The soft blur of blossoming plum, as if viewed in a dream, by Murashiam Yuichi. The evocative form, rising up in an arc to dominate the paper, seems powerful in comparison to the delicate petals clinging to new branches rising from the gnarled limbs. Ink on paper in green silk border, the scroll is 216 × 45cm (85 x 18 inches) and in overall excellent condition...
EMA WITH BREASTS
Japanese votive wooden plate offered for the temple/shrine so-called ‘Ema’ (lit. ‘Horse picture’) attached with wood carving breasts praying for safe childbirth and for ample breast milk
as very rare type based on the folk belief from Eifuku-ji temple in Chiba Prefecture. Showa period, 20th century. Plate: 39 x 14.5 cm (15.35 x 5.70in), Breasts: H 10.5 x D 7.4 cm (4.13 x 2.91in)...
Set of four Chinese Qing dynasty porcelain wine cups each decorated in underglaze blue and overglaze iron-red enamel with two four-clawed dragons chasing a flaming pearl. An underglaze blue geometric border is at the rim and blue waves surround the foot. The interior well holds five blue bats surrounding a shou (longevity) symbol. A six-character underglaze blue zhuanshu square form Qianlong mark is on the base. Possibly mark and period...
Chinese late Qing dynasty Yixing stoneware teapot of buff colored clay with globular body, fixed upright U-shaped handle, and slightly concave base. The body is decorated around the circumference with relief applied leafy grape vines. The spout and handle are formed to resemble knotty twigs. The lightweight wood lid is deeply carved with three bats. There is a single hole for the spout. 19th century...
Very Rare LARGE Thai 13th - 15th Century Underglazed Bowl (Ex. Grahame Clarke Collection)
This superb large and extremely rare stoneware bowl was made during the 13th - 15th Century. It is "heavily-potted", coated in a white slip and decorated in underglaze iron, the design very similar to a smaller Vietnamese underglazed bowl we have from this period. It is coated in quite a thick clear pale green glaze that is finely-crackled. The thick foot is slightly splayed...
Chinese Ming Dynasty Glazed Horse & Rider
This impressive and detailed pottery model of a horse and rider was made during the Ming Dynasty (AD 1368 - 1644). It has been coated in green, amber and black glazes. The rider's head has been made separately and has been "cold-painted" in black and white pigments: the head fits into a slot in the neck of the rider. Note the detail to the rider's clothing, the various fittings and especially the horse's mane...
Large Qing dynasty Guangxu period cylindrical scroll pot or brush pot decorated on opposing sides with a white foliate cartouche decorated with the one hundred antiques motif. The medallions are set against a blue background with white prunus blossoms. The pot has a massive presence, measuring 8” high x 8 3/8” diameter and weighing over 6 lbs. 19th century. Very good overall condition with no chips, cracks, or repairs...
Pair of Chinese Qing Dynasty red flambe-glazed Buddhist lion dogs seated on plinths. The female is playing with a cub and the male's left forepaw rests on a ball. Custom carved wood stands. 9 1/4" high (10 7/8" high on the stand). 19th century. From a Paradise Valley, Arizona estate.
A rare silver and silver wire torque.
Origin: Rajasthan or Gujarat
Weight: ca. 290 gr.
Diameter: 15 cm (inside)
Age: first half 20th century
Literature: Oppi Untracht, Traditional Jewelry of India, page
229, picture 478 for a similar piece.
An exquisite gilt bronze Buddha Thailand circa 1840 in very fine condition measuring approx. 14 inches tall. A fine and beautiful image.
Large Chinese Qing dynasty naturalistic form wood scroll pot carved from a single piece of wood with human figures, a monkey holding the peach of immortality, and other creatures extending around the exterior. It was clearly not designed to hold water as there are openwork areas throughout. The top reveals two separate holders. An inset wood plug is at the base. 19th century. 10 7/8” high x 8 3/4” across at the widest part of the rim (base 7 1/2" across at the widest part); weighs 4 lbs...
A collection of six unique antique sake cups from various regions in Japan, each enclosed in an old wooden box.
1...
A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...
Chinese Qing dynasty Shiwan stoneware bombe form tripod censer with two raised loop handles on the rim covered overall with an iridescent monochrome flambe brown glaze imitating bronze. The glaze drips over the rim into the unglazed interior. Custom wood stand.
Late 19th to early 20th century. 8 3/4" diameter x 5 3/4" high (to top of handle). Very good overall condition. The censer sits at a slight angle indicating the placement of one tripod leg might be slightly off. From the private col...
A very rare relic of a pottery figure was found in original excavation condition.
It was applied with greenish glaze on the surface.
Slight abrasives were caused due to age.
Date: Sui or Tang periods.
Height:13cm(without stand)
Bronze Stand is not included.
Of oval shape, decorated with flower branches. Qianlong period, (1736-1795).
Dimensions: 31x25x8 cm. Excellent condition, only minor ware to the glaze on the rim.
A water bucket shaped earthenware vase finely painted with micro calligraphy in Kanji (Chinese characters), paper slips and chrysanthemum flowers in moriage technique. Base with "Kutani" mark. Dating to Taisho period or later. Condition: minor wear to gilding and colors, interior with few traces of usage. Dimension: c. 22.3 cm high, diameter: 8.2 cm, weight: 500 g.
A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition.
The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as juror for the Japanese submissions to the Paris Expositio...