The back shows a banner with a figure which is hard to make out, and two people praying. Also shown are a spear, the pommel of a sword, and a leafy ...

This sculptural Spratling design measures 3" X 1 3/4" and will accommodate a 1 inch strap. Each hand carved shell is held in place by 4 eye-catching sterling silver studs. The buckle is in beautiful condition with a warm patina. Signed with a script WS & 925 dating the piece to early 1950's. This design is pictured on Phyllis Goddards' site spratingsilver.com & in her book Spratling SILVER: A FIELD GUIDE. Also pictured on p. 173 of MEXICAN JEWELRY by Greta Pack and Mary Davis.

This showpiece from Margot de Taxco is supremely rare. I've not seen another. It's a necklace which instantly commands attention.

The huge centerpiece can be used as a pendant necklace, or detached from the chain to serve as a pin.

It is a spectacular necklace, with a huge almost Foo Dog design with earrings. The hammered recessed on both the pendant and chain are oxidized, providing a great contrast to the silver.

Pendant/pin measures almost 3 1/2" wide, 2 5...