Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats. There are small amounts of kiln grit adhering to the unglazed foot rim. The base is glazed. 13 3/8” diameter x about 4 1/2” high. 19th century. Very good overall condition with typical minor production imperfections...

Large & Rare Chinese Ming Dynasty Blue & White Enamelled Porcelain Bowl - Buddhist

This large blue & white "Swatow" (or "Zhangzhou") porcelain bowl was made during the Wanli Reign (1573 - 1620) of the Ming Dynasty.

Swatow, or Zhangzhou, ceramics were often exported to the South East Asian market; this particular example was excavated in present-day Cambodia...

Fine & Rare Chinese Ming Dynasty Blue & White Kraak Porcelain Dish

This very rare and unusual fine quality moulded "kraak" porcelain dish was made toward the end of the Wanli reign (1573 - 1620) of the Ming Dynasty at the famous Jingdezhen kilns. It has a scalloped cavetto and the underglaze pattern is a deep blue. The central design features a butterfly and a grasshopper on a rock within an attractive landscape...

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief...

Cranes rest in the boughs of a massive blue pine overlaying the white clouds billowing on the pink tinged body of this large vase by Seifu Yohei III enclosed in a signed wooden box annotated by Seifu IV. An identical vase held in the collection of the Ashmolean is visible on page 19 in the book Sandai Seifu Yohei (Seki Kazuo, 2012). Seifu III was known to have made few large works, so this is a very important piece. It is signed on the base Dai-Nippon Seifu Zo...

A huge stone head of Northern Song Dynasty was well presented.

Date:Northern Song Dynasty, 12th Century.

Height including stand:53cm.

Height without stand: 38cm.

A small Nabeshima plate or bowl decorated with three stylized chrysanthemun medaillons among radial motifs. The back showing the "shippo" pattern with ribbons and foot ring with comb pattern in underglaze blue. Condition: fine, minimal wear, no restorations, hairlines or chips. Dimension: diameter: c. 15.5 cm, 3.5 cm high.

Two Chinese blue and white porcelain plates with lobbed rims. The center painted in deep underglaze blue with a lady and a dancing boy in a fenced garden, the border showing female figures under a willow, flowering trees and geometric patterns. The back with ruyi heads and scrolls. Dating to the early 18th century (Yongzheng period 1722-1735). Condition: fine, only the centers with minimal tiny wear - no hairlines or restorations. Dimension: diameter: 23.5 cm, 2.3 cm high.

Two Sometsuke tea containers decorated with scholarly scenes and lengthy calligraphic prose by Seifu Yohei I enclosed in a double wood box (ni-ju-bako) annotated by the fourth generation Seifu. They are 6.5 cm square, 13 cm tall. One has a some damage to the inner rim, a chip in the lid and a nick in the glaze of the bottom corner. Repairs can be performed at cost if desired
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto...

Large Chinese Qing dynasty cylindrical form Nonya ware tingkat food container consisting of four stacking sections in a variety of pastel polychrome enamel background hues topped with a slightly domed cover sporting a Peking glass finial from a Mandarin hat. Each tier is decorated with two opposing panels of flowers on a white ground set against a dense background of bats, flowers, and scrolling foliage. The sides have twisted metal handles held by moulded loops...

Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin...

First edition Japanese shin hanga woodblock print titled “Hawk on a Snow-covered Branch” by Ohara Koson (1878-1945), also known as Shoson, published by Watanabe in 1926. The Watanabe “A” seal (used 1924-1930) is located at the lower left margin. The artist's signature and seal are at the lower right section of the image. Paper: 15 1/8" x 10 1/8" (plate: 14 1/4" x 9 7/16"). Very good overall condition. There is a small archivally repaired tear at the upper left...

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid. There is a large, broad repair to the foot in colored lacquer, so it is likely the vase was never o...

Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin. The left margin contains the date and title in Jap...

