This type of fan is used for traditional Japanese dancing. Great home decor item combined with the other Japanese items. It is made out of black lacquer wooden sticks and a thick paper with designs on both side. Handpainted and new. The measurements are 20" across and 11 1/2" high. Black plastic wall hanger included.

Wonderful and powerful ash and iron glazed (haiyu(no)tetsuyu) chawan by Kyoto potter, Kimura Morinobu. The broad bowl fits well, cupped in the hands with a foot that compliments the curved form that culminates in the uneven and meandering lip. The tetsuyu is speckled with small iron crystals that are interrupted by the areas of thick, white to green ash that adds a rather pleasing mottled effect across the interior and part of the interior of the chawan...

BLACK HANJI PANELS

Two pieces set of contemporary panel abstractions made of compressed 'Hanji' (Traditional Korean handmade papers) dyed by charcoal coming from the studio (Jang Yong-hoon) operated by an artisan of South Korean Intangible Cultural Property. Solid make...

Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (b. 1933) titled “Tree of Mandarin” dated ‘08. Pencil-signed, dated ’08, and numbered 20/100 in the lower margin. Paper size: 10 1/2” x 11 3/4” (image: 6 1/2” x 8”). Never framed. Excellent original condition.

Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.

Description: A Yixing tea pot was carved in very good skill. A strong tree trunk form was used to make a tea utensil. It is very easy to use and also a fabulous piece for display. A modern thing with traditional Chinese mood was very joyful. Date: Modern time Dimensions: 15cm x 7.6cm X 8.8cm

GLIMPSE

Oil painting on canvas, titled as "Glimpse", 2013, by Satsuki Koichiro (aka Mejiro Bataille, 1968-2021) who is also a singer of a genre of traditional Japanese narrative singing called 'Rokyoku' (ref. https://en.wikipedia.org/wiki/R%C5%8Dkyoku), approx...

TIGER

Acrylic painting on old canvas with the modernized tiger of 'Minhwa' (Traditional Korean folk painting), contemporary, Japan, 22.2 x 27 x 2 cm (8.66 x 10.62 x 0.78in)


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3D TIGER

Lenticular sheet, Japan, 25 x 35 cm (9.84 x 13.77in). Enjoy it from various angles.


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HUT BY THE STREAM

Oil painting on canvas by unknown Korean artist, late 20th - early 21st century, approx. 33.5 x 45.5 x 2 cm (13.18 x 17.91 x 0.78in).


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CARP STREAMER 1

Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper)...

LARGE LETTER SIGNBOARD, WIND

Single Japanese Kanji letter as 'Kaze' (Wind) carved out from old single wooden board. 68 x 55 cm (26.77 x 21.65in). Slightly bended.


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CARP STREAMER 2

Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper)...

MAKEUP SHOP

Contemporary art work by Japanese artist, Yume Aoyama (1997-). Oil painting on the wooden board titled as 'Makeup shop', like an advertisement of weird cosmetic surgery in the style of Japanese Showa-Retro. 2019. approx. 60.5 x 72.5 x 2.3 cm (23.81 x 28.54 x 0.90in). Some scratches and peelings as is...

MAP

Contemporary work of pen-and-ink drawing on copier paper titled 'Map' by a Japanese art brut artist, Junko. 2020. Frame: 44.5 x 37 x 1.2 cm (17.51 x 14.56 x 0.47in). The map assembling the every places (name of places, stations, shops, etc.) she has ever been, and this is the only her work with characters among her drawings and paintings as I had seen at that time in 2020. Some creases and damage as is. Free shipping only if you don't want the frame...

Japanese limited edition copperplate etching titled “Manpukuji Temple” by Tanaka Ryohei (b. 1933). Pencil-signed, dated 2002, and numbered 11/150 in the lower margin. Paper size about 12" x 10 1/4" (image: 8" x 6 1/2"). Excellent condition.

