A small round gourd: polished, cut and decorated inside with delicate fronds in gold on black maki-e. This is superb. It is 3 inches diameter (7.5 cm) and in perfect condition, enclosed in a quality old kiri-wood box. .

Here is a rare Jizai mantis. It is by an artist named Tomiki Munenobu, one in a line of artists carrying on the Myochin style of metalwork. Teh piece likely dates from somewhere in the later Meiji, 1890-1910. Life-size, it is roughly 3 inches long, the same height and in fine condition. It is as found, not yet cleaned or tampered with. The head is mobile; the thorax with retractable arms and folding wings...

Description: A typical Taiwanese Daoist tiger deity was made of brick mud. In cute facial composition, The molded animal was applied with white paint before brushed with black pigment and sketched with detailed lines.Tiger deity was usually seen in Taiwanese shrine for comforting the uneasy babies. Date: Qing Dynasty, Height: 6.0cm

An insert table screen with carved wood lattice work. The round porcelain plaque with depiction of three immortals in a landscape painted in underglaze blue. The reverse is bearing a six character "Daoguang" seal mark. Maybe the plaque was once a dish and reduced. Condition: lattice work with few missing pieces and little glue residue. Dimension: plaque: diameter: c. 16.5 cm, screen: total height: 45.5 cm, 34.5 cm wide.

Cranes soar before the red orb of the sun over festive young pines on these five ceramic bowls covered outside in red and black lacquer from the Nagoya studio of Toyoraku (also Horaku) dating from the mid to later 19th century, late Edo to Meiji eras...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides...

A rare silver and silver wire torque. Origin: Rajasthan or Gujarat Weight: ca. 290 gr. Diameter: 15 cm (inside) Age: first half 20th century Literature: Oppi Untracht, Traditional Jewelry of India, page 229, picture 478 for a similar piece.

By the workshop of the renowned maker Ryubundo (signed Kinryu-do on the bronze lid), this iron tetsubin measures roughly 8 1/4" from tip of spout to other side, and the handle reaches just about 8 1/2" high. The exterior is decorated with a dragon that reaches around the entire pot, in and out of waves and cloudlike forms, the entire surface decorated with these traditional motifs and rock like textures...

A Fukagawa double gourd vase 1900-20. This fine quality and likely late vintage Meiji-Taishō era 4-3/8" tall Japanese porcelain hand painted vase is by the renowned Fukagawa Porcelain Company firm of Japan c1900-20. This vase has a blue tassel and two painted small floral groups in gold, green, orange and black. There is a gold upper rim. The mark is the Mount Fuji and stream with the Fukagawa signature, identified on gotheborg.com as being is used from 1900-20...

A free-form watercolor on silk image of a dancer by Nishimura Goun inside a Kurogaki (black persimmon) frame with patterned brocade border. Who could not fall in love with this unusual expression of early twentieth century Japanese Art. She speaks of an era when a new freedom was growing in Japan, the growth of Democracy and rise of women’s rights. She dances free of care and self-consciousness, a blue ribbon tying her hair...

 

 

Description: A rustic iron candlestick was in a simple form. With the beauty of simplicity, it can be a decorative art work which was transformed from the rural oil lamp used in the Chinese countryside of the 19th century. USHERING IN YOUR ROOM WITH ANCIENT LIGHT WILL NO DOUBT ADD MORE ROMANTIC MOOD TO YOUR LIVING ENVIRONMENT. Height: 43.5cm

An unusual chato (tea room sword) in the shape of an octopus, its 8 legs stretched out in uniform with one curled back exposing the suckers. Eyes are intimated on one side, with an old chip where the breathing hole is opposite. About the neck is wrapped a faded silk chord. It is 22 inches (56 cm) long. It is said that these wooden swords were produced from the mid to late Edo period, in lieu of swords for those not allowed to carry weapons (all but samurai)...

