Circa 1940's, this is a spectacular necklace from Marcel Boucher. It's hand-wrought and extremely substantial, weighing in at 158.2 grams, or over 5 troy ounces.

Boucher was born in Paris, and apprenticed with Cartier. He has a reputation of being perhaps the greatest costume jewelry designer. In the 1940's, he produced silver jewelry in Mexico under the name Parisina. In 1957, he opened his business in New York.

This is a truly luxurious necklace...

Circa mid-century, this is a killer bracelet from Margot de Taxco. In absolutely pristine collector quality condition, complete with all nine charms.

It's a book-piece design shown on p. 63 of Penny C. Morrill's "Margot Van Voorhies : The Art of Mexican Enamelwork". The cherubs are highly detailed, with exquisite repoussé silver work.

Measures a closed, wearable length of 7 1/16"...

Circa 1940-1945, this bracelet is a book piece design produced by Hector Aguilar at the Taller Borda, known as "Six Spheres". It's a spectacular piece, wide and substantial, and it drapes over the wrist with a luxurious feel. Shown in bookplate III-88, page 130, of the Penny C. Morrill book “Silver Masters of Mexico”. Measures 7 7/8” without the tongue portion of the clasp. Closed, wearable length is about 7 1/4”. Width is 1 5/8”. Clasp is a tight and secure tongue in box...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side...

This is a very early work from Sigi Pineda, and dates to the early 1950's when he first opened his own shop. The shop was named "Plateros", later renamed "Sigi".

It's an amazing piece, with three huge red coral branches in a modernist setting which is sterling silver with 14k gold plated over it. The gold is perfect and even throughout, both front and back. The coral measures from 2 1/4" to 2 1/16"...

Here is an exceptional necklace and earrings set from Antonio Pineda, circa mid-century. Collector quality.

This set is a book-piece design, shown in Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda."

The design is known as "Crossing Arches with Teardrop Amethysts", and it's a heavy modernist design which is hand-wrought with superb craftsmanship. The necklace has seven teardrop amethysts dangling beneath the crossed arches...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb...

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

This mid-century necklace from Los Castillo is a heavy and very substantial seldom seen design.

Thirty-eight modernist twisted panels drape perfectly upon the neck, conforming perfectly with a fluidity which compliments the wearer...

This bracelet is the work of Horatio de la Parra, whose company Plateria Azteca produced hollowware for both William Spratling and Hector Aguilar.

It's an early piece, dating to the 1940's. Six repoussé silver panels, each with a high domed amethyst cabochon, make for a regal deco design bracelet which closes with a pin.

Closed, wearable length is 6 3/4". Width is 1 3/8".

Weight is 73.8 grams.

Signed and hallmarked "Parra Mexico Silver Hnos".

With hallmarks dating 1940-1944, this William Spratling bracelet is from his first design period.

Composed of three rows of elongated silver beads with a foldover clasp, this is a weighty bracelet which tests out at 980, or 98% silver purity. It's a very elegant, classy, and substantial piece, and it wears beautifully with a silky and luxurious feel on the wrist.

Measures 8" long, with a closed, wearable length of 7 1/2" and a width of 15'16".

Weight is 77.2 gram...

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open. A dense green teardrop stone sits just off center within the modernist design w...

This mid-century pin is the work of Los Castillo. It's a striking modernist design which is composed of two pieces connected with a rivet. The bottom hands and body swings freely with movement. Hand-wrought with intricate detail.

Measures 2 3/4" x 1 3/8".

Weight is 17.3 grams.

Signed and hallmarked "Los Castillo Taxco", with the eagle assay 15 and the design # 136.

In excellent vintage condition. Pin closes with a rolling C clasp.

A simple and elegant sterling cuff by Navajo Yazzie Johnson from his early work in the 70's. His work now features varieties of stones and he often collaborates with Gail Bird. This bracelet measures 5 1/4" around in the inside plus a 1 1/2" opening. It is 3/8" wide and weighs 31 grams. Fine original condition and signed as shown. A very handsome and wearable piece that can stand alone or be stacked with your other favorite cuffs.

