Robert Pierron sterling silver cut out brooch
c 1960's
1 5/8" x 1 1/4" at widest point
Marked PIERRON, Sterling
Very good vintage condition
Kerr Sterling guilloche lavender and white enamel pin is 2 7/8" long by 2 3/8" wide. It weighs 38.3 grams. Very heavy for a pin.
Ed Levin sterling silver, resin and coral earrings
1950
2 5/8" long
Unsigned
Very good vintage condition
Wonderful huge and heavy sterling and amethyst pin by WILLIAM SPRATLING, Mexico, c.1940. Measures 3 3/8" length and width and weighs 3 1/2 troy oz(70 gms). Appears with following Spratling cuff(item #891197) in MEXICAN SILVER by Berk & Morrill on page 44. Excellent condition and marks.....$25 for insured US shipping.
A classic early Matilde Poulat Mexican silver bracelet, its textured sterling wire-work adorned with beading and coral and turquoise cabochons, this piece was made in the 1934-48 period of Matl's creative life as is indicated by its hallmarks. Part of her "flat" as opposed to "repousse" jewelry, the bracelet is perfectly articulated and responds to the wrist's every move in a effortless, gracious way...
We have to offer a design 252 Old Los Castillo with the linear hallmarks. You can see the hand hammering on the back and the top is deeply hand chased. There is no damage or repairs to this cared for treasure. This jewel displays a pectoral which is 4in. across and 2in. at highest point tall. This is a published book piece in Penny Morrills books on Mexican Silver. The weight confirms quality at 104 grams of silver...
A very charming, small collection of two pair of earrings and a belt buckle by Navajo Kenneth Begay created when he was working at the White Hogan Shop in Scottsdale, Arizona. The pieces came with the original tag from the White Hogan Shop and has a script inscription added on from the owner passing on the pieces to a loved one. The sterling and ironwood belt buckle measures 1 3/4" by 1 1/8" and weighs 25 grams...
This is a small pin, but its design reflects both charm and sophistication, with overlapping strands of sterling silver terminating in a smooth, fused surface. It is beautifully oxidized, which gives the piece depth, and nicely sets off the 6mm coral bead. The pin is marked ‘phyllis’ and sterling on the back, for modernist jeweler Phyllis Sklar. Sklar began selling her handcrafted jewelry in Greenwich Village during the 1950s, eventually moving to Provincetown, MA, where she died in 2010...
One of the techniques the Los Castillo workshop pioneered, “pluma Azteca” uses dyed bird feathers as inlay to adorn jewelry and other decorative items. Quite impressive in their colorful vibrancy, the feathers can also be vulnerable, especially when they are left exposed, resulting in a rather small number of “pluma” jewelry having survived over the years. The articulated torque-type necklace at hand is a wonderful exception...
A sterling silver modernist bracelet with nine disks and offset orbs by Danish silversmith, Niels Erik (NE) From. This example is not signed. However it is the same design and measures exactly the same as a signed example. Not sure how that occurred. Priced accordingly.
Measures about 7 1/4" long and 5/8" wide.
Leaf shaped toggle clasp holds securely. The bracelet is in fine condition with a little tarnish.
Classic N E From design.
Paul Lobel modernist sterling silver necklace
Strong biomorphic pendant and handmade neck chain
Rare form
1950
Pendant - 3 3/8" x 2 1/4"
Chain - 16"
Weight - 44 grams
Marked Lobel, sterling
Very good vintage condition with original patina
Signed Los Castillo and constructed with thick silver weighing 84 grams. The repousse is beautifully fashioned with flowing curls and beaded sides and a dark natural patina. This clamper bracelet is design 250 with the artist being Margot Van Voorhies before her divorce to Antonio Castillo. The presence is stunning with a height of 2.5 inches. Fits most with an inner diameter of 2 3/8th inches. No dents, strong spring and no repairs. One of the very best from the Spratling era.
Yellow enamel, sterling, and marcasites art deco lapel watch, Germany, c.1920's. Geometric design in three sections make up the structure of the watch. The horizontal bar pin at the top(m.1" across) pins on to fabric. The vertical middle section has 2 diamond shaped yellow enamel pieces set amidst an irregularly shaped geometric cut out design(m 2" long). The lower diamond-shaped section(m.1 1/2" long) is the "ORATOR" watch which has yellow enamel on the back...
Created using the shadowbox technique a row of silver flowers and leaves elegantly circles the wrist in this early 20th c. Chinese bangle bracelet. The floral and foliate motifs are set against a dramatically oxidized background visible through the openings in the cut-work and they are enhanced with hand-etched details...
This lovely bracelet exhibits quality workmanship. It features nine linked discs decorated with exquisite bands of turquoise enamel work embedded with metal strands, possibly silver. Each disc is ringed by intricately embossed frames of flowers and leaves. The double-hook clasp is very secure. The bracelet measures 7 inches long. It is unmarked except for the word ‘Silver’ impressed on each end disc; the silver tests definitely as sterling. Dating would be around 1950...
A pair of sterling silver modernist rings by the mid century jeweler Ella Cone, who had The Silversmiths' shop in Boston. May purchase individually or as a pair.
The wrap ring measures about 6 1/2 and is adjustable due to the nature of the design. Has a bezel set green agate or pale jade stone. Marked on the inside with the cipher of the artist, xTo and 925...
Sterling scarf pin by Unger Brothers, c.1904. It measures 2 7/8" long by 1 1/8" wide and is in excellent condition. It is signed "UB STERLING 925 FINE".......$10 for insured USA shipping.
This Hector Aguilar sterling bracelet is circa 1930s-1940s. It is in excellent condition. I have included picture of the hallmark larger than normal for better viewing. This bracelet is 3/4" wide by 7" long . It has a tongue clasp.