This showpiece from Margot de Taxco is supremely rare. I've not seen another. It's a necklace which instantly commands attention.

The huge centerpiece can be used as a pendant necklace, or detached from the chain to serve as a pin.

It is a spectacular necklace, with a huge almost Foo Dog design with earrings...

Soviet Era Russian Cloisonné Sugar Bowl Blue Enamel 4"×4" In 916 fineRussian Silver with gold overlay production circa 1950-1970

Large Chinese Qing dynasty naturalistic form wood scroll pot carved from a single piece of wood with human figures, a monkey holding the peach of immortality, and other creatures extending around the exterior. It was clearly not designed to hold water as there are openwork areas throughout. The top reveals two separate holders. An inset wood plug is at the base. 19th century. 10 7/8” high x 8 3/4” across at the widest part of the rim (base 7 1/2" across at the widest part); weighs 4 lbs...

Connecticut Queen Anne era highboy, circa 1760s-70s. Cherry/pine. Size: 35 inches wide x 69 inches high x 19 inches deep. A New England 18th century 2-part flat top highboy. The upper chest has five drawers, including one with fan carving, above four graduated drawers; while the base displays a single long drawer over three drawers, with the central drawer front carved with a fan. The case is supported on delicate cabriole legs with pad feet...

Chinese late Qing dynasty Yixing stoneware teapot of buff colored clay with globular body, fixed upright U-shaped handle, and slightly concave base. The body is decorated around the circumference with relief applied leafy grape vines. The spout and handle are formed to resemble knotty twigs. The lightweight wood lid is deeply carved with three bats. There is a single hole for the spout. 19th century...

Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition...

This kind of Mask is sculpted with minimal work taking advantage of natural deformations. The natural material would be tree roots, at least that is the information provided by the sellers. Some of these masks would however be old and used as burlesque masks during the various festivals. The parts with nodules are preserved with a minimum of modification to represent the eyes and sometimes the mouth. This gives each mask a unique look of puffy, hideous faces...

This kind of Mask is sculpted with minimal work taking advantage of natural deformations. The natural material would be tree roots, at least that is the information provided by the sellers. Some of these masks would however be old and used as burlesque masks during the various festivals. The parts with nodules are preserved with a minimum of modification to represent the eyes and sometimes the mouth...

Chinese Han Dynasty Painted Pottery Horse & Groom (206 BC - AD 8)

This pottery model of a horse with its groom was made during the Western Han Dynasty (206 BC - AD 8). Both items are made from a fairly high-fired grey pottery and have been "cold painted" in white, pink, black and red pigments. The horse stands upright with the groom standing with his left hand out as though holding the reins of the horse; both of the groom's hands have purpose-made holes in them as does the mouth of the hors...

Pair of Chinese Qing Dynasty red flambe-glazed Buddhist lion dogs seated on plinths. The female is playing with a cub and the male's left forepaw rests on a ball. Custom carved wood stands. 9 1/4" high (10 7/8" high on the stand). 19th century. From a Paradise Valley, Arizona estate.

Fine Chinese Han Dynasty Painted Pottery Horse & Rider (206 BC - AD 8)

This fine and attractive pottery horse and rider was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dark grey pottery, quite "heavily-potted", that has been "cold painted" in a base coat of creamy-white pigment with the details mostly picked out in red and black pigments although there are also traces of pink and green pigments in places. The horse stands alert, head facing fo...

Fine Chinese Han Dynasty Painted Pottery Horse & Rider (206 BC - AD 8)

This fine and attractive pottery horse and rider was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery, quite "heavily-potted", that has been "cold painted" in a base coat of creamy-white pigment with the details picked out in various coloured pigments. The horse stands alert, head facing forward, the rider sitting in the act of holding the reins to the horse. The pa...

Fine Chinese Han Dynasty Painted Pottery Horse & Rider (206 BC - AD 8)

This fine and attractive pottery horse and rider was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery, quite "heavily-potted", that has been "cold painted" in a base coat of creamy-white pigment with the details picked out in red, pink, brown and black pigments. The horse stands alert, head facing forward, the rider sitting in the act of holding the reins to the hor...

This sculptural Spratling design measures 3" X 1 3/4" and will accommodate a 1 inch strap. Each hand carved shell is held in place by 4 eye-catching sterling silver studs. The buckle is in beautiful condition with a warm patina. Signed with a script WS & 925 dating the piece to early 1950's. This design is pictured on Phyllis Goddards' site spratingsilver.com & in her book Spratling SILVER: A FIELD GUIDE. Also pictured on p. 173 of MEXICAN JEWELRY by Greta Pack and Mary Davis.

