Art Nouveau Martelé silver centerpiece. Made by Gorham in Providence, ca 1920. Bellied on raised and scrolled and curling foot. Rim wide and turned down with chased vegetation with serrated leaves, and chased and applied flowers (lily of the valley) that spill over the scrolled rim. More lily of the valley (chased) on bowl exterior. Foot has chased meandering tendrils. Three gilt and cast figures of winged pixie fairies gripping sides with elongated and tapering bodies that terminate in leaf mo...
Rococo silver centerpiece bowl. Made by B. Neresheimer & Söhne in Hanau, Germany, and imported to England in 1905 by Berthold Muller in Chester. Bellied and ovoid with cast ram’s head end handles. Gilt-washed interior. Chased and engraved ornament. On sides two leafing scroll frames inset with scenes of gallantry and amiability. In one a lady is helped into a sedan chair by gentlemen and liveried attendants. In the other a lady stands at the entrance to a garden pavilion where are seated a fa...
German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabited by cherubs feasting on grapes in company of a goat as well as waving torches and hoisting flower baskets overhead. Cast double-scroll end handles surmounted by cast figures of same, precariously perched and drapery-clad cherubs. Four scroll- and flower-mounted stepped supports. Gilt-washed interior. Fully marked ...
Olympian sterling silver centerpiece bowl. Made by Tiffany & Co. in New York. Curved and tapering bowl on domed foot. At top a dense repousse frieze of love-making, harp-stumming nymphs, gods, and cherubs. Foot rim has rinceaux border. A beautiful piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine Heller and debuted at the Exposition Universelle in Paris in 1878.
Fully marked including maker’s stamp, pattern no. 6798, and director’s letter C (1902-7...
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...