Circa 1939, from William Spratling's first design period, here is his Tuliman necklace. Shown in "William Spratling and the Mexican Silver Renaissance", "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", and "Mexican Silver", as well as the Spratling Silver website, this piece is known as Tuliman Bird Necklace. Spratling based his design on images painted on large clay water jars made in Tuliman. Three cascabels dangle in front, making a beautiful jangling bell sound with movem...

Tane Orfebres is an important silver house in Mexico City, known as the Tiffany of Mexico. This bracelet is wide, heavy, and gorgeous. It has a sleek modernist design, with the one half shiny and mirror like, and the opposite half bearing a slightly matte finish. I have never seen this design before, and it is a stunning bracelet. Signed and hallmarked "Tane Sterling Mexico", with an "A" within a triangle. No eagle assay on this one, but I believe it to be 1953-1980. This will fit up to...

Large and beautifully crafted Navajo Silver and Turquoise ring, size 8 3/4", measuring 1 3/4" long and 1" wide, and 1 1/4" high from base of band to top of stone. The stone has a lovely caramel and brown matrix, with a deep turquoise green tone. It is signed "sterling" and has a maker's mark that is not clear. From a collection of good Navajo jewelry, most pre 1980s. In good condition, some wear and slight tarnist visible to silver, but the stone is in perfect condition, nicely polished and ...

Circa 1950's, this is a very rare and spectacular bracelet produced by Graziella Laffi (1923-2009), who was known as the "Spratling of Peru". Combining modern design with pre-Columbian imagery, Laffi produced jewelry and hollowware. Her style is unmistakeable and distinct, and this is a fabulous example of her work. Multi-dimensional and exquisitely detailed, this piece features Laffi's "Sun God" motif, with two large figures atop a hand-hammered concave bracelet which closes with a tight ...

Circa 1930's-early 1940's, this magnificent amethyst ring is the work of Abraham Paz. Paz produced and designed work for himself, as well as for Fred Davis. This is a gorgeous piece, with a huge hand cut and polished amethyst and deco sterling silver setting. The face of the ring measures 1 1/16" x 13/16", and sits 7/16" high above the finger. The ring size measures between 6 and 7 on a sizer, depending on which way the ring is placed. I've taken photos of both. It's never been sized. Sign...

Circa early 1940's, this is a superb slinky chain bracelet from William Spratling. It's a heavy handwrought piece, with a closed, wearable length of 7 1/2" and a width of 7/8". Classy and elegant, and feels fabulous on the wrist. Signed and hallmarked with the WS Print Circle "Spratling Made in Mexico WS", and Spratling Silver. Weight is 115.2 grams. Excellent vintage condition, collector quality. Silver tested to be 98% purity.

Circa mid-century, this clamper was hand-wrought by Los Castillo, and it is spectacular. Wide, large, heavy, and collector quality. The snail shell design has graduated beading which curves gently around the sides. Very substantial, with a weight of 104.4 grams. Hinge looks to be old and original, and it's super tight and snappy. Couldn't be more perfect. Recesses are oxidized, giving depth which makes this a standout piece. Fully closed this will fit up to a 6 1/2" wrist. Width is 2 1/4"....

This mid-century bracelet from Antonio Pineda is a seldom seen design, sometimes referred to as "Rings and Planets", with a smooth and seamless flow. Thick, heavy, and just all around stunning. The closure is a tongue which fits into a round ball, and is itself a work of art. Measures a closed, wearable length of 7 1/4". Weight is 68.6 grams. Signed and hallmarked with the Antonio Taxco crown, "VJ" within a circular "Taxco Mexico", "970", and the eagle assay 3. In superb vinta...

This book-piece design produced by Margot de Taxco is shown in "Margot Van Voorhies : The Art of Mexican Enamelwork" by Penny C. Morrill.

