The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930...

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

A quite large Chinese silk purse with outstanding embroidery. One side showing a deer looking at a crane on a pine, on the left four Chinese characters. The other side with a flock of swallows near a flowering tree. Edged with a black and white woven band and a silvery rim, the silk tassels having gold and silver wrapped threads. Silk lining. Condition: faded, small stains, little wear to rim. Dimension: purse: c. 17 cm x 15.5 cm, tassels: c. 18.5 cm long.

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition...

A lovely green celadon Song Dynasty jar. There is some chipping to the rim. High resolution images on request.

. This mask takes advantage of the natural shape and texture of a peculiar piece of wood.Such mask is a potent and direct emanation of mother nature with minimal human interaction. Only the eyes and the mouth openings result from human action. This kind of Mask is sculpted with minimal work taking advantage of natural deformations. The natural material would be tree roots, at least that is the information provided by the sellers...

A rare pair Chinese chair strips with the typical four register design, showing bamboo, lingzhi fungus and scholar rocks. The ground fabric is a steel blue silk with black silk embroidery in satin stitch and little Peking knot. Trimmed with gold-wrapped thread border, cotton lining. Condition: good used condition - no restauration, particularly one cover with more traces of usage...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest...

A Southern Song Longquan celadon dish, excavated found from the deep sea at South Sulawesi area. The surface is dried but if touched to the water is become a bluish green glaze. Condition is very good only with minor fritting to rim side, no chip, no crack and free from restoration. Diameter: 22 cm.

A beautiful nineteen century woven temple carpet with nice design. The center pattern features 3 large multi-colored abstract florals against a black background that is surrounded by a blue & white keyfret design frame. The center florals include stylized lingzhi fungus combined in the design. The outer edge features abstract cloud and water patterns. These designs symbolize longevity, fertility and good luck. Size: L.163cm. W. 85cm. (5.4ft X 2.19ft) Condition: no repairs.

A Blue and White bowl, Ming Dynasty 16th-17th century. Good condition, except tiny chip to foot rim and a glaze hairline visible on last enlargement. Diameter: 12 cm.

A Jun ware tea-bowl with very good condition excepted minor chips to foot rim, no crack and free from restoration. Yuan Dynasty. Diameter: 12,3 cm and Height: 5,6 cm

A large Tibetan Temple prayer carpet with two dragons, each chasing it's elusive pearl. Size: L. 163 cm. W. 88cm. Condition. No repairs. Very good for it's age.

A radical ink landscape by legendary artist Fukuda Kodojin. Ink on paper in a green silk patterned border set in beige with wood rollers. It is 13 x 70 inches (33 x 178 cm) and is in excellent condition.
Fukuda Kodojin (1865-1944) an eccentric self taught artist, his status as a poet, calligrapher and literati artist has reached legendary status...

Charming antique Chinese Child's silk top from Qing Dynasty. Manchu style "cross body" closure with side "tie" Embroidered both front and back with images using satin stitch embroidery outlined with couching stitch metallic wrapped thread good condition...no stains, no rips,.. piece spans 27 inches wide and 16 inches top to bottom

Honda Tenjo enclosed in the original signed wooden box titled Seven Great Men. Ink on paper in a superlative silk mounting with ivory rollers (they will be changed if exporting). It is 26 x 85-1/2 inches (66.5 x 217 cm) and is in excellent condition. Honda Tenjo (1867-1946), born in Tokyo, initially studied western painting for five years under Kondo Katsumi before moving to Nihonga under Kano Hogai. Along with Okakura Shusui and Oka Fuho was to be called the four pillars of the Hogai Studio...

A well balance potted of Song Dynasty Longquan celadon bowl. Condition with a tiny chip and an area with firing distorted in colour. Diameter: 12,5 cm.