Chinese Western Han Dynasty Painted Pottery Horse with Oxford TL Test

This fine and attractive pottery model of a horse was made during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery that has been "cold painted" in a base coat of creamy-white pigment with details picked out in red pigment. The horse stands upright with its head turned to its right.

Height 27 cm, length 30 cm. It is in exceptional condition; any possible repair having been performed to a high sta...

Fine Chinese Western Han Dynasty Painted Pottery Groom Figure

This interesting pottery model of a groom was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired grey pottery that has been "cold painted" in dark brown, white, red and pink pigments. The figure wears a long garment and a head covering. He stands with both arms outstretched as if in the act of holding the reigns of a horse (see our last image for an illustration of this).

Height 25.5 cm. I...

Chinese Eastern Wei - Northern Qi Dynasty Painted Pottery Horse & Armoured Rider with Oxford TL Test

This fine and rare pottery model of a horse & rider was made in the 6th Century during either the Eastern Wei Dynasty (AD 534 - 550) or the following Northern Qi Dynasty (AD 550 - 577). Pottery horses from this period have a distinct style different to the more common and later Tang Dynasty equivalents.

It has been made from a fine-grained grey pottery that has been "cold painted" in a c...

Tall Chinese Tang Dynasty Painted Pottery Horse & Lady Rider (43cm)

This impressive pottery model of a horse & female rider was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left, the lady sits upright with one hand resting on her tummy; note her elaborate hairstyle and also the detail of the horse's mane ...

Tall Chinese Tang Dynasty Painted Pottery Horse & Lady Rider (41cm)

This impressive pottery model of a horse & female rider was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left, the lady sits upright with one hand resting on her tummy. Note the detail of the horse's mane on its left side.

This is a ...

Tall Chinese Eastern Han Dynasty Sichuan Pottery Farmer (AD 25 - 220)

This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required. As well as holding a long-handled spade in one hand and a winnowing tray in t...

Rare Tall Chinese Six Dynasties Painted Pottery Warrior (AD 220 - 589)

This very rare and interesting pottery figure of a warrior was made during the Six Dynasties period (AD 220 - 589). It is solid (as opposed to being hollow as are most ancient Chinese pottery figures) and made from a dense pottery that has been painted in red, pink, black and white pigments, very good traces of which still remain. The figure stands to attention with hands clasped across his chest. It is unusually highly-d...

An antique pair of patinated heavy bronze statues showing a Kandyan noble and his wife in official attire. Dimension: 22.2 and 20 cm high, weight: 2.3 kg. Condition: the male on the back with soldered area.

Japanese shin hanga woodblock print titled "The Great Buddha in Kamakura" by Okuyama Gihachiro (1907-1981) dating 1949. The artist's black ink signature and red seal are in the lower left corner of the image. Two red seals of the publisher Kyoto Hanga-in and Shinagawa printer are beside it in the lower left margin. The title is in the upper left margin. Paper size: 16 1/4" x 11 1/2" (image: 15 3/8" x 10 5/8"). Never framed. Very good overall condition with fresh color and wood grain visibl...

Chinese Western Han Dynasty Incised & Burnished Pottery Cocoon Jar

This wonderfully-shaped pottery jar was made during the early part of the Western Han Dynasty (206 BC - AD 8), or possibly the preceding Qin Dynasty (221 - 206 BC). This type of jar is usually referred to as a "cocoon jar" due to the shape of its body. Its original function was that of a grain storage jar. This particular example is "heavily-potted" and has a wide foot, neck and mouth compared to the size of its body. Decora...

Fine Chinese Neolithic Machang Phase Painted Pottery Jar (c. 2300 - 2000 BC)

This very attractive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a pale yellowish-brown pottery and is fairly highly-fired that has undoubtedly contributed greatly to its survival in such good condition. The elaborate painted geometric patterns cov...

Rare Chinese Northern Zhou Dynasty Painted Pottery Armoured Horse & Rider

This very rare pottery model of an armoured horse & rider was made during the short-lived Northern Zhou Dynasty (AD 557 - 581). It would originally have formed part of procession of similar horses. It is quite "heavily-potted" and made from a pale grey pottery that has been "cold painted" in a base coat of white pigment with reddish-brown and pink pigments applied on top. The rider is made from solid pottery and in his...

A very rare relic of a pottery figure was found in original excavation condition.
It was applied with greenish glaze on the surface.
Slight abrasives were caused due to age.

Date: Sui or Tang periods.

Height:13cm(without stand)

Bronze Stand is not included.

Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it. Paper: 16 1...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Irozaki Morning" dated in the left margin Showa 36 (1961). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed and titled in English in the lower margin. Paper size: nearly 11" x 15" (image: 9 9/16" x 13 3/16"). Never framed and in very good overall condition. The paper is slightly wavy.