This fine and attractive deep porcelain bowl was made in the Southern Song Dynasty (AD 1127 - 1279). The inner surface is decorated with an unusual moulded floral pattern whilst the underside is decorated with a repeating carved leaf pattern. It is unusual for both upper and lower surfaces of a qingbai bowl to be decorated. It is coated in a delicate and finely-crackled pale green qingbai glaze, save for...
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
This fine-quality pair of highly decorative pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made from a grey pottery and the decoration in relief features a pair of deer in a landscape. Note the detail to the deer, the carved and incised decoration as well as the impressed flower blossoms to the deers' bodies. The relief decoration has been cold-painted in various coloured pigments, good traces o...
This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...
Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).
The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...
This fine and rare pottery model of a foreigner was made during the Tang Dynasty (AD 618 - 906). It is made from a red pottery that has been cold-painted in a thick white pigment with the facial details picked out in red and black pigments. This elegant figure, a groom, stands with his shoulders raised, head raised and turned to his right, one hand outstretched. Note the detail of the clothing, the headgear and especiall...
This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the left. Note also the elaborate hairstyle. It is relatively highly-fired and made from a bu...
A pottery model of a sedan chair made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in complimentary green and yellow glazes. A nice example with good detail, especially to the pagoda-shaped roof. There is an unusual incised pattern to the flat base, possibly a lotus blossom (?).
Height 24 cm. The roof has been re-stuck (it was probably originally attached to the chair just by the g...
This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...
The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.
Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...
This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...