Sir William Russell Flint 1880-1969 British This is a scarce original drypoint etching by British artist William Russell Flint. The title is: "Eve", it was created and printed in 1930. The image measures 7 1/4X10 1/8 inches. Signed in a sepia ink lower border, printed on an antique laid type paper, identified in the artists hand as from 1753. This image is numbered as LXVI. Printed with a brown toned ink. Some toning from an early window mat but does not affect the image area...

German Botanical Colored Etching “Gloriosa” measuring 10 x 14“ frame size 17 x 20“

Walter Tittle 1883-1966 American This is a fine original drypoint etching by American artist Walter Tittle. The title is: Church of the Heavenly Rest, which was built in New York City in 1929. This etching is hand signed in ink and measures 12X10 inches, nicely framed with archival materials. A very rich impression, Tittle at his very best...

Arthur Bowen Davies, American, 1862-1928, soft ground etching and aquatint, "Angled Beauty" 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.

Louis Auguste Mathieu Legrand 1863-1951 French This is an original etching and aquatint by French artist Louis Legrand. This image from his La Petite Classe series created in 1908 is titled Premiere Danseuse. This impression is the 4th state of 6. It is numbered as 1/100. The image measures 15 3/4X11 1/4 inches. Hand signed in pencil lower right, This etching is nicely framed with archival materials. Published by G. Pellet, Paris, red stamp lower right border.

Armin Landeck (American, 1905-1984) - York Avenue, Tenements. Original signed drypoint etching. Dated: 1938. Small Edition of 100. Signed and dated by the artist in pencil in lower margin. Armin Landeck was a noted American printmaker. Landeck attended Columbia University in New York, where he began printmaking. At the Art Students League, he studied under George Bridgman and later with the English printmaker Stanley William Hayter. During the 1930s, he produced many city views of New York...

James McBey 1883-1959 Scottish This is a fine hand signed etching by British artist James McBey. The title is: A Mirage, it was one of his Venetian series, created and printed in , 1928 in an edition of only 76. This image measures 11 13/16X14 3/8 inches. This image was published in Fine Prints of the Year in 1928. Fine use of plate tone in the sea and sky.

Born in Germany. Known for etchings and prints of Germany and Bohemia with incredible details

Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as Wenzel Hollar; and to Czech speakers as Václav Hollar Czech: [ˈvaːtslav ˈɦolar]. He is particularly noted for his engravings and etchings...

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...

Ryohei Tanaka
Soaring Birds (Titled in Japanese at lower left)
Medium: Japanese Etching
Date: 1982.
Edition: 78/100.
Signed "T. Ryohei" and dated in pencil.
Paper size: 23.75 x 14.375 inches.
Condition: Outer margin has slight toning.

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this soft-ground etching, 9" by 6 1/2" inside the present mat, the size as framed 20" by 15 1/2", titled "Portrait of Hermann Struck", signed in pencil by the artist in the lower right margin and by the printer Heinrich Wetterroth at lower left margin (along with other difficult to decipher information, written in fine pencil), and dated in the plate at upper right "1911"...

A PAIR of large prints, each 30" by 22" (32" by 24 3/4" as framed), one titled "Harbour View Opahi" (a bay north of Auckland), the other "Harbour View Rangitoto Island" (the famous volcanic island near Auckland, that print numbered 17/30) by the well-known longtime New Zealand printmaker, RODNEY FUMPSTON (1947-). Fumpston was born in Fiji. He was educated in art at the prestigious Elam School in Auckland, as well as in London...

. Bretherton “Moses” etching 1783 measuring 11x15”

Etching on delicate Japan paper, 13 3/4" by 10 1/2" inside the mat (20" by 15 1/2" framed) signed in the plate at lower right by the important 19th century French etcher, CHARLES MERYON (1821-1868). There are modern-day notations on the framing paper: "....Casimir Le Comte after Gustave Boulanger, 2nd state, 1856, and "from Kennedy & Co." Meryon was born in Paris to an English physician father and French dancer mother...

Jean Baptiste Camille Corot 1796-1875 French This is a fine rich impression of the well known Corot etching Souvenir of Italy, this was first created in 1863, and printed in three states, including later ones with the publishers information at the bottom edge of the sheet. This one does not have that so may be an earlier or possibly later impression. The image measures 12 9/16X9 3/8 inches, printed on an antique laid type paper. Very fine condition, matted not framed...

Arthur J. T. Briscoe, British, 1873-1943, "Flooded Decks". This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast...

Manuel Robbe, French, 1872-1936, "Claudine," colored etching and aquatint, plate measures 12 x 9 3/4 inches on 24 x 17 3/8 inch arches laid type paper. Print 26 in an edition of 65. C. 1903. Published by Sagot, Paris. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.