Japanese shin hanga woodblock print titled “Tasogare” (aka Dusk or Twilight) by Yamakawa Shuho (1898-1944) depicting a beauty in dressed summer kimono holding an uchiwa (non-folding fan) from the series “Four Images of Women” published by Bijutsusha in April 1928. This is the oban edition with gaufrage and mica highlights. The Shuho signature and red maple leaf seal are at the upper right. Plate: 14 1/4” x 9 3/8” (visible paper size: 14 5/8” x 10 1/8”); frame: 21" x 16 5/8." ...

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...

Japanese dai-oban size shin hanga woodblock print titled “Mt. Rainier in Winter” by Toshi Yoshida (1911-1995) dated 1972. The print is dated and titled in English and Japanese at the lower left margin corner. The artist's black ink signature and red seal are at the lower right corner of the image. The print is pencil-signed in the lower right margin. Plate: 11 3/4" x 19 1/2" (visible paper size" 12 3/8" x 20 1/4"); frame: 19 1/2" x 27 1/2." Framed with archival materials. The print has...

Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22". In the 1970's, Liao was invited by the Japanese government to set up a printmaking w...

An octagonal wooden box with hinged lid, the interior with original pewter tea caddy, original key. Finely painted in two different gold tones showing scenes with figurines in courtyards, on a black lacquered ground. Condition: fine quite pristine, few traces of usage, the lock seems not to work. Dimension: 17.3 x 12.1 x 10.3 cm, weight: 740 g.

Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.

Rare Vietnamese 14th Century Celadon Glazed Moulded Stoneware Bowl

This rare stoneware bowl was made during the 14th century. It has a foliated rim and the whole of the inner surface is decorated with a moulded pattern comprising two bands of multiple parallel lines radiating out from the centre of the bowl in the form of thin flower petals. The pale yellowish-green glaze is finely-crackled. To the glaze on the inner surface are "spur marks" left by kiln spacers.

Diameter 16.5 cm (6.5 in...

Chinese Sui / Early Tang Dynasty Glazed Pottery Figure

This pottery figure was made during either the Sui Dynasty (AD 581 - 618) or the early part of the Tang Dynasty (AD 618 - 906). The figure stands alert, wearing a long flowing robe with hands clasped across its chest.

It is "heavily-potted" and made from a relatively highly-fired creamy-white pottery. It is coated in a finely-crackled straw-yellow glaze that in places has acquired a silvery iridescence due to long burial in damp con...

Chinese Sui / Early Tang Dynasty Glazed Pottery Figure

This pottery figure was made during either the Sui Dynasty (AD 581 - 618) or the early part of the Tang Dynasty (AD 618 - 906). The figure stands alert, wearing a long flowing robe with hands clasped across its chest.

It is made from a relatively highly-fired creamy-white pottery. It is coated in a thin straw-coloured glaze that has degraded over time. In places there are traces of red and black pigments on top of the glaze. Notwith...

A small statue of a dancer in traditional costume, finely cast and cold-worked in bronze and fixed on the original wooden stand. Such small bronze figurines were souvenirs and gifts from British Burma of the 1920s/30s. Condition: fine, only wood stand with some chips and traces of usage. Dimension: total height: c. 16 cm, base: 12.3 cm x 8.8 cm, figure: 12.5 cm high x 9.5 cm wide, weight: 1200 g.

A young girl, her hair loosely bound, drifts off into a fond memory with a smile as she brushes a letter, the reem of paper draped from her left hand, the bamboo brush idle in her right. Incredible detail from the Kinkozan Kiln in Kyoto stamped on the pale clay of the base. It is 18 cm (7 inches) long, roughly the same height and in excellent condition. Better known for Kyo-satsuma style pottery works, this is a rarity.

A pale glazed Kyo-yaki ceramic figurine of a rabbit by Takahashi Dohachi III decorated across the back with a poem by the poet-nun Otagaki Rengetsu. The poem reads:
Usagira ga Rabbits
gamanoho-iro no kegoromo wa Fur robes the color of cattails...
kamiyo nagara ni ki kae zaru ran. Remain un-changed since the age of Gods.
This was crafted by a professional potter, the brushwork by Rengetsu, much crisper than normal thanks to the smooth surface and higher grad...

