Measuring 10" high, and 13" at the widest point on the flared lip, this unusual Oribe vessel is likely a hibachi. Round at the bottom, the lip flares outward in a square shape, and the drip glaze is typical of Oribe wares, with rich flowing colors from dark olive green to deep turquoise, with flecks and spots of black, with lighter blue sections. The slip is of a creamy color, over stoneware, and there are applied motifs in iron oxide on the slip...

Thinly potted Chinese famille-rose enamelled 'dragon' cup with a dragon and a bird chasing the flaming pearl. Gilt edged rim. The base with a six character iron-red Daoguang seal mark.

Size: Approximately 6.5 cm high by 8.5 cm diameter

Condition: Good condition, no cracks or chips. Some wear to the enamels and the gilt on the rim.

Age: Late Qing Dynasty to Republic

An Annan pottery tea bowl for use in the Japanese tea ceremony from the kilns of 15th-16th century Vietnam enclosed in an age-blackened kiri-wood box. The crackled pale glaze is decorated with a band of blue frets about the rim inside, a decidedly modern design of droplets descending in beads down the outside typical of early Vietnamese decoration...

A large Korean Buncheong (Pun-Chong) pottery bottle from the Joseon period (16th-17th century) covered in a creamy white glaze decorated on the flat sides with exaggerated floral scrolls on a dark ground; carved ringlets filled with dark slip on the sides. Color built up over the centuries fills the crackled glaze. The foot ring is rough with sand and excess glaze, and occasional windows in the glaze about the foot reveal the dark clay beneath...

A beautiful Chinese silver and Champleve enamel or cloisonne bead necklace with silver dragon filigree snuff bottle. Antique and very beautiful measuring approx. 16 inches long circa 1910

A pair of Satsuma earthenware vases painted with two different continuous scenes of women and children in a landscape. Bases signed within a cartouche "Ryozan". Condition: fine, only little wear to gilding. Dimension: 23.8 cm high.

A fine Chinese carved Ivory Snuff bottle depicting an Elephant with a Empress. Finely carved with great detail the inside is well hollowed. Measuring approx. 3 inches tall in excellent condition. A fine addition to any collection.

Description: A magnificent wood ShuanTien( The Northern God) was finely carved in 13th-15th Century. Clad in sophisticated motifs on the robe, the deity sit easily with one arm(which had been lost) resting on the raised lap. It was an excellent traditional carving piece. With flouring lines of the robe, the softness and naturalistics of the flesh of the revealed toes and the torso under robe were vividly rendered...

Chinese Qing dynasty (19th century) Daoist priest’s robe densely embroidered in a pattern of complex iconographical symbols set against a pale celadon silk background created entirely from satin-stitch embroidery. The style is the traditional rectangular front-opening form which rests on the shoulders and has the lower part of the sides sewn together to form armholes. The center back is embroidered with a flame-bordered circular cartouche containing a pagoda flanked by flying birds...

Depicting one of the 24 Tirthankaras, the saints of Jainism, surrounded by 13 figures seated in meditation. Finely cast and engraved. Nice wear due to puna worship. South India, 17th/18th century. H. 36 cm (15 inches) Provenance: private collection Belgium.

Qingbai ewer with stylized dragon handle; bluish white glaze stopping above the base which is concave and unglazed. Yuan Dynasty 13th-14th Centuries. Height = 10 cm, Width=12 cm. Condition : good, no chips, cracks, hairlines and free from restoration.

Fine Song Dynasty Brown glaze bowl. There is a small chip to the rim, but otherwise in very good condition. High resolution images may be emailed on request.

An Antique Japanese Ivory Netsuke of a reclining Buddha with a rich patina and warm color great form. Measuring 4 cm or 1.5 inches in length.

Description:

A bronze Buddha of Ming Dynasty was well preserved with fine gilding condition on the surface.
By darken sheen and with very limited abrasion on the ridges of the carvings, the Buddha was kept in a perfect condition except loss of the undercover.
Red protection slip was painted inside the hollowed inner side.

Date: Ming Dynasty,1368-1644.

Height:19.7cm

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting a solitary figure walking with a parasol down a snowy village lane titled "Kurodami." The print is pencil-signed, titled, dated ’96, and numbered 74/120 in the bottom margin. Visible paper size: 8 1/2” x 18 1/2” (image: 7 5/8” x 17 3/4”)...

MAKEUP SHOP

Contemporary art work by Japanese artist, Yume Aoyama (1997-). Oil painting on the wooden board titled as 'Makeup shop', like an advertisement of weird cosmetic surgery in the style of Japanese Showa-Retro. 2019. approx. 60.5 x 72.5 x 2.3 cm (23.81 x 28.54 x 0.90in). Some scratches and peelings as is...

Description: A beautiful scene describes a pair of fowls playing in a garden amid flowers and weeds. With flouring brush strokes, this blue and white porcelain plate reveals the true spirits of traditional Chinese paintings. Date: Early Qing Dynasty (18th Century) Material: Porcelain Width: 10.4cm Condition: perfect except one minute chip on the rim.

Description: With at least 400 years' enduring age, this brushpot reflected the beautiful patination of restrained dark brownish luster. Huanghuali wood had always been a prestigious material used by noble people in Ming and Qing dynasty. This brushpot was made of Huanghuali in a plain and elegant shape. The removable board underneath was preserved as an original piece instead of a replaced one and covered the entire bottom as a typical style of Ming dynasty...