Fabulous Art Deco enamel pendant by German designer Carl Schibensky. Gorgeous shades of pinks and black comprise this very lively pattern. It measures 1 3/8" diameter and is in fine original condition. There is a bail in the back for a chain.It is hallmarked in the enamel with an S in a circle which is Carl Schibensky's hallmark and also has its' original paper label. A very special piece.

Heavy and rather rare Los Castillo sterling bracelet in a distinctly machine age style featuring three rows of thick, interlocking silver rings that create a very substantial mesh...

An Italian mosaic floral bracelet from the 1940s-50s. This pretty vintage 8-3/8" bracelet has four identical 1-1/8 x 7/8" filigree-edged panels interspersed with 1/2" circular segments. It is in a silver plated metal, it has a box clasp and a safety chain. It is unsigned and it is in excellent original condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs with no losses to the tesserae, however there are a couple of minor wear spots to the plating...

Big, with pronounced repoussage, a series of beautiful turquoise cabs crowning the crest of the creature's shell, this vintage Mexican Deco figural brooch was most probably made in the country's capital as its workmanship indicates. This type of "high relief", textured repousse jewelry is reminiscent of Matilde Poulat's techniques and closely associated with Mexico City maestros...

Bracelet: Sterling Pre Columbian Motifs deeply incised, engraved, chased into a 2.5mm thick silver bracelet marked: "SH" "Taxco Mexico" "Sterling 925 and Assay "3" by a listed Tasco silversmith. Heft: 1.5 oz or 43 Grams on Postal Scale. 7.25" inside X 5/8" wide. SOLD, no price, no info

A lot of flash! This brooch measures 4 1/4 inches long by 3 1/4 inches wide. Large, prong-set square and rectangular red unfoiled stones, with clear round rhinestones single and pave set, in a rhodium plated setting. The pin is strong and locks securely. Pin marked with a single script 'E' (for Eisenberg?) on the back. All stones are clear but a couple of the larger stones do have scratches.

The setting of this pristine Art Deco ring is made of 14Kt white gold. The ring is set with a 12 X 16 millimeter rectangular black onyx and centered by a 0.04Ct brilliant cut diamond.

We have an unsigned beauty of obsidian drops and crafted of 114 grams of heavy silver to offer today. Jewels such as this one is truly rare and worth a spot in a collectors box even though signed only Mexico Silver. Standing 1 5/8ths inches tall it exudes an impressive presence. The patina is warm and natural. No dents, dings, chips or damage of any kind. There is a 17in. wearable for comfort, just LOOK AT THAT NECKLACE!

One of my most favorite "less celebrated" maestros of Mexico's 20th c. Silver Renaissance, AEM is also referred to as "the Heart" artist because he signs his initials "AE" in a heart-shaped "M". Though we know that he had worked for Estela Popowski and Rancho Alegre, his identity remains elusive to this day...

An Italian mosaic pin brooch and screw back earrings from the 1930s-40s. This attractive set features multicoloured roses and flowers on a turquoise ground. The glass tesserae are quite fine and they are set in filigree wirework gold plated brass. The pin measures 2 x 1-3/8" and the screwback earrings are 3/4 x 5/8"...

Fred Davis signed Mexican Silver necklace boasts links 1 1/8th tall and a center amethyst with the same dimensions. This necklace is a published design in books by Penny Morrill on Mexican Silver. With a weight of 119 grams it speaks of quality. Everyone will love the 17 inches of comfort that lays beautifully. The stone is swirling inside with dark and lighter swirls and has no chips. No damage to the silver, just LOOK AT THAT NECKLACE!

Large sterling silver and amethyst pin designed and signed (c.1940)by Taxco, Mexico artist Hubert Harmon. Measuring 3 inches L X 1 1/2" W. Harmon designs are rare and always interesting and humorous. Here he incorporates a carved amethyst stone with a modernist abstract female form. The face is not backed allowing light to pass through giving the piece extra dimension and color. Beautiful condition with no chips or dings...

Using a combination of azurite and malachite the Los Castillo taller created a fantastic line of jewelry based on the almost lost ancient Aztec art of stone inlay. The charm bracelet here is a fantastic example of the technique and one of the most interesting "Mozaico Azteca" pieces by the Castillos I have encountered. The Greek key links are connected with flexible, sturdy hinges and the stone mosaic is done in warm, earthy colors with accents of deep blue and greens...

