Description:

A stoneware jar was preserved in an original condition.
Being applied with olive-green glaze on the the body, the jar or Hu was molded with a trumpet-like mouth and stand on a flat bottom.
Two well- mold loops were nicely pressed to the body as handles.
Decorations of incised wave bands were around the mouth while grooved patterns were carved around the body in the middle segment.
Black hue was affected to the slender neck and the mouth portion...

CARP STREAMER 2

Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper)...

FIRST NIGHT

'Shunga' (Japanese pornographic painting) of bride hand-drawn on thin silk with natural mineral pigments, 1930s, 46 x 41 cm (18.11 x 16.14in). Fold in the lower right corner. Roll it up into a tube for the shipment...

Last year I was lucky to find three examples of jewelry by Celia Harms, a talented designer who lived and worked in Vera Cruz in the 1950s and '60s. The Etruscan style sterling vermeil cross pin / pendant necklace I am presenting is the last of that trove and a very classy duo as well. I am very particular with vermeil - I don't really like it unless it is old and has mellowed almost to the point of ... extinction yet here it has an understated matte finish that exudes a calm warmth...

Hector Aguilar's iconic grasshopper pin/brooch is 3 inches long and .75in. tall. The weight is 12 grams heavy and this is a published design in SILVER MASTERS by Penny Morrill. This piece works well as a tie pin also.

Japanese shin hanga woodblock print titled "The Great Buddha in Kamakura" by Okuyama Gihachiro (1907-1981) dating 1949. The artist's black ink signature and red seal are in the lower left corner of the image. Two red seals of the publisher Kyoto Hanga-in and Shinagawa printer are beside it in the lower left margin. The title is in the upper left margin. Paper size: 16 1/4" x 11 1/2" (image: 15 3/8" x 10 5/8"). Never framed...

Japanese shin hanga woodblock print titled "Morning Rain at Lake Hakone" by Tsuchiya Koitsu (1870-1949) dated in the right margin "11th month of Showa 13" (1938). The black ink signature and red seal of the artist are at the lower right corner of the image. The title and date are printed in the lower right margin. The seals of the publisher Doi Hangaten, printer Yokoi, and carver Harada are in the left margin...

An English solid oak Arts and Crafts era hanging wall shelf, plate display rack. Late 19th century. Size: 42 in. length x 31 in. ht. Attractive scalloped top molding, above two shelves.

HAJIKI

Japanese ancient Hajiki (Haji pottery) jar with such beautiful soften form and texture, Tumulus period - Nara period, 250-800 CE, H 11 x D 12 cm (4.33 x 4.72in)


selected by Jinta




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Fine Chinese Song Dynasty Qingbai Porcelain Bowl in Kiln Saggar (Study Piece)

A rare opportunity to acquire a Northern Song Dynasty (AD 960 - 1127) kiln saggar still containing its Qingbai porcelain bowl, excavated from a kiln site in the Jingdezhen area of Jiangxi province. 

Northern Song Dynasty Qingbai porcelain was fired individually in saggars (the fireproof clay case) that were stacked on top of each other in the kiln...

A carved White Jade Gourd from the Qing Dynasty.

A superbly rendered and vividly coloured lifetime woodblock print by the famed Japanese artist Kawase Kasui (1883-1957), entitled "Meguro-Fudo-Do" (Fudo Temple in Meguro). First published in 1931, this is an artist's lifetime strike from the late 1940s to the early 1950s. This print is Oban size (14-1/4" x 9-1/2" image size, 19-3/4" x 14-1/4" frame size). It has the 6 mm. red seal of the publisher Watanabe Shozaburo (seal used from 1946-57)...

Huge, heavy, dramatic Bakelite. This bangle is outstanding. Rootbeer with butterscotch swirls. 1 5/8" wide, 5/8" wall, 2 1/2" inside diameter.

CARP STREAMER 1

Collage work made from ‘koinobori’ (carp streamer / ref. https://en.wikipedia.org/wiki/Koinobori) made of old ‘washi’ (Japanese paper)...

Chinese Qing dynasty natural root form scholar’s bitong, or brushpot. 7 1/2” high. The base measures about 6” diameter at the longest part. The rim is about 4 5/8” across at the widest part. Late 19th to early 20th century. Very good overall condition. There is a short crack at the inner rim that extends to the interior of one thin concave area on the exterior. This piece is from the private collection of former American expatriates to Hong Kong in the 1970s and 1980s.

Description:

A marble sculpture of a disciple was well done in 5th/6th of Northern Qi periods.
He was part of a big shrine.
A debris as this one can till be a treasuring piece and being used as a paper weight.

Date: Northern Qi Dynasty, 5th/6th century.

Dimension: 6.5cm x 5cm x 1.6cm.

One of the Mexico City maestros active in the first decades of Mexico's 20th c. Silver Renaissance, Abraham Tobias was a contemporary of Matilde Poulat's and he created jewelry in the so-called Mexico City style repousse. Many of his pieces are based on Matl originals and admittedly the boldness and quality of his repoussage is very very close to, if not often en par with, Matilde's own...

Antique Japanese Mingei Flat Pounding Board An exquisite patina covers this heavy pounding board from Northern Japan used for working rice into dough. It is 53.5 x 31 x 9 cm (21 x 12 x 3-1/2 inches) and is in excellent condition.