Nagakura Kenichi's artwork is imbued with a primal energy and balance executed with a keen understanding of composition. Each piece combines classic Japanese bamboo basketry techniques with a contemporary artist's sensibility. He steps outside traditional limitations of form, function and material, challenging our concept of customary bamboo. The transition from container to sculpture is further explored in this piece, with expressive curves and a lack of any definable shape...

Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (1933-2019) titled “The Great Ginkgo Tree." Pencil-signed, dated ’04, and numbered 18/100 in the lower margin. Paper size: 19 1/2” x 13” (image: 15 1/2” x 9 1/4”). Never framed. Excellent original condition.

Texture has been applied to joined silk panels intimating waves and frothing sea salt which has then been gilded with genuine silver by Imai Toshimitsu signed and dated 2000. Each panel is 67 x 183 cm (31 x 72 inches) and the screen is in excellent condition.
Toshimitsu Imai was born in Kyoto in 1928. After finishing school in 1948, he trained at the Tokyo State Art Academy...

DRIFTING MELON

Japanese rubber ‘Food sample’ (Food model or Fake food) that has been washed ashore. Melon: D 14 cm (5.51in), Case: 15 x 15 x 15 cm (5.90 x 5.90 x 5.90in)


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Bonji Buddhist characters in five rings of silver, gold and brass damascene decorate this Incense burner by Izumi Ryoichi enclosed in the original signed wooden box titled Kin-do Gorin-mon Koro. We see the number five in Buddhism and Bushido, With the elements Earth, Water, Fire, Wind and Air, as well the famous treatise on fighting by Miyamoto Musashi is called the Book of Five Rings, and the stone stupa seen all over Japan called the Gorinto (Five part tower). This is 3-1/2 inches (9 cm) dia...

Kokeshi, wooden folk toy of NE Japan. Height: 12". This is an example of "Tougatta-kei" tradition of Miyagi Prefecture. The artisan is Satou Katsuyou, who was born on April 24th, 1944 (Showa 19.) It is not dated, but was most likely made within the last 20 years. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

Kokeshi, wooden folk toy of NE Japan. Height: 9.5". This is an example of kokeshi from Aomori Prefecture, the northernmost prefecture on the main island of Honshu. It is classified as "Tsugaru-kei", Tsugaru being the old name for this region, with a lesser classification of "Nuruyu," the hot spring area where many Aomori kokeshi artisans are located. It was made by Satou Yoshiki, who was born on September 26th, 1959 (Showa 24.) It is signed by the artisan, which the additional notation "Sensei ...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.

Japanese Limited edition etching with aquatint of a traditional Japanese farmhouse covered in snow titled “Tamba” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 170/180, and dated ‘93 along the bottom margin. Paper size: 10 1/4"V x 14"H (image about 5”V x 8 ¼”H). Excellent condition. There are two pieces of archival tape at the top edge verso. Born in Peru, Brian Williams has been living and working in Japan since 1972. A Japanese frame with archival mat ...

ROSES

Anonymous Korean oil painting on canvas, late 20th century, 52.5 x 40.5 x 2 cm (20.66 x 15.94 x 0.78in). Slight stains due to aging but generally in good condition as is.


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Gold willows drape over the highly unusual silver-tinged blue lacquer surface of this water container by Tonami Sosai II enclosed in the original signed wooden box titled Uwajima Nuri Seigin Yanagi Te-oke Mizusashi (Silver Blue Uwajima Lacquer, Willow, Bucket Shaped Mizusashi). The outside is a shimmering blue tinged with silver, while inside is black covered in powdered silver flake. A striking combination. The willow is delicately depicted in tendrils of gold about the circumference, on the...

Description: A fantastic boxwood carving of a court lady was carved by famous contemporary artist Won Du-Fun in 1990s. As a registered national honoured artist, Won made numerous works of art which had been collected by the national galleries and museums. A certificate is accompanied with the fine piece. A custom-made silk box is included. Condition: The stem of the flower was once broken and had been re-stuck back. Height: 32cm. .

