Catalog: Vintage Arts: Regional Art: Asian (258)

This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.

This Uzbek embroidery dating from the early to mid 20th century is embroidered on a mauve linen background. Two embroidered bands are joined together in exceptionally fine cross stitch and satin stitch to form interlocking geometric motifs and chevrons in silk thread. Condition is excellent. 15.5 x 34.5 cm.

Measuring 13 1/2 x 19 1/4 inches this textile from Maqur district in Ghazni province is embroidered in silk thread on a fine linen background. The textile was intended to be made into a man or a woman's shirt. There is only one small brown stain, otherwise its condition is nearly perfect. Estimated age: mid 20th century. The embroidery technique is an extremely detailed ladder stitch.

This densely embroidered purse is from Katawaz (Ghazni province), Afghanistan and measures 12x25 cm when opened, 11x12.5 cm when closed. The metallic thread embroidery is not taken through the background fabric but applied onto it in satin stitches, laid parallel to each other and held down by tiny stitches in orange thread. This embroidery technique serves to create the curvilinear designs in relief. The core is red, green and aubergine silk velvet and the relief designs are neatly framed in by a band of emerald and metallic thread in satin stitch. The outer edges of the purse are trimmed with white beads. Printed cotton fabric lines the inside of the purse. Condition: Excellent. Estimated age: mid 20th century (probably 1960s).

Measuring 25.2 x 30 cm, this embroidered cloth from Jaghori in Ghazni province was made by Hazara women. It depicts in vibrant colors four eight-pointed stars and triangular hooked motifs down the center. The stitching is a combination of satin, herringbone and cross stitch, in silk thread. Embroidery is an important winter activity for the women of central Afghanistan, a mountainous region where villages can be isolated by snow for months. This textile is in perfect condition, and its estimated age is early to mid 20th century.

This Turkman Yomut's child's cap from Herat measures 17.8 cm in diameter and 49.5 cm in circumference, 5.5 cm in height. It is estimated to date to the mid 20th century and is in excellent condition. The embroidery technique is cotton thread in a tightly worked satin stitch on a light beige cotton ground.

This child's waistcoat was made in Kohistan which is located along the Karakoram Highway and on the Indus river in Pakistan. The textile measures 26 x 32 x 34 cm and is embroidered in acrylic thread on a fine black linen background. Silver amulets are incorporated into the textile to repel the evil eye ("djinn") and various coins adorn the bottom edge of the vest. Estimated age: mid to late 20th century. Condition is excellent.

A tobacco pouch from Indus Kohistan, probably Palas or Kolai valley. Cotton embroidered with silk in satin stitch. The string on the side of the bag is used to hang the pouch from a huqqa (water pipe) while it is being smoked. Circa second half of 20th century. Condition of this textile is excellent.

A hand-embroidered bag made by Pashtun nomads from Ghazni province (probably Katawaz), Afghanistan. Floral motifs combined with arabesques in herringbone stitch in silk thread on a purple silk background. The Bokhara couching technique is used to maximum effect, where the metallic threads are laid parallel to each other and fastened at regular intervals by tiny red stitches. Blue beads adorn the edges to ward off the evil eye. The interior of the bag is lined in a blue printed fabric. Measures 12.5 x 17 cm. Condition: Excellent. Estimated age: mid 20th century (probably early to mid 1960).

This hand-stitched cupola-shaped hat is called a doppi and features satin, herringbone and cross stitch in cotton thread. It has a pink cotton tassle on the side and a braided string at the top. Diameter: 20 cm; circumference: 52.5 cm. Condition: Excellent. Mid to late 20th century.

A hand-embroidered Hazara prayer cloth, made to protect the prayer stone, with a stylized depiction of the prayer niche, probably from Ghazni or Bamiyan province, circa mid 20th century. This exquisite embroidery on a white linen background depicts the severed hands of Hazrat Abbas, alluding to the battle of Kerbala. Silk thread in bright colors executed in a fine satin stitch and tassles on each of the four corners. These cloths are used in prayer to place the forehead. Condition of this textile is near excellent except for the slight brown staining in the upper right hand corner. This textile measures 38.1 x 39.4 cm.

This small Afghanistan textile is embroidered in extremely fine satin stitch with repetitive triangular motifs in silk thread on a silk background. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly central Afghanistan (Ghazni and Bamiyan provinces). This piece was probably made during the winter months where the women are commonly cut off from the world for six months out of the year due to the extreme climate. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition is excellent. No stains, no flaws of any kind. Estimated age mid to late 20th century. It measures 20.3 x 20.8 cm.

Measuring 18.5 x 28 cm when opened and 18.5 x 19.5 cm when closed, this pair of purses are from Katawaz in Paktika province, Afghanistan. The embroidery technique is an intricate ladder stitch depicting whirling solar motifs combined with button hole stitches around the mirrors ("shisha"). The purses also feature beaded discs ("gul-i-peron") intended to ward off the evil eye - the same function performed by the mirrors. Silk thread on a green silk background. Condition excellent. Estimated age mid 20th century.

The painstaking embroidery technique on this vintage Pashtun purse from Afghanistan is called "pokhtaduzi", or Romanian couching, where the thread is taken across the surface for the desired length, then, bringing the needle back to the beginning, it is caught down at regular intervals by tiny stitches. The process is repeated until the entire surface area is covered, the small holding stitches being staggered from one thread to the next, giving a characteristic relief to the pattern. The metallic thread is framed by metallic braiding and blue and white seed beads, intended to protect the wearer from the jinn. Condition is overall good, showing wear consistent with its age (estimated mid 20th century). 12.5 x 25 cm when opened, 11 x 12.5 cm when closed.

A pair of embroidered ankle bands from Turkmenistan, measuring 20.3 x 22.9 cm. Embroidery technique is extremely fine herringbone and satin stitch on an indigo silk background. Condition: Excellent. Circa early to mid 20th century.

This is a densely beaded purse made by Pashtun nomadic women from Afghanistan depicting the ancient tree of life motif. It measures 12 x 19.5 cm and is in excellent condition. The beaded tassels are attached by cords made of metallic thread. The inside is lined with purple polyester fabric and features three pockets. The embroidery technique is a tightly worked ladder stitch accented with metallic braided trim. Estimated age mid to late 20th century.

An old Uzbek puttee dating from the 1950s or 1960s. Silk embroidery on an ivory linen ground, embroidered in long and short stitch, the trademark of Uzbek embroidery. Condition is very good, some staining on one side. It measures 8.3 cm x 58 cm (w/o string). The string measures 31 cm. Puttees are a strip of cloth wound spirally around the leg from the ankle to the knee.

This is a museum quality embroidered wallet from Katawaz in Ghazni province, Afghanistan. The embroidery technique is called couching, where the gold metallic threads are meticulously laid down in neat parallel rows, and then fastened down at regular intervals with tiny orange threads...a very labor-intensive embroidery technique that cannot be accomplished with a sewing machine. Mirrors are strategically placed to ward off the evil eye ("djinn") and embellished with blue seed beads. The interior features two pockets and is lined with a printed cotton cloth from Russia. Blue seed beads frame the outer edges. The condition is very good with some minor wear to be expected of a textile this age. The piece measures 14 cm x 27 cm when fully elongated, 11.5 x 14 cm when closed. Estimated age: mid 20th century.