Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

ROSES

Anonymous Korean oil painting on canvas, late 20th century, 52.5 x 40.5 x 2 cm (20.66 x 15.94 x 0.78in)...

Description : A Jadeite Pendant was in great quality.
In clear green and transparent tint, this Jadeite piece was in elegant mood used as a hanging piece.

Date:Modern.
Dimension:4.5cmx2.8cm

It is a collection from an elegant lady now retired from collection field.

Description: A fantastic boxwood carving of a court lady was carved by famous contemporary artist Won Du-Fun in 1990s. As a registered national honoured artist, Won made numerous works of art which had been collected by the national galleries and museums. A certificate is accompanied with the fine piece. A custom-made silk box is included. Condition: The stem of the flower was once broken and had been re-stuck back. Height: 32cm. .

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo...

Japanese Limited edition etching with aquatint of a traditional Japanese farmhouse covered in snow titled “Tamba” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 170/180, and dated ‘93 along the bottom margin. Paper size: 10 1/4"V x 14"H (image about 5”V x 8 ¼”H). Excellent condition. There are two pieces of archival tape at the top edge verso. Born in Peru, Brian Williams has been living and working in Japan since 1972...

Kokeshi, wooden folk toy of NE Japan. Height: 12". This is an example of "Tougatta-kei" tradition of Miyagi Prefecture. The artisan is Satou Katsuyou, who was born on April 24th, 1944 (Showa 19.) It is not dated, but was most likely made within the last 20 years. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

VASE NAMED SPRING CLOUDINESS

Japanese Adachi ware vase from Fukushima, named 'Shunin' (Spring cloudy sky) made by Saito Sadao aka 'Joami' (1934-?), attached with original wooden box noted "Awarded for the Japan contemporary crafts exhibition in 1999" at the lid, red-stamped wrapping cloth, printed personal history, and etc. approx...

A large Amber glass Mizusashi enclosed in the original signed wooden box titled Mizu Utsuwa by Japans top-rated female glass artists, Iwata Itoko. It has a black lacquered wooden lid typical of mizusashi, but a tremendous convoluted form in rich amber which defies simple description. Itoko is one of the top rated glass artists in Japan, and heir to the legacy of Iwata Hisatoshi. The piece is roughly 1 foot (39 cm) in diameter...

MAKEUP SHOP

Contemporary art work by Japanese artist, Yume Aoyama (1997-). Oil painting on the wooden board titled as 'Makeup shop', like an advertisement of weird cosmetic surgery in the style of Japanese Showa-Retro. 2019. approx. 60.5 x 72.5 x 2.3 cm (23.81 x 28.54 x 0.90in). Some scratches and peelings as is...

Texture has been applied to joined silk panels intimating waves and frothing sea salt which has then been gilded with genuine silver by Imai Toshimitsu signed and dated 2000. Each panel is 67 x 183 cm (31 x 72 inches) and the screen is in excellent condition.
Toshimitsu Imai was born in Kyoto in 1928. After finishing school in 1948, he trained at the Tokyo State Art Academy. Throughout Imai's career his work was distinguished by an acute sensitivity to color...

CARP STREAMER 1

Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper)...

Nagakura Kenichi's artwork is imbued with a primal energy and balance executed with a keen understanding of composition. Each piece combines classic Japanese bamboo basketry techniques with a contemporary artist's sensibility. He steps outside traditional limitations of form, function and material, challenging our concept of customary bamboo. The transition from container to sculpture is further explored in this piece, with expressive curves and a lack of any definable shape...

Description: A Yixing tea pot was carved in very good skill. A strong tree trunk form was used to make a tea utensil. It is very easy to use and also a fabulous piece for display. A modern thing with traditional Chinese mood was very joyful. Date: Modern time Dimensions: 15cm x 7.6cm X 8.8cm

HUT BY THE STREAM

Oil painting on canvas by unknown Korean artist, late 20th - early 21st century, approx. 33.5 x 45.5 x 2 cm (13.18 x 17.91 x 0.78in).


selected by kikue




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (1933-2019) titled “The Great Ginkgo Tree." Pencil-signed, dated ’04, and numbered 18/100 in the lower margin. Paper size: 19 1/2” x 13” (image: 15 1/2” x 9 1/4”). Never framed. Excellent original condition.

Japanese limited edition copperplate etching titled “Manpukuji Temple” by Tanaka Ryohei (b. 1933). Pencil-signed, dated 2002, and numbered 11/150 in the lower margin. Paper size about 12" x 10 1/4" (image: 8" x 6 1/2"). Excellent condition.

Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (b. 1933) titled “Tree of Mandarin” dated ‘08. Pencil-signed, dated ’08, and numbered 20/100 in the lower margin. Paper size: 10 1/2” x 11 3/4” (image: 6 1/2” x 8”). Never framed. Excellent original condition.