POWER STONES FOR THE FIVE ELEMENTS

35 pieces set of 'Godai Rikiishi' translated to 'Power stones for the Five elements (in Japanese philosophy: earth、water、fire、wind, and void)' that are the small talisman stones enshrined numerously at Sumiyoshi Taisha shrine (https://www.sumiyoshitaisha.net/en/) in Osaka, Japan, and regarded as having divine favor if can pick up the scarce one written some words. Largest: 3 cm (1.18in), Smallest: 1 cm (0.39in)

Kokeshi, wooden folk toy of NE Japan. Height: 4.25". This is an example of the "Yajiro-kei" tradition of Miyagi Prefecture. The artisan is Niiyama Manabu, who was born on October 13th, 1930 (Showa 5). It is not dated, but was most likely made within the past 20 years. For a brief story on "dentou" kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

A radical Iga vase by unconventional artist Kishimoto Kennin (b. 1934) enclosed in the original signed and stamped wooden box. The free form Terracotta image is covered in lichen-like pale green ash glaze. The vase is 10 inches (25 cm) tall, 5 inches (12.5 cm) wide and in perfect condition. Possibly better known today for celadon, Kennin went through a radical period some 15 years ago working on pieces like this unusually formed Iga ware. An artist who has tried many styles, he has been work...

Kokeshi, wooden folk toy of NE Japan. Height: 12.4". This is an example of "Yamagata-kei" tradition of Yamagata Prefecture. It was commissioned as a commemorative item and is signed on the back as follows (in Japanese):“38th Tohoku Regional High School Baseball Tournament. Heisei 3 [1991], June 6th. Yamagata-ken High School Baseball Association”The artisan is Umeki Shuuichi, who was born on March 18th, 1929 (Showa 4). For a brief story on "dentou" (traditional) kokeshi, please see our weblog...

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo. He entered the ...

STRONG MAN

Massive sculpture carved from a single wood, H 54 x W 27 x D 17 cm (21.25 x 10.62 x 6.69in), late 20th - early 21st century, Japan.


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Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”). Original Kanda Gallery frame with non-glare glass measuring 14 1/2” x 24 1/2.” The print has not been examined out of the frame, but no condition problems are visibl...

Kokeshi, wooden folk toy of NE Japan. Height: 4.25". This is an example of the "Yajiro-kei" tradition of Miyagi Prefecture. The artisan is Niiyama Manabu, who was born on October 13th, 1930 (Showa 5.) It is not dated, but was most likely made within the last 20 years. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through out Trocadero homepage.

Kokeshi, wooden folk toy of NE Japan. Height: 7.25". This is an example of "Kijiyama-kei" tradition of Akita Prefecture. The artisan is Onodera Masatoku who was born on June 13th, 1958 (Showa 23). For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

An intriguing lidded bowl patterned with soft blue red and white in the style of traditional hand made temari balls (multicolored silk thread balls) by modern ceramic artist Sato Kazuhiko (b. 1947). The piece is signed on the base and dated 1992, and comes enclosed in the original signed wooden box. Inside the dish is pebble textured stone gray, with a silver tablet fired into the top. A perfect jigsaw cut separates base and cover. Certainly a representative work by the artist, it measures 6...

VASE NAMED SPRING CLOUDINESS

Japanese Adachi ware vase from Fukushima, named 'Shunin' (Spring cloudy sky) made by Saito Sadao aka 'Joami' (1934-?), attached with original wooden box noted "Awarded for the Japan contemporary crafts exhibition in 1999" at the lid, red-stamped wrapping cloth, printed personal history, and etc. approx. H 31 x 16 x 11 cm (12.20 x 6.29 x 4.33in).


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A fantastic large tsubo vase by ceramic artist Teramoto Mamoru (1949-present) enclosed in the original signed wooden box. In spite of its size (almost 15 inches (37cm) tall), it is surprisingly light, and the colors are phenomenal. The slightly grooved surface is scored with primitive lines arching upward, filled with slip before firing. The artists signature is on the base of the piece, which is about 15 years old. Mamoru was a student of Matsumoto Saichi of Kutani, and has received numerou...