Popular for centuries in jewelry-making traditions all over the world the buckle motif can be found in all forms and metals, with or without gems, quite elaborate or strikingly minimalist. This 1940s Hector Aguilar version is wrought in sterling and even though its ornamentation is kept at a bare minimum, its rendition is sculptural, an attribute that is enhanced by oxidation and the patina of time...

A fantastic alternative to the very hard to find Salvador Teran original, this set of earrings bears the signature of Taller Taxco. A very intriguing workshop, Taller Taxco's jewelry are all emulations of Teran's designs - and of very high quality at that. Though there is suspicion of a relationship between the two, nothing has been proven until today yet it's indisputable that the pair at hand comes very close to Teran's work...

Taller Taxco remains one of the mysteries that haunt our knowledge about maestros and workshops in Taxco's golden age. All their pieces that I have had have been high quality emulations of Salvador Teran's designs and the fact that their numbering system and a specific symbol they use in their hallmarks resembles Teran's own marks has created the idea that the two are somehow associated...

Large and heavy piece, 500 grams of silver, finely cast and in good condition. Diameter 12,5 cm outside and 7 cm inside. H. 10,5 cm. Made in the first half of the 20th century. Marked on the inside with an "M".

A wonderful ethnographic folk art object, this style of farm animal bell has been used in Thailand for centuries. Hand carved from wood by the herder and tied around the animals neck this traditional bell is hinged (or pegged) in 2 places to allow for a gentle knocking sound. This one was used for a goat and has remnants of the original hand made rope.

Exquisite vintage sterling silver hinged table top box designed and signed circa 1940's by Taxco, Mexico artist William Spratling. Measuring 3 1/2"L. X 3"W. X 2 1/4"H. 202 grams, 7.01 oz. Signed on the bottom - WS SPRATLING MADE IN MEXICO STERLING. This design is pictured on spratlingsilver.com and described there as "hinged box with scallop pillow lid". Beautiful condition with no dents or dings. Hinge works perfectly...

Piedra y Plata was the name of Felipe Martinez's taller. He was known for his incredible stone work. He sourced gorgeous stones for his treasures he produced and I believe the stones here are Chrysocolla. They have natural matrix running through out. This bracelet is 7 inches long and 1 inch tall. The patina is rich and natural. With a weight of 50 grams of thick silver Martinez has produced a tasteful,streamline size full of details. There is no damage. A superb piece just, LOOK AT THAT NECKLA...

Stokesay Castle by John Taylor Arms (American, 1887-1953), original etching on wove paper, pencil signed in lower margin, edition of 365. From his English Series #9; ref. Fletcher 369; miniature series #30. Dated 1942. Plate size: 2 1/4 in. x 2 15/16/in. Excellent condition and offered in the original gilded frame, with original description affixed to the reverse of frame. John Taylor Arms was born in Washington, D.C. in 1887; he became one of America's best known printmakers, and his etching...

A superb Los Castillo old linear hallmark and an early numbered design 508 that will not disappoint. The face front is 2.75in. long and the inside diameter is 2.5in. for wearable length. The patina is dark and natural. It is truly a treasure and kept as such with no repairs, dents or flaws. Also a tight spring in tip top condition. It is very heavy repousse weighing 82 grams. You can work with this one on with a push up. Collector and museum quality.

This is an exceptional work of art by H. Santana. The silver is thick and weighs 103 grams. The drop has 3 panels of 2.5in. x 2.75in. and displays a large presence. With the chain being exceptionally long of 18 inches then plus the length of the drop, you have enough to make it a custom fit. I am listing a cut work Santana obsidian bracelet that is a match for the necklace. The cut work is quite endearing with the hearts and scrolls of swirls. The condition is beautiful with no flaws, just LOOK ...

An unbelievably gorgeous sterling necklace by noted Taxco silversmith Los Castillo. The ball on each link provides the hinge connecting one link to the other and they all move giving this necklace a fluid snakelike quality. It is wonderfully solid weighing an amazing 170 grams. It measures 16" long and 1 1/8" wide.The clasp is an invisible hook on the back of the link. It is in fine original condition and signed and numbered for Los Castillo as shown. The best Los Castillo necklace I have yet se...