This Margot de Taxco design is known as "Silver Leaves", or sometimes "Leaf and Berries". It's a heavy gorgeous repoussé sterling silver clamper cuff bracelet. The silver leaves have oxidized recesses and beading, making this a standout piece. Collector quality, with a tight snappy hinge. absolutely no issues whatsoever.

Fully closed, t...

Beautiful vintage 1960s modernist sterling silver trefoil signed pendant by Danish maker Hans Hansen, on a separately made thick sterling silver shaped collar with a hand hammered finish. The pendant is marked HANS HANSEN 925S DENMARK and the collar is marked STERLING S. The pendant is very finely made and finished. The pendant is 2 3/4 inches long and 1 7/8 inches wide. It weighs 29 grams. The collar has a wearable length of 15 inches, including the gap, which is 1 1/2 inches. The collar weighs...

This mid-century necklace was produced by Margot van Voorhies Carr / Margot de Taxco.

It’s a book-piece design, with a stained glass appearance and amazing attention to detail. There are three separate pieces. The center pendant can be worn as a pin, or simply add the two sides to wear as a necklace.

Composed of tiny enamel squares which are black, blue, and teal with light blue within the center of each square.

Measures a closed, wearable length of 16”. The...

Beautiful antique Edwardian long drop screwback earrings in sterling silver and 10KT white gold with paste rhinestones. Circa 1910. With paste rhinestones in closed settings, and one unfoiled stone on the center drop of each earring in an openback setting. The stones are held with tiny prongs. Marked STERLING with an illegible maker's mark, and also marked 10KT on the backs of the screwbacks. It's possible these were converted from pierced by a very early owner but there are no obvious signs of ...

Stunning antique Austro Hungarian silver girandole drop earrings in 935 silver with glass paste stones, in an 18th century style. Circa 1910. 935 silver is a bit higher in silver content than sterling, and the designation was used in Austria, Germany, and Switzerland. The design and construction are characteristic of Austro Hungarian jewelry. Marked 935. With screwbacks. The stones are held in tiny prong settings. The backs of the earrings are as finely and ornately finished as the fronts. The l...

Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver. O...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15". Th...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size. Twelve gorgeous amethy...

An exquisite sterling cuff with a row of chiseling adorning the top and bottom of the cuff and curved terminals by Frank Patania Sr. The bracelet has his specific hallmark and also an inscription dated July '56. Measuring 6" end to end plus an additional 1" opening, it is 2" wide and weighs 99 grams. There is some light reflection in some of the photos that I could not avoid but the cuff is in perfect original condition. Signed as shown in the photos. Precise and elegant, this bracelet should de...

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p. 12 , pl...

This mid-century bracelet was produced by Antonio Pineda. It's a superb piece with a sleek modernist design, a mirror-like finish, and ten gorgeous oval amethyst cabochons. It's a bracelet which works equally well with dressy or casual wear. The amethyst gemstones are bezel-set at the center of thick square silver panels in such a way as to appear to float. Executed in 970 silver, almost pure silver, the push button clasp is topped with an amethyst, giving a completely seamless appearance whe...

Gorgeous on angles at a V and known to be a Valentin Vidaurreta design signed and produced by William Spratling. Inner diameter 2.25in. 2.5in. at highest point. The gap is 1.25in. and can be warmed by a professional jeweler to make smaller or larger. This silver is higher than 925 and is silky to the hand. The stones are Azure Malachite and shows off the natural silver sparkles that are within the the blue Lapis. A published and documented design in Penny Morrill's books on Mexican Silver. Condi...

Matl Matilde Poulat opened her shop in 1931.(Pack Davis) She with her nephew Salas produced folk art jewels that are sought after today. This signed example is studded with turquoise and clear, faceted amethyst squares. The silver work shows itself as an excellent example that is 7 in. long and 1.75in. tall. The weight is heavy at 63 grams as a bracelet with open air filigree. Collectors will not be disappointing with this bracelet.