A rare example of the wellknown Tibetan cups, with high quality repoussé silver depicting Buddhist symbols and a mask at the bottom.. H. 5,5 cm. Diameter 12 cm. This piece dates from the 19th to early 20th century. Made of high grade silver. Good age wear.

 

An antique oke-bound wooden bucket has been lacquered mirror smooth black inside with a natural bark handle added to create a superb sumi-tori charcoal basket for use in the Japanese tea ceremony. The original cask-like body is worn at the rim to an incredible degree, and yet remains structurally sound. It may have indeed been a lacquer-workers bucket, or perhaps used by a paper-hanger, decades of being bumped by the brush naturally wearing down the edges...

A superbly detailed story Ranma carving, likely from an altar, in which five figures reside among golden maple and cherry blossoms. On the left a colorful figure dips water from the cascading blue waters of a steep fall, a man in priests robes behind him. Three other gentlemen in white robes watch from close at hand, a bundle of sticks, perhaps for making tea, perched in the foreground. Each figure is meticulously carved and painted, the entire scene gilded in gold...

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age...

A pair of brightly colored Mandarin ducks nestle down under cover of dried lotus in this

A large porcelain vase covered in olive green upon which grows a rush of white bamboo and a brief epitaph by Miura Chikusen I enclosed in the original signed wooden box dating to the late Meiji or early Taisho period. It is 15 inches (37.5 cm) tall and in excellent condition. The box has much darkened with age. Works of this size by Chikusen, who largely specialized in the minute world of Sencha ware are quite rare.
Miura Chikusen I (1854-1915) made a name for himself as a strict adhere...

First we hear the clang of the hammer striking the bell, then the steadily approaching clop of his wooden shoes before the horrifying creature dressed in the robes of an itinerant priest appears; a ledger in one hand noting our sins. Hanging from a chord around his shoulders is an umbrella, testifying to his constant state of movement. A spectacular carving of an Oni-no-Nenbutsu praying Demon taken from burled cedar. This is a powerful image, the face expertly carved to strike fear into the h...

Pine boughs laden with snow shelter a pair of foraging raven in a spectacular scene reminiscent of paintings of the Kyoto school masters which decorates this Meiji period cloisonn$B!&(Bvase. The unusually tall tapered form swells at a tight shoulder to close about the wide neck wrapped with a band of darkly patinated silver. Silver wire defining the color is so thin as to be almost invisible. On the copper colored base drift three blue and white snowflake dials, the color matching that insi...

The red walls of a mountain monastery appear between the precipitous crags on this large scale painting by Komura Suiun enclosed in the original signed wooden box c. 1920. The composition escalates, guiding ones vision past the lone occupant of the mountain monastery to the quatrain in the top corner. The mature technique of a master painter; it is performed with ink and light color on silk in a fine silk border with large, solid ivory rollers. The scroll measures 26 x 79 inches (65 x 201 cm)...

A large Chinese two handled vase decorated in famille verte enamels with birds amongst flowering peony & rocks. The decorated neck with iron red modelled elephants' head handles. The base with an apocryphal six character iron red mark of the Kangxi emperor.

Age: Mid 19th century

Size: 14-1/2" high by 14-1/2" diameter

Condition: Good condition, no breaks and or cracks

This beautiful Qianjiang painting of two yellow birds amid branches of pine, interspersed with flowers is a must have for any serious collector of Qiangjiang painting. The Qiangjiang artist were employed at the imperial factories and were often experts of paintings and calligraphy. This vase has a poem and is signed by the artist, the vase dates to the early Republic era C. 1916 and is without damage, and with little wear to the details. It measures 9 inches tall. Guaranteed not to disappoint.

A Karatsu style shuhai sake cup with cream glaze decorated inside and out by the Zen Priest Nakahara Nantenbo, a priest who was instrumental in reviving the Zen tradition in the beginning of the 20th century. Circling the circumference is a seven character inscription, the first six reading Kaisei Fugetsu O Kan, the last we have not been able to read. Written inside is an image of the priests infamous staff from which he derived his name, and in large characters NANTENBO, written by a 65 Year ...

