Edo era Japanese Satsuma/Stoneware plate with head of Samurai warrior holding staff, with elaborate enamel work throughout, a band of raised enamel designs at the edge. Measures 7 1/4" in diameter and 1 1/4" deep on short foot. His helmet is decorated in bands of tan ribbon like forms, all with scrolling gold designs...

Iyashiku mo tsune areba
hisashi hisashikereba onozu kara yoi kaori wo harau
If you perservere (with proper living), the years will grant you success. This was a famous last line from a treatise written by revered Han Dynasty scholar Cui Yuan (Cui Ziyu, 78–143). These same words were famously written by Kukai (Kobodaishi 774-835) the founder of Shingon escoteric Buddhism in Japan...

Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze...

Japanese Edo period woodblock print depicting “The lay priest Ryuen, Uramatsu Kihei Hidenao, behind a rack of kimonos” from the series “Stories of the Faithful Samurai.” The print is signed at the lower left "Ichiyusai Kuniyoshi ga" (1797-1861). The red Yoshi Kiri seal is beneath the signature. The publisher’s seal and series number is below the artist’s seal. The date seals are above the signature. The series title is at the upper right...

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident...

Golden threads are woven into a home for the large three-dimensional spider crawling over the scrolling edge of this caramel-colored dish dating from the Meiji era. It comes enclosed in an age darkened wooden box titled Akahada Kashibachi (Akahada Sweets dish). It is roughly 16 x 18 cm (6 x 7 inches) and in excellent condition. The clay is consistent with the sandy texture of Akahada, however the color is quite unusual.
Akahada Pottery began in the Momoyama period (1573-1603)...

YAMABUSHI

Wood carving seated image of Shugendo mountain priest as 'Yamabushi' (https://en.wikipedia.org/wiki/Yamabushi), once enshrined at kamidana household altar of esoteric Buddhist believer's house in Shonai region, Japan. Keio era (1865-1868) in the late Edo period. H 26 x W 16 x D 11 cm (10.23 x 6.29 x 4.33in). In naturally sooted condition by the smoke from fireplace (sunken hearth) for many years. Also aged deterioration as is as seen...

19th century Japanese Yokohama woodblock print depicting the famous Italian painter and printmaker Titian showing a bust portrait to a patron. This image is from a series of anonymous educational prints published in the early Meiji period that related to important Westerners. The print is unsigned and undated. 13 1/2"V x 9 7/8"H. Very good overall condition with margins evident. The print is not backed and has been stored away from sunlight...

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V...

Nita A ring of skulls playfully sojourn on the front of this rather unusual deep Edo Karatsu Chawan. On back another pair tumble helplessly over the thick speckled glaze. The base is bare earth, dark and shiny with age and handling. The skulls are not just resist painted on, but are actually incised, the eyes and nostrils set deep into the southern clay. The bowl is 3-1/2 inches (8.5 cm) tall, roughly 4 inches (10.5 cm) diameter and is in excellent condition, enclosed in a wooden box.

Waves thrash about in a playful frenzy below the calm watchful eye of a full moon partly blanketed by dark clouds in this extraordinary painting signed Kagyo dating from the later 19th century...

Japanese tabako-ire (tobacco pouch) decorated with an embroidered dragon chasing a flaming pearl. The dragon's body extends around the front and back of the pouch. The fierce head with open jaw is located on the front above the silver alloy dragon-form kanemono (clasp). An ivory accent adorns one of the two interior compartments. A circular ivory and repousse metal dragon kagamibuta netsuke is attached by 10 strands of metal chains secured by a dragon decorated squared silver guard. These h...

Japanese bronze mirror. 19th century. 7.9 x 0.2 cm. 74g.

"The Tamaya Restaurant," subtitled "The Back Gate of Kameido Shrine" from the series "Collection of Famous Restaurants of Edo" by Ando Hiroshige (1797-1858). Circa 1840. The print depicts beauties standing in a snow-covered courtyard under umbrellas. Three small dogs circle in the snow at the lower left. The colors are exceptionally fresh and vibrant. This is not a later edition or reproduction. It is a guaranteed original woodblock print by Hiroshige. Standard horizontal oban print meas...

A colorful and impressive scroll featuring a bushy tailed neko-tora, or cat tiger from the late Edo period. The neko-tora is a by-product of the Japanese closed border policy, rigorously enforced during the Edo period, which eliminated outside trade and influence. Therefore, Japanese artists were forced to come up with their own ideas of what a fearsome tiger looked like based upon older paintings and skins. This is one of the most imaginative and detailed I have yet seen, with each standing ...

A very unusual Toyoraku Usubata vase covered outside in black lacquer decorated with geometric gold maki-e designs, the inside nearly swamped by organic green flowing to the center. It comes enclosed in the original somewhat dilapidated wooden box signed: The 75 year old man Toyosuke. This appears to be the signature of the third generation, and so would date from 1854, only a few years prior to the death of the fourth generation who began the technique of lacquering pots. It is 25.5 cm (10 ...

A dry ink on paper image of mushrooms growing up along a garden stone dated 1874 by Tani Nyoi (1822-1905). The scene is signed Nyoisanjin, and dated the second month of 1874 hemmed in by origami cranes on cream satin in a field of rough pale green silk and features dark rosewood rollers. The style is very much in the literati tradition predominant during the early Meiji. The dry vigorous strokes evoke a sense of fleeting solidity, as if wind were about to blow the light paper away. And certa...

Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script.
Hito hakaru The trickster
Sagano no harano In the Fields of Sagano
Yufumagure At Twilight
Onoka obana ya Tail in the Pampas grass
Sode to misuran Will it seem a sleeve
There is something very human about this depiction, perhaps the nose…The Hakuzosu (Fox spirit)...