This little guy is just about the cutest thing I have ever seen. A tiny mouse rests atop a bulging white radish, bristling blue leaves in full detail attached as if pulled fresh from the ground. Dating from the 19th century (later Edo to early Meiji period), it comes enclosed in an age darkened wooden box titled Daikon Nezumi Futamono (Radish/Mouse Lidded Receptacle). I confess in over 25 years dealing in Japanese art and antiques I have never seen one like it. It is in excellent condition. ...

Small figure in urushi lacquer. Unusual model of a doll wearing large dress with details of flowers in mother-of-pearl and gold leaf. It suggests the gosho ningyo, which may have served as a model. Techniques of lacquer : golden background kinji, gold lacquer, silver lacquer, kanagai, kirikane, maki-e , nashiji. Unsigned. Japan Edo (1603-1868) 18th century. Height : 5,4 cm.

Small Kagamibuta, the walrus tooth bowl, the shibuichi plate decorated with an eagle. Restoration on the bowl. Edo Japan (1603 - 1868). Late 19th century. Diameter : 3 cm

A wispy bearded sage clutches his staff, robes draped loosely about his emaciated frame as he peers ahead in interest, a curious smile on his wizened visage. The figure is beautifully crafted with a slightly textured patina and signed on the base Seiko. Slight wear to the base reveals the pure gold of the underlying bronze. It is 36.5 cm (14-1/2 inches) tall and in excellent original condition.

Large scalloped edge Japanese Imari charger with fan shaped decoration, featuring phoenix bird, flowers, foliage, with gilt details. Very large, measures 17" in diameter, 2" deep on nice foot. Back has spur marks from firing, under glaze blue decoration on edge. The charger is fluted, with scalloped edges, under glaze blue design with red and green enamel decoration in fine detail. A flying phoenix bird is at the top, with gilded details, over a large fan with floral and foliate designs thro...

Antique round tile or lid, glazed ceramic with hole, decorated with polychrome glazes and images of birds. Measures 8 3/8" in diameter and is 3/4" thick. Hand thrown, ridges clearly visible on both front and back. Edges of back are slightly beveled, visible in photos. Heavy crackled glaze, background of creamy beige with darker tones, figures with purplish bodies, outlines and banding of dark brown, spots of dark blue, edge in turquoise glaze. The back has dark staining, and it is possible ...

Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze. Anatomically correct. He measures 8" high, 8 1/2" wide, and 5" deep, and is quite heavy, though body does appear to be somewhat hollow, as there is a hole for releasing the pressure when firing. His stance is fierce, his body well muscled and powerful, and he was ...

Japanese Edo period thickly potted Seto stoneware circular form dish with raised edge designed to hold lantern oil. The cream-colored crackle glaze dish is decorated in copper brown in the fukizumi (blown ink) style with a central fish laid over a jar. These dishes were fired in stacks and six spur marks are barely visible in the interior. A Japanese label remains attached to the back. Early to mid-19th century. 8 3/8” diameter x 1 1/8” high. Good overall condition with some typical small ...

Chinese ink and color on silk vertical painting attributed to Qian Weicheng (1720-1772) depicting figures in a landscape scene. At the top, a waterfall cascades from high mountains into a stream that runs past traditional buildings set among dense green trees and foliage. At the bottom, two men are seated in a pavilion and one man crosses a bridge over the stream. The painting is signed at the bottom left “respectfully painted by chen Qian Weicheng” with two red seals of the artist reading �...

Tibetan thangka densely painted in gouache on cloth with a scene featuring the seven-tiered dark blue Mahottara Heruka, the wrathful form of the Buddha and principle wrathful diety of the bardo, depicted standing on a lotus throne with multiple heads, arms, and legs and surrounded by a flaming aureole in consort with Krodheshvari shown lying on a tiger’s skin. Seven herukas, rendered over inverted triangles, and other figures surround the central image. 19th century. Canvas: 35” x 24 1/2"...