The Original Etching by Loppo Martinez (1952- )French
Title: "L'Ecluse" (Elose), Unframed. Never been framed.
I had this lovely Etching last 29 years stored away.
The condition: Mint Condition, one tiny stain below signature near edge.
The Paper size: 23 3/4" x 31 1/2" , Image size: 17 3/8" x 23 3/8"
Signed by Artsit: Martinez Lower right, Edition numbered: lower left by pencil. 72/125
The publisher: Loppo Martinez Studio with embossed seal. 1990...

The sheet size: 36" H x 46" W
The image size: 30" H x 40" W
The title: "The Tryst"
Artist: Mark King
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Number: 195/295, in pencil
The year made: 1990, Sold Out Edition.
Publisher: Martin Lawrence Limited Edition
as last photo with COA showing
The condition: Mint, never been framed...

The Artist: Michael Young
The title: By Invitation only
The size of Sheet:45"x35" The size of Image:39"x30" Medium: Serigraph on paper
The year of creation: 1991 Edition No. 264/300
Signed: Lower right, signed, Michael Young in pencil
The conditon of Serigraph Excellent. It never been framed.

This is beautiful original serigrph by master of
arichitecture paintings as well as figure artist, Michael Young. Item was $1,000.00...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

The unframed sheet and Image size: 33 1/2" L x 23 1/2"H. Original Handpulled Plate(15 plates) Lithograph by Famous French Artist ANNE LAN. Printed on arches paper in Paris. Anne Lan born in Limousin France, received numerous awards. The title of "REVE DE CHAT" It is signed and numbered by Artist Edition number 123/220. The condition of work excellent. Actual work is much prettier. The authenticity of workmanship guaranteed. Regular price was $1.600.00. Published Dated 1990...

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

5.75 x 8.5 in. ai in Japanese The white background is punctuated by a yellow sun and a red splash --true Maki style. Frame 5 shows Sanae’s careful translation and explanation of this print – and her intuition as to what Maki-san may have meant when he created this image 41 years ago. Copyright 2012 Sanae Nakajima Chambers and Daniel Tretiak

This is one of Maki's dramatic Big Red prints, a kanji on a black background.

Original Japanese woodblock print by Utagawa Hiroshige (Hiroshige II), from his series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", circa 1860. This vertical oban is signed Hiroshige ga. Published by Uoya Eikishi. Beautiful color and condition. Never framed. A rare print from a series partially based on Hiroshige I's series (Famous Views of the 60-odd Provinces). This particular view by his protege is not based on a Hiroshige I work.

Daniel Tretiak, after publishing his book The Life and Works of Haku Maki in 2007, found that he had more to say about prints as they came into his life. And so, from time to time, he wrote Research Notes and published them on this site. For Note 1, he wrote the following: This is a collage of Maki prints depicting the tokkuri (sake bottle). We have added images of most of the prints here. Enjoy. Be Sure to CLICK Above as directed, please.

The Portland Art Museum has very recently begun to put its holdings of prints of Haku Maki on its site. These cover a wide range of Maki art: from the very earliest days of his work until the 1980s. The listing is particularly exciting because it shows several very early prints I have never seen. These are shown in the first 3 images of this listing. At the beginning, Maki’s images were abstract, embossed and small editions...

Poem 72-47 (road) 32 X 21.5 inches textured paper The sun is the inner part of the kanji for road. This is a very big and stunning Maki print It was done in 1972 at the height of his artistic powers. It depicts the kanji for Road or Way, e.g.the Way of Taoism (Daoism). As if done with a brush, the character whooshes across the well-textured paper. At the middle of the print, Maki has added a White Sun.

This Guest Research Note 1 is much ado about Nothing. The Maki print in question is 73-50A (Nothing). The essay is by David Bieling.

This note discusses newly emerged prints (it was written in July 2014). Daniel Tretiak wrote: Please enjoy. I own A C W and Flower Song 5.

persimmons galore. 81-3 added. * means I own it.

This note discusses new (in 2015)finds in the world of Haku Maki prints.

This is a surprisingly good kanji It was done in 1972,slightly beyond Haku Maki's core period for such small kanji. It is the character for Mu or Nothing It is a very abstract depiction of the character, more so than most of Maki’s rendering of Nothing, which he did many times. This image is sharp and concise and it has drive. It has the Maki style and balance:a seal and the bottom margin. The seal at the right is balanced off by the splash at the left

This wonderful print was a gift to Daniel Tretiak and me on the occasion of our wedding in June 1964.