Koryo dynasty celadon bowl. The cavetto with inlaid white slip decoration including ornamental band inside the rim and four strawberry sprays surrounding centered chrysanthemum flowerhead within double ring. The exterior with white and black slip inlaid decoration of two graduated bands of chrysanthemum roundels within double rings. The olive green glaze pooling to blue-green and burned in the kiln to a drab tone on a portion of the exterior. 12th to 13th century. Good condition...

A whimsical Bizen stoneware figural koro. A young man is depicted inebriated - sake barrel by his side (the hat cover and barrel form inokes the otherwise absent tanuki associated with sake and mischief.) The sake barrel holds the burning incense while a separate piece represents the boy's hat and forms the cover for the censer. The enjoyment of incense from the burner suggests the intoxicating qualities of imbibing. Late 19th to early 20th century. Good condition...

Description:

A Longquan celadon censer was uniquely in tripod form.
Uniquely also was the gourd body and the decorations on the surface.
The censer was heavily potted concerning it's size.
And it was fat-glazed.
The glaze was in slightly darken green tint.
Crackles and glaze fret were resulted due to age.
Supported stylized by three evert feet, it was presented as a beautiful item as a true old piece by all the characteristics revealed...

Depicting the Jain goddess Ambika. H. 24 cm (excl. stand), W. 18 cm. Very rare and early piece. Condition: see pictures. Comes with a museum quality metal stand. Provenance: private collection Belgium. More pieces will be coming from this collection, mainly in bronze and some in stone. Email me for more info.

Jaganath shrine painting on cloth. Early-mid 20th c. 380 x 460 mm. Framed

Folio from a Rukmini Parinaya series. Kotah 1650-1700. 380 x 265 mm. Opaque watercolour, gold and oxidised silver on card. john sequira

The tanuki rests, energy spent, among fallen bamboo leaves lit by the crescent moon, only those yellow eyes alert and watchful. A beautiful pigment on silk painting signed Seiei enclosed in the original signed wooden box. It is bordered in patterned green silk and features bone rollers. The scroll is 21-1/2 x 76-1/2 inches (55 x 194 cm) and in overall fine condition.

A fox and cubs under the crescent moon and falling leaves by Hotta Shuso (b. 1894) in a style representative of the Taisho era. Light color on silk in a pale green silk border with bone rollers. The scroll is 21-1/2 x 86 inches (55 x 219 cm) and in fine condition but for a faint discoloration in border top and bottom.
Hotta Shuso (1894-1954) was born in Nagano prefecture and studied under Ikegami Shuho, settling in Tokyo...

Steam coils about the petit young woman at the public bath, a fine Taisho era painting signed Ikuho. The color blends into the silk, leaving a soft edge enhancing the sense she is being viewed through the steam and heat of the bath. Pigment on silk, mounted later in green patterned cloth extended with grey and featuring wooden rollers. As pictures of nudes were forbidden, Ikuho is likely a pen-name, possibly taken from Ikuho Street in Northern Kyoto city where the artist may have resided...

Description:

A black-glazed Jianyang tea bowl was in lovely size.
Uniquely and rarely-seen, it was decorated inside the bowl with splashed white mottles.
Obvious incursions had happened to the glaze resulting in the earthen and foggy look.
That includes the bursting holes of the glaze bubbles.
Wiry crackles can be observed too.
The darken body clay revealed was in enduring old look and was covering with grayish oxidation...

With very fine engraving of fighting cockerels against a floral background. 19th century. H. 8 cm, W. 7,5 cm, D. 3,5 cm. Weight 187 gr.

Description:

A root wood stand was nicely shaped.
By preserving darken and warm patina on the surface, it was in perfect condition without any defects.

Date: 19th century.

Dimensions: 17.3cm x 13cm x 6.5cm

Chinese bronze tripod ding censor with two upright arched loop handles at the rim. A geometric band encircles the rounded body. A comparison with porcelain forms suggests a dating of S. Song to Yuan dynasty for this vessel. 5 1/8"H x 3 3/4" diameter. There are original casting flaws on the legs and a slight dent in the body (see enlargement 6). This piece is from a Tucson, Arizona estate.

A superb bronze vase with silver plate design enclosed in the original wooden box and stamped on the base by the artsit. The vessel is 11-1/2 inches (30 cm) tall and in excellent condition

Description:

A bronze crab was in lovely size.
It was well cast in vivid look and was applied with red pigment on top of the surface.
The bronze piece was preserved in very good condition.

Date: Qing Dynasty, late 19th century.

Width: 7.4cm. Weight: 68grams.

Description:

A boxwood root was intriguingly carved and hollowed into a charming brush pot.
Being penetrated as wall of holes for light going through, the scholar item was most favoured by literati for the natural mood.
It was reserved in very good condition by enduring old patina.
The under cover was an old restoration.

Date: Qing Dynasty, 18th/19th Century,

Height: 16.5cm.

Heavy pigment on thickly veined gold creates a powerful collection of scenes from the Taiheiki, the 11th century story of the fall of the courtiers and usurpation of power by two military families, the Taira and the Genji. The screen dates to the 18th century, or middle Edo period. Many old repairs attest to age. We have had it completely remounted, with no painting restoration performed. On the left the famous scene of shooting a fan from horseback from the battle of Yajima...

Decorated with red pigments. H. 8,5 cm. Condition: excellent. China, Tang Dynasty (618-906).