John Taylor Arms 1887-1953 American This is one of the most impressive etchings by American artist John Taylor Arms. This image is titled: In Memoriam, the view of the North Portal of Chartres Cathedral. It was from his French Church series. This etching was created and printed in 1939. It is from the 2nd state of two. Printed in an edition of 312. The image measures 14 5/8X12 inches...

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Etching in dark brownish-black ink, 14 3/8" by 10 1/2" inside the mat (19 3/4" by 15 1/2" as framed), the print numbered at lower left 37/100, while additionally signed and dated there as well in the plate, while titled in the plate "Notre Dame #2" at lower right. This is likely by an artist considered Canadian, CAROLINE HELENA WILKINSON ARMINGTON (1875-1939) rather than by American CAROLINE ARMINGTON (1898-1986), though records for the two seem to be hopelessly entangled...

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

Harold Kerr Eby 1889-1946 American This is an original etching and aquatint by American artist Kerr Eby. The title is: Still Hollow 1936, a winter scene most likely near his home in Connecticut. This etching was created in an edition of 100. The image measures 10 3/16X14 1/2 inches. Pencil signed and editioned in the bottom border. Fine condition, a rich impression. Presented in a fine frame with archival framing materials...

Gerald Leslie Brockhurst 1890-1978 English One of the finest portrait etchings ever created by British artist Gerald Brockhurst. "Henry Rushbury", created and printed in 1930. Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London. Rushbury was an accomplished etcher as well... This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice...

John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

Vintage and early Hawaiian art is scarce to rare, and desirable. This is a 1932 etching, "Hawaii Hall", one of the principal buildings of the University of Hawaii at Manoa campus, on Oahu. It is pencil signed at lower right margin. An image of this print is included in the university's yearbook for 1932. The work is presently unframed, behind a mat, and it is simply taped at top edge...

Samuel Chamberlain, American, 1895-1975, drypoint etching, "The Verdant Village", image size: 6 1/2 x 11 inches. 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontain, Ile-de-France, exhibits Chamberlain's ability to create subtle gradation in plate tone.

A very well done etching by (William Nugent) measures 11x9 inch. The artist was working in the style of Pablo Picasso..this work of the classic mother and child is a beautiful example more info coming soon

Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953). Arms was one of the best known and most highly respected American printmakers of the first half of the twentieth century...

**ONE OF SEVERAL WORKS BY BURR IN MY SHOP**, this is an etching on paper print, 8 1/2" by 10 1/4" inside the mat (15 1/4" by 17" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "A Mirage--Ariz". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors...

Gottlob Briem 1899-1972 American This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.

A group of three etchings of New York City subject matter, each pencil signed and titled by the artist LEON LOUIS DOLICE (1892-1960). The three titles are "Fish Market", "Metropolitan Tower", and "NJ Waterfront". "Metropolitan Tower" is the largest, the printed area measuring 10 1/4" by 7 1/4"; the other two are 7 1/2" by 6" (printed area). Interestingly the prints are all printed off-center or otherwise at irregular angles on the sheets...

Original drypoint etching printed in two colors by David B. Milne (Canada, 1882-1953). In excellent original condition. Pencil signed lower left. Circa 1929-1930. As issued in The Colophon, New York, 1931. David Milne is an important Canadian modernist.

Edmund Blampied, British, 1886-1966, "En Promenade", etching, plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print. Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100.

George Elbert Burr 1859-1939 American This is a fine original etching by American artist George Elbert Burr. The title is Evening, a very atmospheric impression, both pencil signed and titled. The image measures 12X10 inches. Printed on a medium weight buff toned laid paper. Very rich and fine inking on this image. It appears in the Burr catalog as image number 124.

A fine print from New Orleans by the noted Louisiana-associated artist LOUIS OSCAR GRIFFITH (1875-1956), featuring a milk cart drawn by a horse, making its deliveries in the French Quarter. Measuring 12 1/2" by 10 1/4" inside the existing mat (19 1/2" by 15 1/4" as framed), the piece is pencil signed by the artist at lower right and numbered at lower left "No. 21" (of an apparent edition of 100)...