Andrew Plimer Miniature Painting c1815 | William Corden the Elder Miniature of Young Girl c1825 |
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The painting is in excellent condition, with no bowing, cracks, paint loss, or restoration. Set in a frame with a glazed blue material reverse...
The condition of the full face painting is excellent, with no issues...
The condition of the case and painting is excellent, with no flaws...
The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case...
The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair...
The sight size is 1 1/2" by 1 1/4"...
The condition of the miniature and its case is excellent, with no problems. The overall size is 3" by 2 3/8"...
The condition of the miniature is quite good, with some craquelure showing on the jacket...
The condition of the painting and the case is excellent, with no issues. Overall size is 2 7/8" by 2 3/8".
NOTES: 1...
The condition of the painting is excellent, with no issues. The cast foliate case is also in fine condition, engraved on the reverse with the initials "T.W." and a cutting of hair in the glazed aperture.
BIOGRAPHICAL NOTE: William Harrison Scarborough (1812-1871) was born in Tennessee to parents whose family origins ...
Note how the artist, as naive as was his style, took care to magnify the use of certain features by highlighting them in various areas, such as using the blue background and the blue bow to go w...
Condition is excellent with no paint loss, tears, folds, foxing, or restoration. The piece is 2 3/4 inches by 2 3/8 inches.
NOTE: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period. He painted miniature portraits and silhouettes very carefully, and with great attention to ...
Not only is the painting itself beautiful, but the original case is also very fine, containing a lock of hair in the glazed rear aperture. Condition of the mini is excellent, with no cracks, chips, or restoration. The case is also...
The condition of this stunning piece is superb, with no cracks, paint loss, bowing, or restoration. The sight size is 4 5/8" by 3 5/8", while the framed size is 6 7/8" ...
The condition of the miniature is excellent, with no issues, as is the gilt metal case with a glazed aperture on the reverse. The case size is 3 1/8" by 2 5/8".
BIOGRAPHICAL NOTE: Henry Colton Shumway (1807, CT - 1884, NY) studied, probably with T...
The condition is excellent, with no flaws, as is that of the case. The overall size is 2 1/2" by 2 1/16".
NOTES: 1. Eliza Goodridge (1798-1882) was born in Templeton, MA, and spent her younger years there and in the...
The condition of the pai...
BIOGRAPHICAL NOTES:
1. From "The Smithsonian Art Museum": Benjamin Trott (c1770 - 1843), thought to have been born in Boston, ranks with Edward Greene Malbone and Charles Fraser as one of America's best miniaturists. During a long career t...
The painting has no chips, cracks, bowing, mold, paint loss, etc., with the case also being in fine condition. The overall size is 2 3/4" by 2 3/8".
BIOGRAPHICAL NOTE: Thomas E. Barratt (c1814 -...
BIOGRAPHICAL NOTE: Sturgeon, active 1825-1835, is by no means a well-known artist in spite of having exhibited at the American Academy of Fine Arts in N.Y. He is also known to have work...
Aside from the quality and relative rarity of the painting, what makes this offering truly special is the casework. The case is gold and gold on silver and hinges so that the miniature is enclosed on both sides by the metal. The front and back are done with different guilloche (engine turned)designs. Both sides of the case are the same color...
The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".
Presented in a rectangular ebonized frame, both the painting and ...
The painting is in excellent condition, with no issues. The period and probably original gilt metal frame has wear to the green velvet border between the inner ands outer metal su...
The painting is in excellent condition, as is its original velvet travel case, although the photo is not of the highest quality. Sight size is 1 3/8" by 1 1/8".
NOTE: William White (1748-1836) was the first bishop of the Protestant Episc...
NOTE: Edward Nash (1778-1821), reportedly a hunchback, exhibited at the Royal Academy from 1800 to 1820. He lived for a while in the Lake District and knew Wordsworth, Coleridge...
Condition of the painting and the case is excellent, with a diameter of 2 3/8". BIOGRAPHICAL NOTE: Thomas Hargreaves (1775–1846), born in Liverpool began painting miniatures at an early age, and on the advice of Sir Thom...
The condition is excellent with no problems, as is the condition of the case, which has a glazed aperture on the rear. The size of this charming painting is 2 1/2" by 2".
Note: Theodore Peticolas (1797 - 1866) was ...
