"Bijutsu kai" (Ocean of Art), design book. Volume 47. With twenty-four woodblock prints. Publisher: Yamada Unsodo, Kyoto, dated April 8, 1900. Unsodo, founded 1887, manufactured pattern books with woodblock prints of the highest order for artisans and manufacturers of textiles, lacquer, pottery etc. Printed carefully, some with silver pigments. Condition: Good, front cover with red spot. Dimension: Page size 24,2 x 16,5 cm.

Nicely rendered and cast, with good detail in face and mane, this Roman bronze applique or roundel dates to the 1st to 3rd centuries AD, and measures 2 3/4" (vertical) x 2 7/8" (horizontal). It has two holes at the side for attachment, and also has holes where a loop was once attached at the mouth. This bronze is a very nice size, and has good patina, with verdigris and red bronze coloration evident, front and back. Additional photos always available upon request.

This antique Japanese tea caddy is called a "Cha-ire" and dates from the late Edo period. It was used for storing thick tea which is called "Koicha". The more common tea caddy form or "natsume" was used for powdered or thin tea. The chai-ire forms vary somewhat and were most typically made from clay.

Both the octagonal shape and lacquer finish make this chaire very rare. It is also lovely...

Large Chinese famille rose porcelain jardiniere with wide mouth and flattened rim enameled in bright pigments with a figural scene extending around the circumference. Diaper pattern band below rim. Unglazed foot and base. Original drain hole and plug. Late Qing dynasty (19th century) to possibly early Republican period. 13"H x 15 1/4" diameter. Weighs about 15 lbs. Very good overall condition with no chips or cracks. Some soiling to the interior from use.

A fine vintage Ivory netsuke of a girl reading signed Hi Chiyo measuring approx. 2 inches in length in excellent condition. of the finest quality.

A suit of Edo period armor featuring a Kebiki Ni Mai Do Gusoku, a 2 piece hinged armor of 8 closely knit rows of scale plates. 7 rows of 5 kusazuri hang from the do. It has a 32 plate Suji Kabuto with a tehen Kanamono vent in the shape of a stylized chrysanthemum and prominent Fukigaeshi, with 5 Hineno Jikoro cascading down the back. The helmet has typical chipping to the edges of the lacquer. The bowl retains 90 percent of the original liner and sweatband with the original ties...

Antique Japanese Bronze planter with dragon image on one side and Mt Fugi on the other. Original deep brown rich patina. The bottom has been replaced with a wood stand. Measuring 10" x 9".

Description:

A boxwood root was intriguingly carved and hollowed into a charming brush pot.
Being penetrated as wall of holes for light going through, the scholar item was most favoured by literati for the natural mood.
It was reserved in very good condition by enduring old patina.
The under cover was an old restoration.

Date: Qing Dynasty, 18th/19th Century,

Height: 16.5cm.

Here is a fine squat jar form vase, the deep red clay covered in fish-eyed tenmoku glaze by Living National Treasure (Ningen Kokuho) Shimizu Uichi (1926-2004), enclosed in the original signed wooden box. Iron red shows through with startling effect like meteorites in a dark night sky of blue and brown. It measures 6-1/2 inches (16.5 cm) tall, the same diameter. Shimizu is known for the soft persimmon red temmoku (iron oxide) glaze, as well as crackled white and celadon glazes...

LARGE LETTER SIGNBOARD, WIND

Single Japanese Kanji letter as 'Kaze' (Wind) carved out from old single wooden board. 68 x 55 cm (26.77 x 21.65in). Slightly bended.


selected by Jinta




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A Chinese porcelain yuhuchunping vase with flared neck, painted with a cobalt blue ground, glazed white on the inside and on the base. The base holds a six character Yongzheng reign mark surrounded by double circles in underglaze blue.

Size: Approximately 27 cm high by 18-1/2 cm diameter

Condition: Good condition, no breaks or cracks

Age: Republic

Golden bamboo spreads its leaf laden branches about the rim of this aka-e Kinsai bowl by Kyoto potter Takahashi Seizan and decorated by the famous painter Hashimoto Kansetsu enclosed in the original signed wooden box. It is 6-1/2 inches (17 cm) square and in excellent condition. This is from the personal collection of painter Konoshima Keika (1892-1974). We will be offering more from his household in the near future...

A good 19th century carved and lacquered wood Noh mask representing the character role of Ko Omote (young woman). The well oxidized wood visible on the inside of the mask exhibiting the knife strokes of the anonymous artist. Generally good condition and the lacquer strong and stable. In the interest of full and detailed disclosure: Some natural age checking of the wood on the figure's left side also conveying to the lacquered surface on the face...

Used by Tibetan Buddhist Monks and Priests, this old prayer wheel is adorned with an ornate silk fringed top. The copper barrel has a narrow silver collar with 3 coral beads and a traditional design is pressed into the silver bottom. The heavy lead weight will keep the prayer wheel spinning smoothly atop the hand hewn wooden handle. This prayer wheel is approximately 12 inches long.

Width 9.3 cm. Excellent condition, no chips, cracks, or hairlines and free from restorations.

A large and exceedingly rare work by Kiyomizu Rokubei V (Rokuwa, 1875-1959) enclosed in the original signed wooden box. In relief are scrolling vines and flowers in white and pale blue on a soft porous pink glaze. For a nearly identical work see the collection of the Kyoto Municipal Museum of Modern Art, or the book Kiyomizu Rokuwa (1977) figure 60 (dated 1923). The vessel is 42 cm tall, 28 cm diameter and in fine condition. The box is stained quite dark with age...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box...

A skeleton sits in meditation, dried autumn grasses rustling in the wind the only sound on this unusual Edo period scroll. Above is an epitaph reading: Impermanence takes life like wind strips the petals from a flower, Neither Gods nor Saints can evade, Evil within mars the spirit, Lofty stature or humble servitude, All fall prey, Yet all can be forgiven. To the right of the seated figure is a tablet covered in Sanskrit characters...