Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right...

Chinese late Ming (16th/17th century) Zhangzhou (Swatow) porcelain deep charger decorated in iron-red, green, and black overglaze enamels on a cream-colored crackle glaze ground with a central roundel holding flowering peonies. A band containing four floral panels against a crossed line ground extends around the circumference of the rim. 13" diameter x 2 3/4" high. There is significant wear to the enamels and several very old rim chips (see enlargements 6 and 7)...

Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H)...

A saintly recluse dozes restfully, his pole dipping to the waves below the rocky outcrop upon which he sits; a fine bronze figure dating to the Meiji period and signed on the reverse. The figure with the rock is 32 x 22 x 30.5 cm (11 x 9 x 12 inches) and is in fine condition.

A beautiful Meiji period basin of light weight metal gilded with genuine gold leaf with each individual petal rising to form the fluted rim. Much worn from handling, the bowl measures 25 cm (10 inches) diameter and is 12 cm (5 inches) tall.

Japanese Limited edition etching with aquatint of a traditional Japanese farmhouse covered in snow titled “Tamba” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 170/180, and dated ‘93 along the bottom margin. Paper size: 10 1/4"V x 14"H (image about 5”V x 8 ¼”H). Excellent condition. There are two pieces of archival tape at the top edge verso. Born in Peru, Brian Williams has been living and working in Japan since 1972...

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (b. 1927) titled “Rainbow Butterflies” featuring Nakayama’s daughter’s face in profile with butterflies in flight around her. This image is pencil-signed “T. Nakayama,” numbered 34/95, and dated 1983 in the bottom margin. The bottom margin edge also contains the. The red Nakayama seal is verso. A color illustration of this image can be found on plate 205 of “T. Nakayama” published in 1989...

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background...

Description:

A crouching Bixie was carved from a pebble of black steatite.
Depicted with protruding eyes, back thrown ears and the broom-like tail, the fairy beast was treated by affluent and sleek carving lines.
An animated form was then vividly rendered. All these were the characteristics for the carvings from Yuan dynasty or earlier periods.
It was kept with very nice patina when some old defects were found. They were caused from the enduring age...

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888)...

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight and...

19th century Japanese Yokohama woodblock print depicting the famous Italian painter and printmaker Titian showing a bust portrait to a patron. This image is from a series of anonymous educational prints published in the early Meiji period that related to important Westerners. The print is unsigned and undated. 13 1/2"V x 9 7/8"H. Very good overall condition with margins evident. The print is not backed and has been stored away from sunlight. As the picture of the back shows, this image is ...

Rare Japanese Meiji period woodblock print triptych of the Tokyo-Ueno/Yamashita Train and Ueno Station from the series “Famous Places in Tokyo” by Utagawa Kunitoshi (flourished 1847-1899) dated 1st month of Meiji 22 (1889). The triptych is bound in the original folder and has not been exposed to sunlight. "Enlightenment" prints of the 1880's - 1890's promoted modernization and illustrated the westernization of Japan. The Japanese built their first railroad in 1872. It became a symbol of ...

Description:

A yellow-glazed censer was in archaic Ding shape.
Being applied on the surface with drum-nails and archaic ram masks for decoration, the pottery censer was stand by three squeezed lion's feet.
The tint of the glaze was in beige yellow when the body clay revealed inside the censer was in beige grayish.
It was in perfect condition with minute frets and crackles which also verified it's old age.

Date: Yuan Dynasty, 13th century.

Height: 13.5cm, Width...

Description:

A Cizhou covered bowl was applied on the surface with ivory-white glaze.
Characteristically, against the white surface, abundant floral motifs were painted on with darken brownish slip.
The bowl was excavated rarely with the original cover, all in perfect condition.
By keeping the intact condition from excavation, the bowl owned all the characteristics to verify it's authentication.

Date: Jin Dynasty, 12th/13th century.

Width: 13cm, Height: 10.1c...

A whimsical Yixing pottery figural group depicting a mature and a young rat in hollowed, half log with a cache of three peanuts. Marked with two impressed seals. Out of our comfort zone with this category (perhaps another's gain) and assuming it likely is a later 20th century item. About 4 1/2" (11.43cm) high, 6" (15.24cm) long, and about 3" (7.62) wide at the base. Condition is excellent.

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold. Like much of Japanese art, the viewer is asked to interpret the scene as they see fit. Perhaps the remnants of a night of poetry and music under the plum blossoms. Perhaps the lonely Michizane playing to the moon, alone in exile with thoughts longing for Kyoto. All performed with h...

This Imari covered bowl, though matching our listings 1065543, 1065548 and 1065550 for form and decoration, is a little larger in size. In excellent condition, it is just out of a diplomatic estate. The bowl is about 4 7/8" (12.38cm) diameter and 2 5/8" (6.67cm) high. The cover is about 4 1/2" (11.43cm) diameter.