Catalog: Antiques (343)

A finely potted Hirado dish featuring three figures wearing capes and carrying heavy packages upon their backs descending down a high mountain trail. Inferred by the small gnarled Pine trees on the wayside. Although no particular scene is identifiable the figures are in Hokusai “style”. The reverse is painted with a Karakusa arabesque and has a single spur mark within the base of the footring. The dish dates to the late Edo period and the middle of the 19th century...

A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

A fine pair of Fukugawa vases dating to the late Meji period of wasted baluster handled form standing on tripod bases. A traditional Japanese form, vases with similar tripod bases date from the late 17th century. The vases are decorated with a dark underglaze blue ground with gilt dots inset with auspicious dragons and clouds painted with enamels in doucai style, whilst the feet are decorated with stylised rocks emerging from waves, a representation of the Isles of the Immortals...

A pair of large Seto tall baluster vases each decorated with scattered Peonies and Chrysanthemums reserved against an elaborate scrolling arabesque ground with moulded shishi ring faux handles. Each vase measures 37cm high, just over 14.5 inches high. The diameter of the mouth of the vase is 11cm, just over 4.25 inches, and the base measures just under 11cm in diameter, 4.25 inches. Each vase is signed Kato Mokuzaemon...

A large deep bowl made for the Japanese domestic market painted with a “kotobuki” longevity shou character ground in iron red, gold and underglaze blue inset with three ogee lobed reserves with Aoi or Shuro mon within a karakusa style vine arabesque. Framed by bands of stylised Lotus and Jui (ruyi). The well of the bowl is decorated with Peonies...

A rare large Kameyama bowl of sanpan form decorated to the interior with a painting of a large koi carp. The border decorated with patterns of prunus against a cracked ice pattern and sekigaha wave pattern. The exterior decorated with auspicious Bats. The stern displaying a seal mark for the Kameyama (Turtle mountain) kiln...

An exceptionally fine five colour early Imari flat dish with everted rim. The dish is painted with an arrangement of Chrysanthemums displayed in a larger censer upon a low table or wood stand within a border of stylised scrolls and flowers. A popular motif known in Japan as the flower basket design, hanakago-de, and referred to as the Flower Pot pattern in Europe. It appears to have been originally derived from the flower basket of the Immortal Lan Cai...

A fine large straight sided Japanese Ko Imari cup, inoguchi, or hogs mouth beaker; sometimes referred to as “soba choko”, a cup for “soba” buckwheat noodles. It is decorated primarily in underglaze blue with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, botan, a classic subject in Japanese art known as “Botan-ni-Shishi”, which combines the auspicious qualities of the King of Beasts and King of Flowers...

Fine Ko Imari Ryu-mon Tray Dish Mid Edo c.1750 A dish of decagonal scalloped form with a raised upturned rim decorated in some-nishikide style and gilt outlined enamels with a Chinese four toed dragon pursuing a flaming pearl in a sky filled with auspicious clouds and lightning bolts. Its body partially obscured by the clouds and its tail emerging from waves below...

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A kakuzara decorated in a combination of underglaze blue with enamels and gilding...

A good quality Japanese vase and cover decorated with scrolling Octopus-vine patterns almost entirely covering the body of the vase and cover...

A fine moulded porcelain dish of “Ko Sometsuke” kaiseki type decorated in underglaze blue largely in kakiwake, reverse painted style, with a floral arabesque to the rim. The cavetto plainly painted in blue wash and the well of the dish painted with auspicious pendant Buddhist jewels, yoraku, with three reserves each containing a figure of a Namban in a spotted tunic and hose with a ruff to his neck, and a matching frills to his waist and the hem of his tunic. The rather curious “Namban�...

A very nice quality Japanese chawan, rice bowl, of conventional form dating to the Kyoho period, c.1716-1736, decorated with an auspicious pattern, kisshon-ga, featuring a ring motif containing auspicious clouds, painted in a combination of gilt and iron red wash, and Karahana, so called Chinese or “Tang flowers”, painted in a striking pallet of iron red, green, yellow enamels and gilding. The base of the bowl decorated with a Karakusa arabesque inset with Lotus flowers. The interior of the...

A very nice quality Japanese chawan, rice bowl, of conventional form dating to the Kyoho period, c.1716-1736, decorated with an auspicious pattern, kisshon-ga, featuring a ring motif containing auspicious clouds, painted in a combination of gilt and iron red wash, and Karahana, so called Chinese or “Tang flowers”, painted in a striking pallet of iron red, green, yellow enamels and gilding. The base of the bowl decorated with a Karakusa arabesque inset with Lotus flowers. The interior of the...

A medium sized bowl decorated in “Kinrande” style for the Japanese domestic market. These richly enamelled wares were patronised by the wealthy merchant class and tend to be decorated primarily with auspicious objects and patterns, kissho-ga which gives rise to the alternative description “katamono”, meaning literally standard objects. These wares imitate the richness of the Chinese kinrande wares of the Wanli era, hence the apocryphal six character mark to the base of the dish This ...