A very interesting pair of 18K yellow gold double-sided cufflinks by Tiffany & Co. The cufflinks were made in France and were available only in Tiffany’s Paris boutique. Each face is formed as a square knot instead of the more traditional knots often seen in cufflinks. The solid connectors are marked with French 18K hallmarks and also “Tiffany & Co.”

Origin: France, ca. 1980. Condition: excellent. Size: 13/16” x 7/16”. Weight: 15.0 grams.

A classic pair of Edwardian cufflinks by Krementz worked primarily in 14K yellow gold. Each face is formed from a carved mother-of-pearl disc set in an engraved platinum border and centering a cabochon blue sapphire. The sapphires, though small, have good blue color that nicely accents the irisdescent surfaces of the surrounding mother-of-pearl. The connectors are marked “14K” and have Krementz’ hallmark. The platinum portions are tested and guaranteed platinum.

Origin: America, ca...

A superb pair of modernist sterling silver cufflinks by Danish master Niels Erik From. The large domed faces center beautiful amber cabochons with strong deep reddish overtones. The amber is surrounded by a border of black patinated silver that contrasts beautifully with the natural silver and the amber. The backs are fully hallmarked for N. E. From with the marks used after 1966.

Origin: Denmark, ca. 1970. Condition: excellent. Size: 1” diameter. Weight: 17.2 grams.

A handsome pair of vintage 14K yellow gold double-sided cufflinks by Larter. The square faces have slightly rounded edges and feature almandite garnet cabochons. The garnets have strong red coloring without too much of the brown overtones that can make garnets dark. The connectors are marked with Larter’s hallmark and “14K”.

Origin: America, ca. 1950. Condition: excellent. Size: 9/16” x 9/16”. Weight: 8.5 grams. Approximate Total Gemstone Weight: 4.04 cts.

A rare pair of Art Nouveau 14K yellow gold bean-back cufflinks, the oval faces with repousse decoration representing Poseidon (“Neptune”), god of the sea. The god is identifiable by the trident that forms his crown. The background at first appears to be a simple stippled pattern, but careful examination shows that the background is actually worked in a very fine pattern of fish scales...

A handsome pair of 18K yellow gold double-sided cufflinks from the era of Napoleon III. The navette-shaped faces are simply decorated with interlaced swirls. The faces are joined by chains. The cufflinks are stamped with French "tete de cheval" hallmarks for 18K.

Origin: France, ca. 1860. Condition: excellent, sharp detail. Size: 3/4" x 5/16". Weight: 6.0 gr.

An exceptionally fine, heavy pair of 18K yellow gold cufflinks, the faces hand-pierced with an ornate depiction of a mythological griffin. The workmanship is superbly done with heavy chased detail throughout. The surfaces show a mix of polished and semi-matte finishes. The backs have an ingenious folding mechanism that clasps the cuff without being too obvious. The clasps are marked with 19th century French patents, as well as hallmarks for 18K.

Origin: France, ca. 1870. Weight: 14.9 gr.

A superb pair of Art Deco cufflinks, the octagonal faces worked in platinum over gold. Each face features sugarloaf cabochon sapphire of fine, vividly saturated blue. Each cabochon is flanked by four rectangular sapphires flush-mounted with milgrained borders. The faces are joined with chain connectors. Marked 14K.

Origin: America, ca. 1910. Condition: excellent, all original. Size: 9/16" diameter. Weight: 10.99 gr. Approximate Total Gemstone Weight: 2.16 cts.

Extraordinary pair of early Cartier cufflinks, the round faces featuring brilliant green guilloche enamel in a starburst pattern, bordered with rose-cut diamonds set in delicate double-milgrained platinum borders. The enamel plaques are engraved in a manner that gives the enamel a distinct two-toned appearance and are set into 18K yellow gold backs that are attached to one another with gold chain links...

A particularly elegant pair of double-sided cufflinks by Larter. The round mother-of-pearl faces are centered with small natural pearls and surrounded with platinum borders decorated with laurel leaf engraving. The backs are in 14K yellow gold. The mother-of-pearl has very nice luster with pinkish and greenish overtones. These cufflinks would be especially appropriate to be worn with white-tie. The connectors are stamped with Larter's hallmark.

Origin: America, ca. 1900...

A handsome pair of modernist cufflinks worked as concave silver discs centering collet-set amber cabochons with applied beads to the setting. The amber has a beautiful honey color and an abundance of the highly-prized natural discoid inclusions called “sun spangles”. These are often created by enhancements, but the spangles in this amber are naturally occurring. The toggles are marked “830”.

Origin: Denmark, ca. 1950s. Condition: excellent, nice patina. Size: 13/16” diameter...

A fascinating pair of Edwardian 14K yellow gold cufflinks, the faces set with square rock crystals. The crystals have concave circles in the center and the edges are finished with an oxidized surface that gives the impression of hematite. The clear circles reveal quirky, almost cartoon-like portraits of dogs that have very rigid demeanors like those often seen in 19th century portraits of people. These are not to be confused with reverse-carved Essex crystals...

A heavy and attractive pair of 14K yellow gold Art Deco cufflinks in the flip-up style. The round faces are decorated with engraved lines in a herringbone pattern. After being inserted in the button hole, the ends are flipped up to secure the cuff. This style is rather uncommon in cufflinks from North America, being much more prevalent in French cufflinks from the period. The connectors are signed by Birks and are marked “14Kt”.

Origin: Canada, ca. 1925. Condition: excellent...

An extremely heavy pair of 14K yellow gold double-faced cufflinks made by Louis Tamis & Sons and retailed by Tiffany & Co. The round faces are simply decorated with parallel ribbed surfaces. The faces are joined by solid hinged connectors. The cufflinks are very heavy and have a classic, masculine appeal. Tamis was one of New York’s most important goldsmiths and supplied goods to Tiffany, Cartier and Verdura among others...

A very handsome and heavy pair of 18K yellow gold cufflinks, the faces comprising deep violet-blue spheres of lapis lazuli joined by gold collars worked with beaded and zigzag decoration. The lapis has the fine even color often called Afghan. The faces are joined with chains to plain gold baton backs. The batons are fully stamped with 18K hallmarks for London, 1992.

Origin: England, 1992. Condition: excellent. Size: faces, 7/8” long. Weight: 14.4 grams.

A handsome pair of 14K yellow gold cufflinks and three shirt studs fashioned as buttons. The buttons are nicely detailed, complete with gold “stitches.” The cufflinks are signed “Tiffany & Co.”, the studs are signed “T & Co.”, and each piece has Larter’s 14K manufacturer’s mark.

Origin: America, ca. 1950. Condition: excellent. Size: cufflinks, 9/16” diameter; studs, 5/16” diameter. Weight: 14.3 grams.

A handsome, inventive pair of modernist silver cufflinks with opaque black champleve enamel faces by Meka Reklamegaver (1951-89). The black enamel is pierced with overlapping elongated silver teardrops. The connectors are marked “Meka Sterling Denmark”.

Origin: Holte, Denmark, ca. 1960. Condition: excellent, no enamel damage. Size: 7/8” x 9/16”. Weight: 11.4 grams.

A very attractive pair of Victorian 10K yellow gold bean-back cufflinks, the oval faces featuring oval cabochon amethysts in a foliate-engraved borders. The backs are marked 10K.

Origin: America, ca. 1890. Condition: excellent. Size: 5/8" x 3/8". Weight: 3.3 grams. Approximate Total Gemstone Weight: 2.8 carats.