Signed by one of the best repousse makers of Mexico's 20th c. Silver Renaissance who unfortunately remains still unidentified, this clamper draws on the country's rich pre-Colombian past and is in fact based on a Los Castillo design, if I am not mistaken. Shaped like an imposing Maya or Aztec warrior with the most impressive headdress of feathers and gems the two wings meet at the front with the figures looking in different directions. The feathers continue all the way around the bracelet, their...

Circular silver pin/pendant with triangles of azur malachite finished with a bead at each tip with removable original chain by William Spratling. This pin is pictured on page 48 of the new edition of the book MEXICAN SILVER by Morrill and Berk. According to the Spratlingsilver.com website, this was one of the last designs Spratling created for Spratling y Artesanos and this design was one of sixty Spratling agreed to provide the company after his resignation in July 1945. The pin measures 2 1/2"...

Rare & versatile this sterling silver & coral bead necklace was designed & signed c. 1940's by American & Taxco, Mexico artist William Spratling (1900-67). Measuring 120 inches or 10 ft. long & weighing 85 grams this design can be draped around the neck several times depending on the mood or occasion. Both silver and coral beads are in beautiful condition. Fully hallmarked on the tight & secure clasp. For safety & because of age the necklace has been professionally restrung. A picture of this co...

World War II era Hamilton Navigator's chronograph watch, Model 23, housed in an original U.S. Army metal canister carrying case with round viewing window, manufactured by George H. Adamson, of Tecumseh, Michigan. Circa 1942-1943. This watch was used by the U.S. Army Air Corps as a navigation watch and bomb timer. It comes in its protective metal canister with spring cushion support mechanism. These cases are rarely found and were given to the navigators of various types of bombers and troop ...

Measuring 4 inches long & 3 1/2" wide, this impressive hand wrought moth brooch was designed & signed in the 1940's by Taxco, Mexico artist William Spratling (1900-67). This design was made in 4 sizes with this being the largest. The detailed repousse' work is exquisite & the condition excellent. It has a comfortable & wearable weight of 39 grams. Fully hallmarked. The pin back & safety are in fine working order. Pictured on the cover of the 4th edition of MEXICAN SILVER by Penny Morrill & Carol...

Dramatic with a signed Taxco 980 which always reflects quality. The drop is 4.5in. across and 2.5in. tall. The weightis 54 grams (open backed repousse) The technique of the workmanship is seldom seen. Part of the individual link is thick base with deep chasing and the other end is open backed repousse giving dimension and then carved on top of that. No damage and the wearable is 18in. of comfort. The last picture is the necklace with a cuff already listed on my site. A spectacular presence, jus...

Trifari design patent number on the back of the brooch--#129320--reveals that the design was created in 1940, probably by Philippe for Trifari. It is a treasure, and oh so graceful in line. 4" long, 1 3/4" wide. Slightly convex, rhodium plated.

Great looking, early sterling and center green stone bracelet by Los Ballesteros. It is hinged and opens and closes on the side. Beautiful patina, fine original condition, it measures 7 1/2" around in the inside and is 1 3/4" wide in the front and 1 1/8" at the back. It weighs 99 grams. Signed as shown. One of the very best Los Ballesteros bracelets produced.

The handle in the shape of a standing figure with crossed arms. Date: early to mid 20th century. H. 22 cm. (excl. stand. Good age wear and excellent patina. From a Dutch private collection.

Set of three ceremonial lidded jars from the Islamic Maranao people of Mindanao in Southern Philippines. They are made of silvered copper alloy with geometric decoration in applied wire. Condition: few dents and bumps. Dimension: 23.5 cm and 29 cm high.

Signed with Poulat's earliest hallmarks this bracelet dates to 1930-40's. The gently curved center panel measures 2 1/2" across & 2" high. Each of the 8 side panels are 1 1/2" high. The bracelet length is 7". Weight- 80 grams. Beautifully detailed, the 3 turquoise cabs in the center are flanked by a pair of palomas with turquoise eyes. Excellent condition & patina. Matl designs are highly prized & included in many museum collections including LACMA.

The handle in the shape of a rice god (Bulul). H. 15,5 cm. (excl. stand). Date: early to mid 20th century. Good age wear and nice patina. From a Dutch private collection.