Fuller did sign a number of his miniatures, but apparently always on the back. Since this example is presented in its never opened original frame, it is possible that it is a signed piece. Regardless, because of the technique and composition, there is no question that this was done ...
The painting was descended in the family, and the sitter has been identified as John Amory Lowell (1798 - 1881). He was the grandson of John Lowell (1743 - 1802), an American lawyer, selectman, jurist, delegate to the Congress of the Confederation, and federal judge. Known within his family as ...
The painting and case are in superb condition, with no flaws, however minor. The sight size of the miniature is 2 7/8" by 2 1/4", with the case size bein...
The overall condition of the painting is excellent, as is the case, The size is 2 7/8" by 2 1/4". Please note that the first photo is an accurate depiction of the miniature, and the second photo, which has all man...
The painting, in a red leather traveling case, is in excellent condition, having a sight size of 2 1/2" by 2 1/8", and a closed case size of 3" by...
Both the painting and the frame are in excellent condition, with no issues. The painting is 1 3/4" in diameter, and the frame is 2 7/8".
Biographical Note: William Egley (1798–1870), was born in Doncaster, England, and moved shortly after to Nottingham. Originally working in a publishing house and bookshop, he had developed an interes...
The condition of the miniatures is excellent, with no issues to speak of. Each is under glass, with card backing, gilt metal matting, and gilt foil edging. They are presented in a A.P. Critchlow & Co. case which still retains its original label and is also in excellent condition. Sight size of the paintings is 2...
The frame deserves special mention, being gilt silver with a 14K gold back and central plaque with "AM" initials. It is quite thick and weighs about 3 1/2 ounces. The...
The painting is 2 3/4" by 2 1/4". Condition is excellent with no cracks, bowing, paint loss or restoration...
The condition of the case is excellent, as is that of the painting, which has no chips, cracks, bowing...
The painting is in excelle...
The miniature, in what might be the original case, which has a glazed aperture on the reverse...
The painting is in wonderful condition, with no issues. The period gilt wood frame has some expected and fairly unobtrusive wear but in person looks much better than it appears in the photo. Sight size of the painting is 3" by 2 1/2", with a framed size of 4 5/8" by 4 1/8...
The very handsome gentleman is wearing a black ascot, white collar, white shirt with onyx studs, and a black jacket. The young boy, with fine, light brown hair, is wearing a sky blue garment with white embroidery on the wide collar.
Both miniatures are in superb condition, with no cracks, chips, or bowing...
The miniature is set in the original gilded copper pendant with a glazed aperture on the reverse containing plaited dark hair. Excellent condition with no issues to speak of. The sight size is 2 1/2" by 2", with an overall size of 2 5/8" by 2 1/8".
The painting is presente...
The painting is is excellent condition, with no chips, cracks, bowing, or other problems. The black lacquered frame does have crackling. The sight size is 2 5/8" by 2 1/8", and the framed size is 4 1/2" by 3 7/8".
NOTE: Doyle (1769 - 1828) was...
Condition of the painting and the case are both excellent, without problems. Sight size is 2 5/8" by 2 3/8" and the case size is 2 7/8" by 2 5/8".
NOTE...
Although it is clear, based on the style and artistic techniques, that the painting was done by Trott, a fragment of one of his business cards was also found in the case the miniature is housed in.
The c...
Condition is excellent, with strong colors and no cracks, chips, paint loss, bowing, or restoration. The wood frame is also in excellent condition. Sight size is 3 1/2" by 2 7/8", wit...
The miniature is signed "R.C. Woolnough" and dated July 1816 on the backing paper. This is very interesting as there is ext...
The painting, with no bowing, cracks, or fading, is in very good condition. The sight size is 2 3/4" by 2 3/8".
BIOGRAPHI...
Sight size is 1 1/2" by 1 1/4", with an overall size of 1 3/4" by 1 1/2". The condition of the painting and the case is excellent, with no issues at all. The white fle...
The condition of this work is excellent, with no issues at all. The newer locket is also without flaws. The case size is 3 1/8" by 2 1/2".
NOTES: 1. James Pattenden married Jane Weston on February 16, 1819 at B...
The condition of this rare gem is excellent, with no cracks, chips, paint loss, or bowing. Except for a discolored area in the top right, the frame is also in ...
The sight size is 4 5/8" by 4" and the framed size is 7 1/4" by 6 5/8". The condition is excellent with no issues or flaws. Housed in a later burlwood and ebon...