Catalog: Vintage Arts: Regional Art: Asian (258)

A densely embroidered pillow cover from Hazara district in Pakistan, circa 1950. This pillow cover was made for a wedding. Curling horn and star patterns are typical of the embroidery of the Hazara district, resembling both in design and technique the phulkaris of Punjab province. In this district it is typically accomplished from the reverse - the designs are outlined with one running stitch, then the outlines are filled in with another. The characteristic phulkari stitch of closely placed, parallel threads resembles a satin stitch. In shades of pink, purple, green and yellow floss silk on a white cotton background, with covered button enclosures on all sides and yellow tassles on the corners, this lovely piece measures 16 x 32 inches. Condition is perfect, with no holes, stains, nor fraying.

This vintage purse from Afghanistan is worked in a variation of ladder stitch and Bukhara couching to form repeating whorl and volute motifs. Silk and metallic thread are embroidered on a green polyester ground. The purse feature two inside pockets lined with red printed cotton, with the outer edges fringed with blue glass seed beads to protect against the evil eye. It measures 10.5 x 14 cm when closed, 13.8 x 25 cm when opened and dates to the mid or late 20th century.

This is a child's helmet ("khohl") from Kohistan, an isolated mountainous region of northern Pakistan located on the river Indus. Metal zippers, white beaded fringes, silver pendants and mirrored discs all serve to guard against the djinn, or evil spirits. The helmet has a high peaked crown supported by inserted sticks of wood, and topped with a beaded tassel. The helmet falls into a V-shape over the shoulders and back, measuring 62 cm from the tassel to the shawl base. Circumference: 42 cm. Diameter: 12.5 cm. The embroidery technique is cross stitch and a very fine tent stitch in both cotton and acrylic thread on black cotton, depicting traditional tree of life and chevron motifs. For a parallel item refer to Colours of the Indus by N. Askari and R. Crill page 124 Fig. 196. Estimated age: late 20th century. It is in excellent condition.

This is an old textile piece from Afghanistan, circa mid 20th century, made by Pashtuns from Ghazni province. It is a child's dress front. The textile features traditional motifs in cross stitch, silk thread in yellow, green and blue on a cotton background. There is metallic braiding appliqued on the sides and metallic silver couching at the top. The side tabs at the bottom are executed in herringbone stitch on a white cotton background. The piece is trimmed with blue glass beads at the collar (blue glass beads are traditionally used to ward off evil), and multi colored beads down the front and at the bottom. Traditional Pashtun dress yokes have a yoke under the neckline from which long panels of fabric flow. Sleeves are typically wide, and they wear matching cuffed pants (shalwar) underneath. The garments are decorated with embroidery at the yoke, the bottom of the sleeves and the cuff of the pants. When a garment wears out, they remove the embroidered areas and re-use them in a new piece so that their progeny may share some of the original outfit. The back side of this piece is a red printed cotton. It measures 12 x 21.1 inches (30.5 x 53.6 cm). Condition of the textile is excellent.

A woman's shawl from Waziristan dated to the early 20th century. Woven black cotton field with silk fringes, and intricate silk embroidery throughout. It measures 49 inches in width, 103.5 inches in length (124.5 cm x 262.9 cm). Condition is excellent, just some minor discolorations to be expected from a textile of this age. Waziristan ("land of the Wazir") is a mountainous region near the Northwest of Pakistan, bordering Afghanistan and covering some 11,585 km (4,473 sq mi). The area is entirely populated by ethnic Pashtuns who speak Pashto. It is part of the Federally Administered Tribal Areas (FATA), considered to be outside the country's four provinces.

This child's dress front in cross stich from central Afghanistan dates to the mid to late 20th century. It measures 11¾ x 18 inches (29.8 x 45.7 cm). Traditional Hazara pieces (the smallest ethnic minority group of Afghanistan), like Pashtun pieces, have a yoke under the neckline from which gathered, long panels of fabric flow. Sleeves are normally wide, and they wear matching cuffed pants underneath. The garments are decorated with embroidery at the yoke, the collar, the bottom of the sleeves and the cuff of the pants. When a garment wears out, they remove the embroidered areas and re-use them in a new piece, so several generations might share some of the original outfit. This yoke features various diamond motifs in bright pink, yellow, green, maroon and blue in cotton floss embroidered in cross stitch. The neckline is an intricate pattern of densely embroidered metallic threads against a blue satin background. The back is lined with red and blue cotton fabric. This piece features an amulet on the bottom front, embroidered in metallic threads, placed there to protect against evil. The condition of the textile is excellent.

