Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...

Midcentury Modern sterling silver box. Made by Poole in Taunton, Mass. Rectangular with straight sides. Cover hinged with curved top. Cast corner bracket supports in form of Classical colonnade. Box interior cedar lined. Open leather-lined underside. Fully marked including maker’s stamp and no. 15. Very good condition.

Overall dimensions: H 1 3/4 x W 4 x D 3 3/4 in. Gross weight: 7.7 troy ounces. #BZ618

Pair of pretty Edwardian sterling silver candlesticks. Made by Fisher Silversmiths, Inc. in Jersey City, ca 1950. Each: Ovoid socket with detachable and turned-down bobeche; baluster shaft on domed foot. Rims have applied shells and scrolls. Fully marked including maker’s stamp and no. 3310. Very good condition. A few minor pings.

Dimensions: H 10 3/8 x D 5 1/8 in. Gross weight: 31 troy ounces (weighted in shaft). #BY678

Plymouth sterling silver water pitcher. Made by Gorham in Providence in 1909. Tapering and paneled ovoid body, reeded helmet mouth, capped scroll bracket handle, and stepped oval foot. A fine piece in the classic pattern. Fully marked including maker's stamp, pattern name, no. A2788, date symbol, and volume (3 3/8 pints). Very good condition.

Dimensions: H 10 3/8 x W 9 3/4 x D 4 1/2 in. Weight: 24.7 troy ounces. #BY636

Pretty Italian Classical 800 silver keepsake box, ca 1940. Rectangular. Cover flat and hinged with tapering tab. Sides fluted and engraved with flowering and leafing branches. Cover top has heraldic cartouche (vacant) surrounded by leafing scrollwork on stippled ground. Partitioned interior. Marked "800" with stamp for Roberto & Armando Dabbene in Milan. Very good condition.

Dimensions: H 2 3/4 x W 8 1/4 x D 4 3/8 in. Heavy weight: 22 troy ounces. #BW335

English Modern sterling silver box. Tall and rectangular with curved corners. Cover hinged with gently curved top and double-scroll tab. Box interior cedar-lined with open leather-lined bottom. Cover interior gilt. Worn marks including maker’s stamp for Arthur & John Zimmerman, a Birmingham maker active from the 1920s to 1940s. Very good condition.

Dimensions: H 4 x W 6 1/4 x D 4 7/8 in. Gross weight: 33.7 troy ounces. #BV990

Modern sterling silver trompe-l’oeil box. Made by Tiffany & Co. in New York. Book-form with curved and raised spine. Front board hinged. Butler-finished edges. Box interior gilt. Untitled with lots of room for engraving. A novelty keepsake receptacle for telling a very personal story. Marked on spine base “Tiffany & Co. Makers Sterling 25190”. Very good condition.

Dimensions: H 7 7/8 x W 7 3/8 x D 1 1/4 in. Heavy weight: 36.2 troy ounces. #BY365

Midcentury Modern sterling silver picture frame. Rectangular window in wide and flat surround with incised honeycomb pattern on front; edges plain. With glass, silk lining, and velvet back with hinged easel support for portrait (vertical) or landscape (horizontal) display. For a big group shot of the whole hive colony. Post-1967 Italian marks with Frataelli Cacchione maker’s stamp. Very good condition. Velvet wear.

Dimensions: Frame: H 11 3/8 x W 9 in. Window: H 9 x W 6 1/2 in. #BY902

Edwardian Art Nouveau sterling silver porringer. Made by William B. Kerr & Co. in Newark, ca 1910. Round with straight sides shaped solid handle. On exterior are acid-etched fairytale scenes depicting beguiling maidens, stooped crones, and credulous children framed by sinister tree trunks. Turreted and domed fantasy building with round frame (vacant). Fully marked including maker’s stamp and no. 4568. Very good condition.

Dimensions: H 1 3/4 x W 6 5/8 x D 4 3/8 in. Weight: 5 troy ounces. #B...

Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, wraparound garland held-up by sweet bare-bottomed cherubs. Cover top encircled with same (center vacant). Reeded rims. Interior velvet-lined. Fully marked including maker’s stamp and no. 1809. Very good condition.

Dimensions: H 4 x W 9 3/8 x D 4 1/2 in. Heavy gross weight: 40.6 troy ounces. #BX652

Georgian-style sterling silver coffeepot. Retailed by Cartier in New York. Lobed baluster body, hinged and domed cover with vasiform finial, high looping stained-wood handle, s-scroll spout, and raised and round foot. Fully marked including no. 80, pattern name Dublin, retailer’s stamp, and maker’s stamp for Worden-Munnis who were active in Boston from the 1940s to 1960s. Excellent condition.

Dimensions: H 9 1/2 x W 7 x D 4 in. Gross weight: 17.5 troy ounces. #BV446

Japonesque sterling silver flask. Made by Gorham in Providence in 1878. Ovoid with flat front and back, short neck, and chained, threaded, and cork-lined cover. Engraved bamboo, cranes, butterflies, and pavilions. Bottom cup detachable to reveal same on gilt ground. Stylistically integrated 2-letter monogram. Butler finish. Gorgeous with abundant period motifs. Fully marked including maker’s stamp, date symbol, and no. 20. Excellent condition.

Dimensions: H 6 1/4 x W 3 5/8 x D 1 1/8 in. Weig...

Fancy American Victorian sterling silver basket, ca 1890. Retailed by Tiffany & Co. in New York. Oval well and wide flared mouth; spread and reeded foot. Rim interior has cast scrolls, shells, and leaves with pendant flowers in open scroll rondels as well as chased flowers and leaves. Open curvilinear swing handle with leaves and flowers as well as central scrolled oval frame (vacant). Fully marked including retailer’s stamp and no. 4727/94. Very good condition.

Overall dimensions: H 13 1/2 ...

Large Edwardian Art Nouveau sterling silver picture frame. Made by Lebkuecher in Newark, ca 1910. Rectangular window in curvilinear shaped surround. Corner frames inset and entwined with wreaths, leaves, and rondels inset with flower heads. Ornament in low relief on stippled ground. On top rail is engraved single letter monogram (M) between leafing scrolls. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s and retailer’s (Grogan Company) stamps...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. Each: Central socket on bell-form base to which are mounted two leaf- and flower-wrapped scrolled and reeded arms, each terminating in single socket. Arms have threaded plug set in socket on raised foot. Low relief ornament with leaves and fruit and flower clusters. Fluting. Sockets bellied and rims scrolled. Fully marked including maker’s stamp, pattern name, and X5691. Very good condition.

Dim...

Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.

Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”

Ahem.

Fully marked including maker's stamp and ...

Turn-of-the-century Classical sterling silver trophy. Made by Whiting in New York. Baluster body with scrolled rim and scroll-bracket side handles. Foot raised with scrolled rim. Body has vertical slash lines and dense and overlapping chased leaves. Handles leaf-wrapped and mounted. Foot has egg-and-dart border and same slashed lines. Foot rim has tooled garland. A hefty, super-sumptuous winner’s cup. Extra strength required for holding aloft. Fully marked including effaced maker’s stamp an...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...