Rare Work of Munjado Calligraphy by Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. In this original signed offset print, Unbo gives us a dynamic rendering of the ancient style of figurative munjado calligraphy. The bird leaping out of the center character adds powerful life to the piece. 25.5 x 19.5 inches, 65 x 50 cm.

Refined Inlaid Celadon Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989) with the original signed box. The glaze has the same prized celadon color and precise inlaid technique as that achieved by 12th century Korean potters. A Chinese philosopher of that period described Korean celadons as "The first under Heaven." The interior of the bowl features cranes flying in clouds (both longevity symbols) around a chrysanthemum in full bloom...

MASU

Set of five Korean 'masu' (wooden measuring box) actually used for measuring rice in early 20th century. Carved seals at some pieces. approx. 17 x 17 x H 8cm (6.69 x 6.69 x 3.14in) - 17.5 x 17.5 x H 9cm (6.88 x 6.88 x 3.54in). *Those ornamental fixtures in the photos are not attached...

Memorial to Kim Koo by Chung Young Gok aka Kang Ho, a friend of Kim Koo. The second and third photos here are of Chung Young Gok with Kim Koo. The calligraphy states that it was composed on the occasion of a 1978 memorial ceremony to Kim Koo (1876 - 1949), the leader of the independence movement during Japan's occupation of Korea. The ceremony was at Baek Beom Sa Buddhist temple...

キロギ(雁) / KIROGI

Pair of traditional Korean pine wood carving gooses given to the newly-married couple when the ceremonious greetings to their parents after wedding. Mid 20th century. approx. 23 x 6.5 x H 12cm (9.05 x 2.55 x 4.72in), approx. 23 x 7 x H 12cm (9.05 x 2.75 x 4.72in). One neck is removable...

Kokeshi, Naruko-kei, Miyagi Prefecture, by Takahashi Takeo. Birthdate=Taisho 5 (1916) July 26. H. 9.75” x Dia. 2.25” (24.75 x 5.75 cm.) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures...

Exquisite Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989). The glaze is the same prized biwa color and earthy texture as that achieved by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians...

Korean folk art carved wood figure. Bearded man in traditional attire. Holding a pipe in left hand, the right hand positioned to hold a staff and pierced for that purpose (staff missing.) Good condition save a couple chips along the brim of the hat. Height 8 1/2 inches (21.59 cm)

PAIR OF PAINTED WOODEN BIRD FIGURES FOR TEMPLE DECORATION

Once installed at the colorful part of temple roof in Korea, early 20th century, approx. 13 x 7 x 2cm (5.11 x 2.75 x 0.78in), 12 x 7 x 2cm (4.72 x 2.75 x 0.78in)...

KIROGI GOOSE

Traditional Korean wood carving wedding goose sent to a bride-to-be from a groom-to-be, mid 20th century, approx. 33 x 8 x H 18cm (12.99 x 3.14 x 7.08in). Burnished dark brown. Removable neck part...

STAMP ALBUMS OF A KOREAN BOY

Set of two albums of used and unused stamps in mainly 1970s including mostly Korean and some other countries as the collection of a Korean middle-school boy, late 20th century, Large: 16 pp, 25.5 x 19.5 x 2.2 cm (10.03 x 7.67 x 0.86in), Small: 8 pp, 18.5 x 12.7 x 1.2 cm (7.28 x 4.99 x 0.47in)...

Pair of Cranes Painting and Poem by Korean Buddhist Monk Su An Sunim (born 1940). The crane is a an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. The flying-white brushwork and ink washes here display Su An Sunim's mastery of zen art at its best. The recent exhibition of Su An Sunim's...

Antique Korean buncheong pottery inlaid banded jar Joseon Dynasty; D: 5 1/4" No stand, undamaged nice original condition.

New Life Woodblock Print on Traditional Hanji Paper by Hong Sung Dam in 1982 (29 x 20 inches, 74 x 51 cm, including margins). Hong Sung Dam is a woodblock print artist who was a leader of the minjung, the peoples' political movement that arose from the ashes of the Gwangju Massacre where the Korean government slaughtered hundreds (some witnesses say thousands) of their own citizens in the streets in response to demonstrations in Gwangju. He was arrested in 1989, and suffered brutal torture in pr...

TWO LIDDED WILLOW BASKETS

Originally used as lunch box or confectionery container in early 20th century, Korea. approx. 27 x 17 x 9cm (10.62 x 6.69 x 3.54in), 23 x 12 x 6cm (9.05 x 4.72 x 2.36in). Some expected stains, damage, and losing shape due to use and aging as is.


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RICE SCOOP

Old Korean folk wood carving scoop for rice or grain used in Jeju island, early 20th century, approx. 34.5 x 21.5 x H 10-7cm (13.58 x 8.46 x 3.93-2.75in). Lighter weight than its looks. Some expected stains, scratches, and chips due to aging as is as seen.


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しゃもじ / THREE LARGE RICE PADDLES

Wood, early-mid 20th century, Korea, approx. L 42-45.5 x W 10-13cm (16.53-17.91 x 3.93-5.11in), in such aesthetically well-used condition as is.


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OLD IRON SCISSORS OF KOREAN CANDY VENDOR

Once used for attracting people with its snipping sound by the street candy vendor (but actually not used for cutting candy taffy), early 20th century, Korea, approx. 29 x 13.5cm (11.41 x 5.31in). Some expected stains, scratches, and rust due to use and aging as seen. Slightly loosened clasp as is. (Reference: http://bemil.chosun.com/nbrd/bbs/view.html?b_bbs_id=10129&num=16971)


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