Kokeshi, wooden folk toy of NE Japan. Height: 5.25". This is an example of the "Nambu-kei" tradition of Iwate Prefecture. It was made at Hanamaki Onsen (Hanamaki Hot Spring) by an unidentified artisan. The wood used is "keyaki" (Zelkova-Chinese Elm.) It is not dated, but was most likely made during the past 20 years. This particular tradition of kokeshi is unique in that there is no painting, as in all other traditional kokeshi of Tohoku (NE Japan.) The wood is left bare. These are often seen on...

Japanese Limited edition lithograph of a traditional Japanese country scene in springtime titled “New Green” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 54/80, and dated ‘98 along the bottom margin. The print is in the original Japanese gallery frame and is archivally matted. The framed size is 15 14”V x 46 ½”H. The visible paper size is 9 ¾”V x 35 ¼”H. It appears to be in very good overall condition. The white spots are glare from the camera fla...

A whimsical Yixing pottery figural group depicting a mature and a young rat in hollowed, half log with a cache of three peanuts. Marked with two impressed seals. Out of our comfort zone with this category (perhaps another's gain) and assuming it likely is a later 20th century item. About 4 1/2" (11.43cm) high, 6" (15.24cm) long, and about 3" (7.62) wide at the base. Condition is excellent.

A large Amber glass Mizusashi enclosed in the original signed wooden box titled Mizu Utsuwa by Japans top-rated female glass artists, Iwata Itoko. It has a black lacquered wooden lid typical of mizusashi, but a tremendous convoluted form in rich amber which defies simple description. Itoko is one of the top rated glass artists in Japan, and heir to the legacy of Iwata Hisatoshi. The piece is roughly 1 foot (39 cm) in diameter. Work by this artist is in the New York Metropolitan Museum of Ar...

“I am here” she whispers as the bespectacled gentleman pours the last drops from his bottle and says “I am going home”…a lithograph by Kei Hiraga numbered 50/120 and signed Key Hiraga ’88 with the artist’s seal in red. The paper sheet, matted and framed, measures 50.5 x 42 cm (20 x 16-1/2 inches) and is in excellent condition. This is an superb example of his work, showing both his eros and playful nature in the abstracted figuration for which he is most remembered. Included is ...

Description : A Jadeite Pendant was in great quality.
In clear green and transparent tint, this Jadeite piece was in elegant mood used as a hanging piece.

Date:Modern.
Dimension:4.5cmx2.8cm

It is a collection from an elegant lady now retired from collection field.

Kokeshi, wooden folk toy of NE Japan. Height: 5". This is an example of the "Yajiro-kei" tradition of Miyagi Prefecture, with a lesser classification of Shiraishi, the city where the artisan is located. The artisan is Ougura Katsushi, who was born on November 22nd, 1947 (Showa 22.) It is not dated, but was most likely made during the 1980's. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which can be accessed through our Trocadero homepage.

A Stunning combination of works by mother and son Koyama Kiyoko (1936-present) and Koyama Kenichi (1961-1992), both in the original signed wooden boxes. The Tokkuri, by Kiyoko, is of bulbous form decorated with slips of green glaze used sparingly around the neck. The terracotta body is fired to a deep amber on one side, the bright orange clay indicative of Shigaraki showing through on the other. It is 4-1/2 inches (11cm) tall, 3-1/2 inches (9cm) diameter and is signed by the artist on the bas...

GYOTAKU

Gyotaku (Fish rubbing) as a traditional art form of Japanese fishermen, originated to be started by samurai warrior in the Edo period, 19th century and believed to have such the common discipline and spirituality of Bushido (Samurai’s chivalry). Here is a large gyotaku on frayed cotton textile, Showa period, 20th century, Japan. 90 x 49 cm (35.43 x 19.29in)


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STILL LIFE

Anonymous Japanese oil painting on canvas, 1987, 45 x 33 x 2 cm (17.71 x 12.99 x 0.78in). Aged deterioration as is, with stain and peelings.


