Circa mid-century, this belt buckle is collector quality. It's a huge and heavy piece produced by Antonio Pineda, using his "Lascaux" design. Referred to as Lascaux because it is thought that he was inspired from the ancient cave drawings of Lascaux, France. Pineda had a series of pieces with this design, including pendant necklaces, bracelets, earrings, and pin. I've not had this particular buckle before, but it is spectacular. Executed in almost pure 97% silver...

This mid-century pendant/pin/necklace can be worn several different ways. Pin on its own, necklace with pendant, and pin and necklace separately.

It's a very rarely seen design, and it is most certainly collector quality.

The shadowbox design has a darkened background which is absolutely flawless.

Pendant/pin measures 1 7/8" x 1 3/8". Closed, wearable length is 17"...

This pendant is the work of Mexican modernist Salvador Teran. It's a unique design, bold and edgy, with a great deal of depth and dimension.

Measures 3" tall including the bail, 1" wide.

Weight is 46.9 grams including the chain. Pendant alone is 32.1 grams.

Pendant signed and hallmarked "Salvador Sterling Mexico", with the design # 140. The pendant came to me hanging from this sterling silver box link chain, and I don't believe it's original to the piece...

Signed by my favorite Mexican modernist, this set of Salvador Teran earrings in the so-called "crouching man" design combines sterling, strategically placed oxidation and richly speckled azur-malachite stones. I consider Teran a true genius - his jewelry has that inner power that holds the gaze and the imagination captive and sends them on surreal journeys into worlds familiar and at the same time strange and wondrous...

This pre-1948 bracelet is a Fred Davis design, here hallmarked simply "Mexico Silver". Composed of six large silver panels, each set with a large amethyst cabochon, this bracelet measures a closed, wearable length of 7 1/2" with a width of 1 3/8". Weight is 67.7 grams. Fold over clasp gives this piece a seamless appearance. In excellent vintage condition. Stones are gorgeous, perfectly matched in color

A rare example of Jose Luis Flores's work to come upon, this distinctly modernist necklace made my day when I discovered it. I have in the past sold the matching bracelet to it but this specific form eluded me for the longest of times and I am thrilled to be offering it here. Made up of links constructed using overlay, hand-cutting and chasing as well as oxidation, it brings to mind Teran's biomorphism and the design's execution is flawless...

A whopper of a bracelet, this early Taxco Deco beauty was wrought in fine, 980 silver and has still evident the Spanish Colonial influence in its design. Bold yet simple in its constitutive motifs, the silver-work is made up of three massive curved links that are adorned with traditional wire appliques and a touch of deliberate oxidation...

This mid-century bracelet was produced by "RMM", and is based upon an Antonio Pineda design. I have the Antonio bracelet, with amethyst stones, listed in my shop. It's a fabulous hand-wrought modernist piece, with twelve rectangular aventurine bars which are angled on the ends. Stones are all hand-carved and polished. The aventurine stones alternate with silver cones...

For a few years around WWII and possibly up to 1950, Marcel Boucher had a special line of silver jewelry made in Mexico under the name "Parisina". I don't think we know which workshop produced those pieces or whether they were made by a number of different silversmiths. I can, however, say that Parisina jewelry ranges from the very light-weight to the chunkier, more substantial examples and that the same variety is also reflected in their designs...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15"...

A glorious emulation of Spratling's "Aztec Sun" design, the early Mexican Deco silver and amethyst cuff at hand combines repoussage and overlay with cleverly applied oxidation that adds more depth and drama to an already stunning bracelet. This is a generously proportioned piece so if you always craved a cuff like it but couldn't find one to fit, don't miss this opportunity...

Breathtakingly beautiful this vintage sterling silver cuff bracelet, Navajo or Southwestern based on the style, is one of those pieces that become heirlooms. Exceptionally well crafted, it is centered by a huge oval lace agate, the color of the stone showing at times powdery blue, at times light grey. Set in a fine saw-tooth bezel, the agate is surrounded by beading and beautiful, richly layered foliate and floral overlay...

Signed by a listed “middle period” Taxco maestro primarily known for his repousse work, this 1950s carved azur-malachite and sterling “mask” pendant necklace is as stunning as it is unexpected. Dark blues, deep greens and earthy browns add depth and gravity to the stone, making the ancient figure’s features as stern in sleep as they must have been in that life lived centuries ago. The “mask” is big and bold and I love the generous prongs holding it in place at the top like bent ant...

This early Mexican bracelet, 1930's - early 1940's, is a spectacular hand-wrought work of art from noted silversmith P. Ochoa.

P. Ochoa work is very seldom seen, and closely mirrors that of Matilde Poulat/Matl and M. Velazquez. This bracelet is collector quality.

There are five repoussé panels which make up this bracelet. The center link has a large oval onyx cabochons as the face. Three middle panels are curved, with the smallest end panels joining with a tight and secure...

This is a superb modernist bird pin from Antonio Pineda. It's large, dimensional, and substantial, with tiny beading and an obsidian eye. A design which is seldom seen, and collector quality. Measures 2 3/4" wide. Weight is 39.8 grams. Signed and hallmarked with the Antonio Taxco Crown, Hecho en Mexico 970, with the eagle assay 17. In excellent vintage condition. Pin closes with a roller.

Classic in its elegance and the delicate filigree work that embellishes it, this vintage silver and sodalite pendant necklace dates in the first decades of the 20th c. and I believe it is an Italian piece. Very similar to work that came out of the Peruzzi and Coppini workshops of Florence, the necklace is anonymous yet exhibits very high levels of craftsmanship and its finishing is impeccable. I love the stations formed by short lengths of chain, the lace-like quality of the filigree beads and ...

This mid-century necklace is an absolutely stunning piece, with deeply incised swirling links, silver domes, and tiny silver beading. Exquisitely hand-crafted and collector quality. Looks fabulous on and lays perfectly upon the neck. No maker's mark, but the design itself, along with #54, indicate that this is likely the work of Reveriano Castillo. Measures 15 1/2" closed, wearable length. Width at the center is 1 1/4". Weight is 70.8 grams. Closes with a tight and secure tongue in b...

This is a gorgeous necklace from Margot de Taxco, her design # 5240. An early piece, featuring winged panels with brass domes and tiny beading. Absolutely fabulous condition, with no dents, dings, or dimples to any of the domes. Measures a closed, wearable length of about 15 1/2". 3/4" tall. Weight is 79.5 grams. Signed and hallmarked "Margot de Taxco 5240 Sterling Made in Mexico", with the eagle assay 16. Collector quality.