Catalog: Antiques: Regional Art: Asian (329)

A very nice quality Japanese chawan, rice bowl, of conventional form dating to the Kyoho period, c.1716-1736, decorated with an auspicious pattern, kisshon-ga, featuring a ring motif containing auspicious clouds, painted in a combination of gilt and iron red wash, and Karahana, so called Chinese or “Tang flowers”, painted in a striking pallet of iron red, green, yellow enamels and gilding. The base of the bowl decorated with a Karakusa arabesque inset with Lotus flowers...

A very nice quality Japanese chawan, rice bowl, of conventional form dating to the Kyoho period, c.1716-1736, decorated with an auspicious pattern, kisshon-ga, featuring a ring motif containing auspicious clouds, painted in a combination of gilt and iron red wash, and Karahana, so called Chinese or “Tang flowers”, painted in a striking pallet of iron red, green, yellow enamels and gilding. The base of the bowl decorated with a Karakusa arabesque inset with Lotus flowers...

A set of five, sometsuke tusurugata kozara, blue and white Crane shaped small dishes dating to the late seventeenth century. An identical set of dishes is illustrated in volume II of the Shibata Collection at page 272 no 714, there dated c.1680-1710. Their condition is good all the dishes show crazing to the glaze, two have a minute chip each to the edge. Similar shaped dishes have been excavated from the Sarukawa kiln at Arita...

An exceptionally fine five colour early Imari flat dish with everted rim. The dish is painted with an arrangement of Chrysanthemums displayed in a larger censer upon a low table or wood stand within a border of stylised scrolls and flowers. A popular motif known in Japan as the flower basket design, hanakago-de, and referred to as the Flower Pot pattern in Europe. It appears to have been originally derived from the flower basket of the Immortal Lan Cai...

An unusual and rare low bowl, hirabachi, produced at the Kakiemon kiln in the late Edo period, circa 1810-30. The design shows Mizuaoi, (Monochoria korsakowii), water hollyhocks, a distinctive marshland plant with beautiful blue flowers and luxuriant green foliage, and Sagi-so, Egret orchids, amongst a torrent of a mountain stream, juxtaposed against a stylised Karahana brocade ground. The reverse of the dish is painted with rocks and further flowers...

A classic Japanese Imari bowl with a slightly everted rim richly decorated in typical Imari export style with three irregular lobed shaped reserves containing Chrysanthemums set against a dark blue brocade ground of Peonies and gilt Karakusa divided into three sections each containing three flowers. The foot-ring is decorated with a band of three further Peony flowers...

A very finely painted Arita ring shaped wagata-bako porcelain box. It was probably used to contain cosmetics, possibly an Oshiroi-bako, used to contain white face powder. The cover is decorated in Shonsui style with a ring of maru-mon, brocade roundels incorporating the three friends of winter, Shochikubai, Pine, Bamboo and Plum blossom. The underside of the box is decorated with a karahana arabesque. The interior of both the top half and the lower half of the box decorated with wild flowers...

A good Arita dish in shurogata hemp palm form decorated with kuri, chestnuts, in a somenishikide palette of underglaze cobalt blue with gilt outlined enamels. Dishes with this pattern were copied at the Derby factory in England in the 1770’s, and moulds of this form were used by the Kakiemon kiln in Nangawara during the period 1750-80. The Chestnut is a classic Japanese seasonal motif for the autumn...

A good sized bowl and cover decorated with a striking pattern of stylised Bamboo leaves with spirals and zigzag motifs. The bowl and cover are of conventional form. The handle has the form of a tied bundle of noshi, dried abalone strips, which are usually associated with the act of giving and ceremonial use, so this may possibly be a presentation piece. The bowl and cover probably dates to the late Mid Edo period, circa 1730-60, Kyoho to Horeki...

A Chelsea-Derby dish copying a version of the Ko Imari Kuri-zu Shuronogata dish see EW 2608, decorated in a combination of underglaze cobalt blue and additional enamels. The dishes have a ground foot-ring which is characteristic of the output of the Chelsea factory. The dish is in good condition with no cracks, chips or restoration, some light stacking wear to the enamels and gilding to the rim. The dish measures 22cm in diameter and stands approximately 3.8cm high...

A good example of a late 17th century Arita round bodied jug or wine ewer decorated with three lobed panels each with Peonies inset in a simplified Karakusa ground with additional scroll work to the shoulder and neck of the jug incorporating further floral motifs. The jug measures 21cm high and is approximately 10.5cm in diameter...

A dish in the form of an auspicious Manchurian Red Crowned Crane decorated in green, black and iron red enamels with gilding. Dating Kyoho in period circa 1710-30. The dish measures approximately 17cm in wingspan and approximately 13 cm from tail to head. It is in good condition with no cracks, chips or restoration some very minor wear to the enamels and kiln flaws. Shipping at Cost

The plate is decorated in late Ming Kraak “fuyo-de” style with a pattern of alternating panels of flowers, Chrysanthemums and Camellias, with Precious objects, interspersed with pendant Lozenge motifs. The central mikomi framed by a narrow atypical floral band depicts an oversized figure holding a rod standing upon a bridge with two oxen set in a classic Chinese “sansui” landscape’...

The plate is decorated in late Ming Kraak “fuyo-de” style with a pattern of alternating panels of flowers, Chrysanthemums and Camellias, with Precious objects, interspersed with pendant Lozenge motifs. The central mikomi framed by a narrow atypical floral band depicts an oversized figure holding a rod standing upon a bridge with two oxen set in a classic Chinese “sansui” landscape’. The reverse decorated with a classic Kraak reverse pattern of the transitional Ming period. The figu...

A sometsuke o-zara decorated with an elaborate Tako-karakusa, so called Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu. The dish robustly modelled with an upturned slightly barbed rim, of lotus petal form. The reverse decorated with a continuous Karakusa arabesque incorporating various precious objects, and the six character mark, kigyoku houtei no chin, a Chinese mark of commendation meaning a p...

A sometsuke o-zara decorated with an intricate Tako-karakusa, Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu. The dish robustly modelled with an upturned slightly barbed rim, of lotus petal form. The reverse decorated with a continuous Karakusa arabesque incorporating various precious objects, takaramono, and the six character mark, kigyoku houtei no chin, a Chinese mark of commendation meaning a ...

A good early 18th Century Japanese Ko Imari dish made for export to the Western market decorated with an eight pointed star constructed from two squares. Eight is an auspicious number in oriental iconography, associated with such groups of auspicious motifs as the Eight Precious Objects, the Eight Trigrams and the eight-fold path of Buddhism. The central octagonal reserve contains a Dragon and clouds, Unryu, with reserves to the rim Foo Dogs and Peonies, Shishi ni Botan, Hoo Birds and Paulownia...

An elegant Kyo-yaki wine ewer of traditional form decorated in gilt outlined enamels with weeping cherry Shidarezakura and brocade bands to the cover and rim. The ewer measures approximately 5 inches or 13cm in height and is approximately 16cm in width from the tip of the spout to the furthest point of the handle. Dating late Edo circa 1850. The ewer is in overall good condition some minute frits to the spout. Shipping at Cost