The elaborate traditional costume of Kohistani women is comprised of a dress (jumlo) and shawl (chuprai) which are worn over trousers with finely embroidered cuffs. The shawl is constructed of two overlapping rectangular panels, hemmed with white beaded fringing. The two bottom corners are joined by turning up the lower edge, and the join is embellished with a triangular beaded motif which functions as an amulet, while adding weight to the bottom edge. Small metal mirrors and pendants dangle across the shawl, and an old zipper serves as a decorative edging at the bottom. The stitching is in silk floss on black cotton, a combination of tent stitch (also called petit point), cross stitch, and satin stitch which is very similar in style to the phulkari-type stitch of Swat valley. This shawl is estimated to date to the early 20th century and measures 63 x 88 inches (160 x 223.5 cm). The women of Indus Kohistan may spend half a year to produce a single wedding shawl.

A man's woolen coat from the Pashtun Mangal tribe. Made from a locally handwoven patti cloth, these coats are decorated with woolen embroidery, in branching patterns. The archaic, stylized designs are reminiscent of the woolen garments and felts from Central Asia, which is not surprising given the continuous trade linking Afghanistan with Central Asia. The Mangal tribe straddle both sides of the Pakistan/Afghanistan border and live mostly in the provinces of Khyber Pakhtunkhwa, Khost and Paktya. This coat is ornamented with gold couching, braided embroidery in long and short stitch, chain stitch, and herringbone stitch. Circa mid 20th century. Condition of this textile is very good, with some wear on the sleeves. This textile measures 36" x 64 5/8" (91.44 x 164.15 cm) including the sleeves.

A man's shawl from Waziristan which is part of the Federally Administered Tribal Areas, considered to be outside Pakistan's four provinces. Circa 1920s. The Mangal tribe who inhabit Waziristan actually straddle the border between Pakistan and Afghanistan. This textile is very complex, composed of a black woven cotton field and silk ends, with silk embroidery in between. The combination of black cotton ground and silk is used to vivid effect. The piece measures 87 inches by 51½ inches (221 cm x 130.8 cm). The silk threads are in bergundy, turquoise, mustard yellow, white, black and blue. Only the black background is cotton, the rest of the piece is woven silk. Warp-faced, embroidered, supplementary weft, and hand-sewn techniques are all visible especially in enlargement #10. This textile is comprised of two pieces stitched together at the center with yellow thread. Condition: Excellent, just a small spot on the front that may appear faded but this is from decades of wear.

Dated to the mid 20th century, this cushion cover (thakia) measures 15¼ inches x 30 inches (38.7 cm x 76.2 cm). As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. This piece is embroidered on both sides with silk on a cotton background in a predominantly geometric pattern. On one side, the space is stabilized by two center diamonds and an elaborate grid of squares and diagonals with the borders in perfect symmetry. These embroidery patterns are very dense and tightly constructed, with strategic touches of color and the utilization of negative space to maximum effect. The other side is embroidered in varous shades of pink, purple and sage green silk threads in a predominantly fine satin stitch counted-thread work on a mustard yellow background. These pillow covers are traditionally made for weddings. The condition of the textile is very good with no stains but some slight discoloration on the yellow side.

This is a woman's shift ("kurta") from Swat Valley, Pakistan. It measures 125 cm from one sleeve extended to the other; the gusset measures 24 cm; the bust 57 cm. From top shoulder to bottom hem it measures 91 cm. The sleeve opening is 17 cm. The embroidery technique is pink and red floss silk on indigo-dyed and black cotton depicting geometric shapes typical of the embroidery of the Swat Valley. Condition of this textile is excellent. Estimated age: mid to late 20th century.