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BECKONING CATS IN THE SHRINE

For thriving business and rising fortune.

Wooden 'kamidana' (Shinto/Buddhist altar), Meiji-Taisho period, early 20th century, Japan. H 23 x 13 x 16 cm (9.05 x 5.11 x 6.29in).

White porcelain 'maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko), Showa period, 20th century, Japan. H 9 cm (3.54in).


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Kokeshi, wooden folk toy of NE Japan. Height: 5.125". This is an example of the "Naruko-kei" tradition of Miyagi Prefecture. This particular shape was called an "ezuko" (Basket child) in the local Miyagi vernacular. The artisan was Oyama Kesaki, who was born on March 25th, 1940 (Showa 15.) It is not dated, but was most likely made during the 1980's. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which can be accessed through our Trocadero homepage.

Kokeshi, wooden folk toy of NE Japan. Height: 9.25". This is an example of the "Tougatta-kei" tradition of Miyagi Prefecture. The artisan is Yuda Sadao. It is not dated, but most likely made in the 1980's. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, which is accessible through our Trocadero homepage.

Kokeshi, wooden folk toy of NE Japan. Height: 6.5". This is an example of "Naruko-kei" tradition of Miyagi Prefecture. The artisan is Oonuma Hideo, who was born on february 17th, 1930 (Showa 5.) It is not dated, but was most likely made in the 1970's or 1980's. For a brief story on "dentou" (traditional) kokeshi,please see our weblog, which is accessible through our Trocadero website.

Kokeshi, wooden folk toy of NE Japan. Height: 11.75". This kokeshi is signed "Matsuzuru-saku" (made by Matsuzuru), but little else is known about is origin. The style could be from either Miyagi or Yamagata Prefectures (my guess is Yamagata.) It was most likely made during the 1980's. For a brief story on "dentou" (traditional) kokeshi, please see our weblog, whcih is accessible through our Trocadero homepage.

TSUBO

Vintage anonymous Japanese pottery jar designed with the water repellent of glaze, Showa period, 20th century, H 31.5 x D 25 cm (12.40 x 9.84in)


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Oversized, humorous Japanese limited edition woodblock print by Clifton Karhu (1927-2007) depicting the smiling, cross-eyed artist standing under a torn umbrella in the rain holding a broken shoe. This print illustrates the Zen saying “Hibi kore kojitsu” (Every day is a good day). The print is pencil-signed, titled “Every Day,” dated ’88, and numbered 57/100 in the lower margin. Paper size: 25 1/8”V x 9 1/8”H (image about 23 1/2” x 7 7/8”). Excellent color and very good ov...

LEGS STANDING ON ROCK

Inscrutable Japanese metal okimono object as 'iwaza' (stone-like socle used as the base for a Buddhist statue) attaching just legs part, Showa period, 20th century, H 7 x 15.5 x 9.5 cm (2.75 x 6.10 x 3.74in). Metal material but magnet don't attract. Aged deterioration as is, with some scratches and flaws as generally. (*The white ceramic doll is not attached with this item. Please put on something you like and enjoy.)


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Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting a samurai with two swords titled “Akazaya” (Red Sheath). The print is pencil-signed “Yoshitoshi Mori,” numbered 31/70, and dated ’81 in the lower margin. The artist’s red seal is above the signature. The visible paper size is 23”V x 16 3/4”H (frame: 31”H x 24”V). Appears to be in very good overall condition. The print is framed in the original Kanda Gallery frame...

Japanese Late 20th Century (late Showa to Heisei Period) shigaraki ceramic vase by artist Miyoshi Kentaro (1953-2018). Small cabinet or bud vase with wonderful textured surface and splendid kiln produced glaze effect. Comes with tomobako (original wood box with artist signature and chop mark) and tomogire (original wrapping cloth with artist mark). Kentaro, born in Hokkaido, Japan, was known for making both echizen and karatsu wares, but this piece is shigaraki, as noted on the tomobako by Ke...