Japanese vintage Taisho to Showa period black formal silk child's kimono hand dyed and painted with a horizontal scene illustrating the story of the children’s folk hero Kintoki (also known as Kintaro, or the “Golden Boy”) refereeing a sumo wrestling match between a rabbit and a monkey all set against a celadon background permeated with auspicious symbols...

Pair of fascinating and well modeled Chinese Qing dynasty Qianlong period soft-paste creamy white crackle glazed porcelain zodiac figures depicting a monkey and dog, both dressed in clothing and wearing boots, seated on high backed armchairs. The monkey holds a peach in one hand. Custom wood stands. 18th century. Each measures about 7” high (excluding stands). The figures have old repairs and recent fine quality restorations and are very stable...

A very rare Jianyang temmoko bowl was in unique firing effects.

Perfect condition.

Width: 12.3cm.

Date: Song Dynasty, 12th Century.

A custom-made cotton box is included.

Chinese late Qing dynasty to early Republic period Album of Beijing Customs from the Zhou Peichun Studios (also referred to as Chou Pai Chuen and Chou P’ei-ch’un) consisting of seventeen leaves of ink and gouache color on pith paper export paintings. Each painting illustrates five to seven Beijing shop signs, each with an accompanying Chinese description. Each leaf holds a red Zhou Peichun seal. The individual paintings are thread bound on the right side...

Superb carving work figuring a Raktsatsa (devil) masks, few old wounds, hard wood, old reddish color, from the first half of the 20th H 25 cm More information on request

A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

Chinese Qing dynasty Tongzhi mark and period 5-petalled foliate form porcelain footed bowl decorated on the exterior with alternating black and red calligraphic inscriptions set against a white porcelain ground. The bowl has a turquoise interior and gilt at the rim. A short foliate form base is decorated with a band of red scrolls. The turquoise glazed deep recessed base holds an iron-red zhuanshu 6-character Tongzhi mark on a square white ground. The foot is unglazed...

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor repairs to the mouth rim it is in good condition. H. 13 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

The shape of the jar is very typical for the Siwa Culture with the curved mouth and the handles. Apart from some minor chips it is in good condition. H. 22 cm. This jar is from a collection of 30 Neolithic pieces that I bought from a Dutch collector.

Decorated woth a taotie mask at the end. Length: 18,5 cm. Condition: very good with a wonderful patina.

This rare group dates from the early Tang Dynasty. It's made of grey pottery and it has traces of painting ( see the back of the cart ). The ox is very well proprtioned and was made with an eye for detail: notice the ring in the nose and the tail curved around its body. The cart consists of three parts; the weels come off. The three pieces have been mounted on a professional stand. Dimensions: the ox : height 18 cm, length 24 cm, the cart: height 31 cm, length 23 cm, width 17 cm...

Part of a ceremonial dancing apron. Dimensions: 15 x 4 cm. Good condition with extensive age wear and a glossy patina.

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 33 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 34 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought three fat ladies that came from the same tomb...

Made of red pottery, covered with a white slib on which the painting was applied. Some of the pigments are still remaining. H. 32 cm. Condition: very good, no traces of repair, although repairs are very common and accepted on archaeological pieces. There is paint loss and there is soil stuck to the figure. On the inside there are the remains of plant roots. A TL-test from Laboratory Kotalla confirms the authenticity of this piece. We bought tree fat ladies that came from the same tomb. Please h...

Chinese late Qing dynasty Guangxu period to early Republic period monochrome porcelain baluster form vase with wide mouth covered overall in a transparent iridescent apple green glaze applied over a geyao style densely crackled base. A dense geyao style glaze set against an oatmeal ground lines the mouth, interior, and base. This type of ware is typically referred to as “green geyao.” A light brown dressing is visible on the mouth rim. The foot rim is unglazed. A red “China” mark is...

Chinese late Qing dynasty bombe form porcelain censer with two lion dog mask handles at the sides. The censer is covered on the exterior in an oxblood flambé (sang-de-boeuf) glaze applied over a cream colored glaze which is visible where the glaze thins. The oxblood glaze flows over the interior edge onto a crackled gray interior glaze. The base is unglazed and burnt orange. The characteristically rough foot rim is unglazed. There is an original production flaw by one of the mask handles. ...

Japanese Meiji period bronze model of a striped tiger standing on rockery preparing to attack a coiled striking snake. Square form Genryusai Seiya mark to base. Custom lacquered wood stand included. Circa 1890. Measures about 15”H x 16”L x 9 ½”D (excluding wood stand). Very good overall condition with excellent naturalistic detail and a nice dark brown patina. This bronze sculpture is from an old Scottsdale, Arizona collection.