This old pair of candle holders is called Shokudai. The large tweezers hanging from a hook is used to pinch the wick. Then, the wick will be stored in the small brass pot. The base of these holders and plates are beautifully shaped like lotus flowers which has been always associated with Buddha and the temples. It weighs over 10 pounds packed and 26.8 inches tall. Circa, Meiji period (1868 to 1912). Original wood box. The shipped directly from Japan, it usually takes two to three week...

Ryugu-jo Castle is depicted in gold couched thread on the blue silk field of this superb Fukusa gift cloth dating from the turn of the 19th century. Frothing white waves surround the mythical palace, and the four corners of the cloth are secured by long-tailed minogame turtles, befitting the scene. It measures 25 x 32 inches (64 x 82 cm) and is in excellent condition but for some wear on one side of the red silk-crepe backing (see close-up photo).
Ryugu-jo was the underwater palace to wh...

A Chinese silk brocade fabric showing a pattern repeat of lotus flowers. Lampas weaving with aniline dyed and gold wrapped silk threads. Condition: a hole (see photo no. 8), partial thin areas and some wear. Dimension: 67 cm wide (whole length) x 165 cm long.

PAPERS LIKE DRAWINGS

Two pieces of abstractions with unintentionally designed composition in such random balance, coated with ‘kakishibu’ (persimmon tannin), once applied from the paper used for feng shui or fortune telling in the Edo period, 19th century, approx. 56 x 86 cm (22.04 x 33.85in). Aged deterioration as is.


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Four kiri panels are set into a rosewood framework, each uniquely painted by Osaka Literati paragon Mori Kinseki. It is 12 x 12 x 11-1/2 inches (30 x 30 x 29 cm) and is in fine condition. The brass insert too, looks almost unused. Included is a small folding fan in the original box by the artist as well. Mori Kinseki (1843-1921) was born the third son in a family of Inn owners in the hotsprings town of Arima, Hyogo prefecture, in 1843. At the age of three he was sent away to be raised by ...

A large and important work by Miyanaga Kozan of overall raw clay in a Nanban style with drips of color featuring a tiny colorful crab crawling out of a hollow in the base. It is 30.5 cm (12 inches) tall and in excellent condition, in an age darkened wooden collectors box titled Makuzu Yaki Kabin, Miyagwa Kozan Sei followed by a very large stamp. This is a rarity!
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

Three Imari covered bowls. Each bowl with a tight hairline from the rim - one of these issuing from a small chip (see enlarged views.) One cover with craze lines inside the foot - one line showing through the other side. Part of a group just out of a diplomatic estate. The bowls are between approximately 4 1/4" (10.8cm) to 4 3/8" (11.1cm) diameter and 2 5/16" (5.9cm) height. The covers are about 4" (10.2cm) diameter. Matches our listings 1065543 and 1065550 for form, size and decoration and matc...

A Flask shaped vase decorated with a Shishi (Mythical Lion Creature) in a rugged landscape by multi talented artist Domoto Insho enclosed in the original signed wooden box. The vase is 10 inches (25 cm) tall and in fine condition. Insho (b. 1891) was a Kyoto artist, trained in the traditional Shijo manner, but not one to be bound by its rigidity. He studied at the Kyoto Municipal School of Fine Arts, and under the important artist Nishiyama Suishi. Consistently exhibitied at the large Nation...

Mother of pearl flowers rise among the large leaves of a paulownia tree on this small lacquer box and tray dating from the early 20th century enclosed in the original signed wooden box by Yoshida Rissai. The workmanship is flawless, with a fine sense of depth brought on by the mother of pearl lined with gold powder and set against a ground of golden mist on black. Inside is a rich, red tinged nashiji ground. The box is 14 x 11 x 5.5 cm (5-1/2 x 4-1/4 x 2-1/4 inches) and both box and tray are ...