"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

Kashigata (wooden sweet mold) with image of Jou (old man from the Noh play "Takasago.") Early 20th C, Japan. L.7.75"(9.5cm) x W.3.375"(8.5cm) x H..75'(2cm). Bottom portion of mold only. The image of Jou, the old man raking leaves and the companion of Uba, is from the ancient Noh play "Takasago." Alone or accompanied by Uba, Jou is a symbol of a long married life and fidelity. Such sweets could have been used for marriages and New Years...

Kasamatsu Shiro (1898 - 1991)
Rice Planting (Taue)
Date: 1953. First edition.
Publisher: Unsodo.
Size: Oban. Approximately 16 x 10.625 inches.
Signed and sealed in Japanese in the image. Signed in English at lower margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Narazaki Eisho (1864-1936) (aka. Kyokudo, Fuyo, Shinjo)
Futagawa in Snow (Futagawa no Yuki)
Date: Early 20th century.
Size: Approximately 7.25 x 5.25 inches.
Signed and sealed "Kyokudo".
Publisher: Watanabe Shozaburo.
A very rare creped print.
Condition: Unframed. Excellent.
The uneven margin is due to the creping process.

Charles W. Bartlett
Fruit Sellers, Madura, India 1923
Date: 1923
Paper size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Sealed CWB and titled. Signed in pencil and dedicated "Love from the Bartletts".
Medium: Etching hand-colored with watercolor.
Condition: Toned.
Note: This example has a double image.

Ando Hiroshige (after)
"A Fairy Moon and a Lonely Shore"
This scene depicts salt gathering at Suma Beach.
Date: ca 1910.
Size: 7.125 x 4.75 inches (18 x 12 cm).
Publisher: Matsumoto Print Works. Tag on back (#39).
Medium: Japanese woodblock print.
Condition: Mark on island and a couple foxing spots on back.

Tsuchiya Koitsu
Matsushima
Date: 1930s. First and only edition.
Size: Chuban. Approximately 10 x 7.5 inches.
Publisher: Takemura Hideo. Seal at lower right.
Koitsu's "Shinsei" seal at lower left.
Koitsu catalog no.: TK-TM-79.
Medium: Japanese woodblock print.
"Made in Japan" stamped on verso.
Condition: Excellent color. The back and margins have some discoloration.

Japanese 20th Century black and white woodblock print. Beautiful print of fishing baskets hanging above the deck, with relection from water below. There is the artist's stamp in the lower left hand corner and there is also a stamp in the back lower left hand corner. The print has been laid down on a thin board. The print measures 12 1/4" wide by 16 3/4" tall.

Takahashi Shotei (Hiroaki)
Two Paintings of "Tama" Cats - Black and Beige
Date: Not known. There was a June 1924 Tama cat woodblock print (see our Shotei061) in which the white cat is in the reverse orientation.
Size (Black Cat): Paper: 15.5 x 11.375 inches (38.9 x 28.9 cm). Image: 13 x 9.25 inches (32.8 x 23.4 cm).
Size (Beige Cat): Paper size: 15.25 x 11.375 inches (38.8 x 28.8 cm). Image: 13 x 9.25 inches (33.1 cm X 23.5 cm).
Medium: Japanese paintings on paper...

Artist's gourd-shaped seal unread.
Lighthouse
Size: 16.2 x 11.8 cm. 6.5 x 4.875 inches.
Date: ca 1900s.
Medium: Japanese woodblock print.
Condition: Mark in right sky. Paper residue at top back corners.
Note: We could find no other example of this design.

Kashigata (wooden sweet mold,) kanji characters "Daiou" (Great) motif; Japan, early 20th C. 2-piece Paddle-type mold to make 5 sweets. L.16.75"(42.5cm) x W.2.375"(6cm) x H.1"(2.5cm.) "Daiou" could be symbolic of any type of "greatness," but was most likely a reference to the country during the Japanese Imperial era. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Lifetime edition Japanese shin hanga woodblock print titled "Yumoto Spa, Nikko" by Kawase Hasui (1883-1957) dated in the left margin Showa 12 (1937). The artist's black ink signature and red seal are at the right edge of the image. Post-WWII edition bearing the round 6mm Watanabe publisher's seal at the lower right corner. Paper: 15 1/8" x 10 5/16" (image: 14 1/4" x 9 1/2"). Good overall condition. There is a fade line evident across the top of the image...

Kawase Hasui
Arakawa
Date: 1930s-50s. This edition ca. 1957.
Publisher: Likely Doi Eiichi. Publisher's seal lower left.
Artist's seal lower right.
Condition: Excellent.
A rarely seen design.

Tsuchiya Koitsu
Nara Horyuji, 1930s
Size: Chuban. Approximately 10.5 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-72
Condition: Tipped at top to original cardstock. Toning and light foxing.

Kawase Hasui
Pagoda in Rain (Inoruga no Ame)
Date: 1950s-60s.
Size: 5.75 x 3.75 inches
Publisher: Watanabe Shozaburo
Reference: Hotei #Hp-62.
Woodblock print is tipped along its top edge to original cardstock.
Condition: Excellent.

Pulguk Temple, Kyongju
Series: Eight Views of Korea
Date: 1939.
Size: Dai-oban. Approximately 16.75 x 11.75 inches.
Hasui signature and seal lower left.
Publisher: Watanabe Shozaburo. E-seal at right margin - used 1932-42.
Reference: Hotei No. 432.
Medium: Japanese woodblock print.
Condition: Slight creasing at top margin and top right. One foxing spot on back in sky.

Paul Jacoulet
L'Attente, Celebes Menado
Size: Dai-oban.
Date: September 15, 1947.
Edition: 175/350.
Carver: Maeda, Printer: Fujii.
Condition: Excellent.
"The pink background is sprinkled with bits of silver leaf… The curl of smoke from the lady's cigarette is gauffrage." - Richard Miles, The Prints of Paul Jacoulet.

Kawase Hasui (1883-1957)
Zentsuji Temple, Sanshu
Series: Collection of Scenic Views of Japan, Kansai edition.
Date: 1937
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #334.
Condition: Tape at top margin. Upper left image edge has slight tonal difference.