A vintage silk purse with mirrors ("shisha"), embroidered in whorl designs in silk thread on a dark purple silk background. A neat example of the couching technique favored by the Pashtuns, where the metal threads form a neat grid of lines and then fastened down with staggered stitches. This purse is from Katawaz (Ghazni province) in Afghanistan. Condition: Excellent. This purse measures 13.5 x 16.5 cm and is decorated with blue turquoise beads along the edges.

This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan. Silk thread in a combination of fine slanting blanket stitch and double chain stitch on a red plainweave cotton. The two panels are animated by whirling solar images edged with curvilinear and rounded wave-like motifs, densely arranged and tightly composed, but not overcrowded. The borders are embellished with twisted cotton fringes with beaded ends, a typical feature in Central Asian embroideries. This textile measures 9 1/2 inches x 28 inches on the right panel, 9 1/2 inches x 38 inches on the left panel. The back is lined in black cotton. Condition is excellent but for one inconspicuous stain on the right panel (on the magenta oval motif). Estimated age: early to mid 20th century.

Measuring 10¾ inches x 16 inches, this child's dress front is from Jaghori in Ghazni province. Estimated age is mid 20th century. The embroidery is amazingly precise, fine cross stitch in silk thread, while the back is a pink printed fabric probably from Russia. The edges are adorned with metallic Bokhara couching and a gold braid that frames the overall design. The bottom tabs depict rosettes in silk floss in satin stitch on white cotton. Condition of this piece is almost excellent, but there is some fraying at the shoulder hems.

Measuring 6 inches x 8 inches (20.5 cm x 14.5 cm) including the beaded fringes, this dazzling purse is from Bamiyan and is probably dated to 1940 or slightly later. The purse features couched metallic threads, gold couching, mirrors, and beaded fringes. An intricate array of curvilinear and geometric designs almost completely covers the dark navy silk background. The purse is lined with silk fabric. A textile of superb workmanship, very typical of Pashtun embroidery but quite possibly as well of Hazara embroidery. For as Bernard Dupaigne has noted, the Hazara have developed a hybrid style that incorporates elements from their own embroidery traditions and those of their neighbors, the Pashtuns. This may also be the inevitable result of the geographical proximity of the Hazara and Pashtuns living in Ghazni and Uruzgan.

An exceptionally fine embroidered purse from Katawaz (Ghazni province), Afghanistan, circa early to mid 20th century. The embroidery on this piece is basically metallic embroidery on both sides, with mirror stitching and fine metallic couching. The front side is comprised of Bokhara couching, where the thread is taken across the surface for the desired length, then, bringing the needle back to the beginning, it is caught down at regular intervals by small stitches. The process is repeated until the entire surface is covered, the small holding stitches being staggered from one thread to the next, giving a characteristic relief to the pattern. The blue beads are there to ward off the evil eye. A unique piece, not likely to bore. Condition: Excellent. No stains, no flaws of any kind. The purse measures 6 1/4 x 11 1/2 inches (15.9 x 29.2 cm) when fully extended and elongated. When closed, it measures 5 x 6 1/4 (12.7 x 15.9 cm).

Measuring 63 x 88 inches (160 x 224 cm), this hand-embroidered wedding shawl from the remote region of Indus Kohistan in northeast Pakistan is estimated to date to the mid or late 20th century. Worked in extremely fine cross stitch and satin stitch in silk thread in interlocking geometric motifs and embellished with beaded edges, a textile such as this may take up to six months to produce. This shawl is embroidered on a black cotton ground and is in excellent condition.

A Pashtun nomad's purse from Katawaz, Ghazni province, circa mid 20th century. There are blue beads along all the edges, used to ward off the evil eye. The purse has metallic trim along all the edges and fine Bokhara couching which covers the entire surface area, front and back. The beaded cord winds around the purse to keep it closed. There are two pockets inside, lined with red cotton fabric. The purse measures 6 x 11 inches when opened and elongated, 5 x 6 1/2 inches when closed. The workmanship on this charming textile is staggering. Condition: Excellent. No fraying, no missing beads, no stains.