Lovely Edwardian Art Nouveau sterling silver picture frame. Made by Mauser Mfg. Co. in New York, ca 1900. Oval window in same surround. Front has engraved leafing scrollwork and tubular cartouche (vacant) at top; sides plain. Open bracket supports. With glass, silk lining, and red velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 1418A. Very good condition.

Dimensions: Frame: 9 3/4 x W 6 5/8 in. Window: H 8 3/8 x W 5 5/8 in. #...

Pair of Victorian Neoclassical sterling silver 3-light candelabra. Made by Walker & Hall in Sheffield in 1898. Tapering and fluted shaft on raised square foot. Central socket on knopped base to which are mounted two leaf-capped and -wrapped scrolled arms, each terminating in single socket munted to wax pan. Sockets urn form on raised foot. Beading, ribboned swags, garlands, paterae, ram’s heads, and leaf-and-dart ornament. Fully marked. Very good condition.

Dimensions: H 18 1/4 x W 15 x D 5 ...

Victorian sterling silver baby cup. Made by Gorham in Providence, ca 1890. Straight and gently upward tapering sides and scroll-bracket handle. Applied cast oval medallions that depict not austere Roman patricians and their virtuous helpmates but sailor-suited boys and kitty-clutching girls. A sweet rejuvenation of the influential Medallion pattern. Gilt-washed interior. Fully marked including maker’s stamp and no. A7822. Excellent condition.

Dimensions: H 2 5/8 x W 4 1/8 x D 2 3/4 in. Heav...

Art Nouveau sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in flat surround. Surround front has acid-etched fronds and flowers alternating with tubular cartouches (vacant). Sides have tooled rectilinear ornament. With glass, silk lining, and velvet back with hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 17695G, and director’s letter m. Very good condition with strong definition

Dimensio...

Two pairs of Edwardian Regency sterling silver salt & pepper shakers. Made by Graff, Washbourne & Dunn in New York, ca 1909. Each: Ovoid body with engraved scrolled frames inset with flowers and leaves. One frame engraved with interlaced script monogram. Short neck and pierced and domed cover with vasiform finial. Foot raised with tubular piercing overlaid with swags, and open heraldic shields inset with flowers. Fully marked including maker’s stamp, no. 5542/47, and patent year 1909. Very goo...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Engraved Hampton sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1920. This set comprises 8 pieces: Hot water kettle on stand, coffeepot, teapot, hot milk pot, creamer, sugar, and waste bowl on tray.

Rectilinear with tapering sides, concave corners, and stepped rim. Covers domed (pot covers hinged). Handles scroll bracket. Coffeepot and teapot spouts faceted and s-form; milk pot has short u-spout and creamer has lip spout. Tray rectilinear with concave corners and han...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

Victorian sterling silver baby cup. Made by Robert Harper in London in 1871. Baluster bowl on raised foot; wrapped and bracketed double-scroll handle with graduated beading. Chased and engraved scene from Robinson Crusoe: In the foreground stands the hero in the baggy garb of a marooned islander. He holds a long gun with more survival tools—including a hatchet—slipped under his belt. He points to a group of people in the distance. The beneficiary of his observation is Friday, the captive ind...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Rare Chrysanthemum sterling silver water pitcher. Made by Tiffany & Co. in New York. Double-gourd with irregular fluting; helmet mouth with leaves wrapped around reeded rim. Shoulder has applied leaf and flowerhead border with radiating squiggles incised on body. High-looping handle with layered and sprawling leaf mount. Same beneath handle. Four volute-scroll supports with leaf and flowerhead mounts.

An early, one-of-a-kind piece in the historic Japonesque pattern that debuted in 1880.

Fu...

German 800 silver bowl commemorating Napoleon I and Marie-Louise. Lobed quatrefoil with embossed medallion bust portraits of the couple surmounted an eagle; at bottom a military trophy. Open sides with leaf swag with pendant ribboned medallions (vacant) applied to interior. Beaded rim. Mounted end handles in form of burning torch between gryphons.

The eternal flame such as might have been supposed to burn between Napoleon and his teenage bride, an Austrian archduchess—and grandniece no less ...

Equestrian-themed silver tankard with German imperial association, ca 1875. Straight and paneled sides with low-relief frieze depicting galloping riders, racing through the countryside, trees and buildings in the background; branch borders. Split-mounted s-scroll handle with thumb rest. At bottom applied branch and leaf border and open supports. Cover hinged and bellied with imbricated leaf rim; on top is cast finial in form of mounted jockey and engraved phrase citing Kaiser Wilhelm I in an all...

Victorian sterling silver baby cup. Made by Tiffany & Co. in New York. Straight sides and banded scroll-bracket handle. Low-relief base ornament with stylized flower heads and beading. Acid-etched depiction of Goosey Gander, an English nursery rhyme that has been subject to various religious and moral interpretations. Shown here a sassy New Woman brandishing a crook and a nattily dressed and bespectacled goose. Gilt-washed interior. Fully marked including maker’s stamp, pattern no. 4254, and d...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...