Large and heavy Chinese late Qing dynasty scholar's hardwood box (guanpixiang) suitable for holding documents, seals, ink sticks, and other desktop items. This form of furniture was originally constructed as a jewelry box for ladies, but was also used later as a scholar's box. A removable panel on the front lifts to reveal two narrow document trays at the top, five drawers in the mid-section, and one narrow document tray at the bottom...

Description: A wood covered box was made for scholar use. Carved from one solid block of Suanji wood, the scholar box was preserved with original and perfect condition. By a fine size, hefty weight and good patina, the scholar box can still be in practical use and in nice atmosphere. Date Qing Dynasty( late 19th century), Dimension: 12.2cm x 9.5cm x 4.0cm. Material: Suanji wood. THE PATINA IS MUCH DARKER IN REAL THAN IN THE PICTURES.

A scholar withers away an afternoon reading in a small cottage lost in a forest of Soft green willow; a brilliant Taisho style scroll by Hirai Baisen (1889-1969). The color of the willows intimates early summer, the leaves fresh and new, a darker haze beyond forms mountains, separating the scene from the rest of time. A quintessential effort typifying the literati ideal of life in seclusion. The entire scene has been brushed as if to insinuate a light shower, rain on a sunny day...

This is a lovely Chinese Kraak porcelain Delft-style dish bearing the lotus mark within the double circle; decorated with alternating panels of stylized flowers and a figure of a monkey in a fruit tree; the center reserve features a phoenix on a floral ground; minor chips to rim; diam: 10 _".

Description:

A Longquan cup was rarely found with the original cap.
In light-tinted celadon hue(Fenqin), the ware was reflected with retrospective sheen in the glaze when darken firing effects were yielded on the body clay at the foot ring.
It was in very good condition with some crack lines observed in the cup and some imperfections of the glazing.

Date: Southern Song Dynasty, 1127-1279.

Width: 8.5cm. Height: 7.4cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

 

Superb carving work figuring a Raktsatsa (devil) masks, few old wounds, hard wood, old reddish color, from the first half of the 20th H 25 cm More information on request

Fine & Rare Chinese Tang Dynasty Sancai Glazed Pottery Horse and Female Rider (with Oxford TL Test)

This fine and attractive pottery model of a horse and equestrian was made during the Tang Dynasty (AD 618 - 906) and is made from a relatively high-fired creamy-white pottery. The female rider sits upright, her head turned very slightly to her left, her hands together in a demure posture; note the details of her clothing and hairstyle...

Rare Chinese Northern Wei Dynasty Painted Pottery Winnowing Figure

This very rare pottery figure was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a buff-coloured pottery that has been "cold painted" in a creamy-white pigment. The kneeling figure is in the act of winnowing. Note the detail of the figure's face and the way in which the long sleeves from his robe are tied behind his back.

Height 13 cm...

This toddler's pants were used by successive siblings and probably several generations of Chinese Miao ethnic minority children. The pants are of handwoven indigo dyed fabric and the legs are decorated with handwoven tape which is sewn into place by hand. The pants are crotchless, which was typical attire for very young children throughout old China.

Description:
A blue and white tea caddy was from Qianlong period of Qing Dynasty by characteristic picturesque.
A custom-made wooden cap was made to suite this decent jarlet.

Date:Qing , Qianlong period,1736-1796.

Height without cap:9.2cm

A good Japanese studio porcelain celadon censer (after Chinese Song dynasty examples), of kinuta color, by Suwa Sozan. Seal impressed on the bottom between the three legs with unglazed feet. With an even more extraordinary, finely worked silver cover with gilt highlights (eyes, beak, comb, feather details, hollyhock blossom stamens.) The treatment and the details of the hollyhock leaves down to the veining and insect nibbles is sublime...

Description: A typical Taiwanese Daoist tiger deity was made of brick mud. In cute facial composition, The molded animal was applied with white paint before brushed with black pigment and sketched with detailed lines.Tiger deity was usually seen in Taiwanese shrine for comforting the uneasy babies. Date: Qing Dynasty, Height: 6.0cm

A very fine gilded bronze Buddha, sitting on Naga. H. 17 cm. Condition: Casting flawa, chips to the foot rim, the Naga head, which used to be behind the Buddha head, is missing. Nevertheless a very attractive piece with a serene expression.

Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.

An unusual modern art vase in robbins-egg-blue dating circa 1970 enclosed in the original signed wooden box by Kyoto artist Kumakura Junkichi (1920-1985).. The blue metallic glaze flows down the sides leaving a distinct pattern in the smooth surface, collecting in oil drop pools around the thickened base. Notches cut in the surface are turned out at various points to allow the insertion of flowers and twigs on all surfaces...

Description: A beautiful Qingbai incense burner was mold in a stylized shape.
By an everted foot and with hollowed –out cloud patterns being decorated, the box was intriguingly covered by a reticulated cover.
It was obviously an porcelain copy from a metal prototype-which was commonly seen from the heritage of Tang dynasty when the Persia culture were affluent.
It was in perfect condition only with some incursions along the rims.
And the excavation earth was preserved for verif...

Dragons writhe across the face of this astounding free standing temple which was a long time display piece in a Butsudan Shoten, an example of the finest work available for Japanese altars. The piece is more than 60 years old, as the current owner of the store (third generation) mentions it has stood there for as long as he can remember. It is entirely hand made; each piece of wood finely shaped and lacquered, each bit of metal hand etched before assembly...