Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

William Walcot, British, 1874-1943, "The Thames," Etching with drypoint, image size 4 1/8 x 12 3/4 inches, 1922, pencil signed.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Stephen Parrish, American, 1846-1938, "Near Dinard, Brittany, 1888," Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", cat: Schneider-136.

Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

A Fine and Rare 1893 Etching and Aquatint by the Well Regarded Belgian Artist, Felicien Rops (1833-1898). Image size is about 3 1/2" by 4 1/4", sheet size about 7" by 10 1/2". Monogramed lightly F.R. in red pencil under image.

Jean Baptiste Camille Corot, 1796-1875, French, "Paysage d'Italie," Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.

Arthur Bowen Davies, American, 1862-1928, "Maenads," Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs...

Anton Schutz etching

New York City skyline view from Weehawken

1927

Image size - 13 11/16" x 10 1/8"

Signed in pencil [LR]

Framed

Very good condition

Ludovic Lepic, French, 1839-1889, "Bords de Riviere Ombreux avec Deux Moulins et Cloche a Droite," Etching, image size 4 x 10/4 inches, 1870, plate signed u.r. "Lepic" and pencil signed l.l. "Lepic", from "Croquis Hollandais et Autres" plate 14. A view of fisherman along the banks of the Ombreux River with two watermills and a church in the background.

David Muirhead Bone, Scottish, 1876-1953, "The Jetty, Gorleston," Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Alphonse Legros, French, 1837-1911, "Le Voyageur a l'Abri," Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

Luigi Kasimir, Austrian, 1881-1962, "Grinzing, Vienna," Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.

Percival Gaskell, Etching, "In the Garden," This very fine impression with its deep rich tones measures 11 3/4 x 7 3/4 inches, c. 1930. Presented on cream wove paper, this original drypoint has wide margins with a sheet size of 15 1/2 x 10 1/4 inches and is pencil signed on the lower border. Born in England and educated in Cambridge, Gaskell studied art in London and Italy before studying under Sir Frank Short at the Royal College of Art.

A Fine Etching from the Early Texas Artist, Clara Caffrey Pancoast (1872-1959). Pancoast was a student of Jose Arpa and taught at the Art Colony in Alpine. Matt opening measures about 4 3/8" by 6 3/8", overall frame about 8 1/8" by 10 3/4".