Catalog: Antiques: Regional Art: Asian: Japanese (174)

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm...

Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest. He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it. Origin: Japan Period: Meiji end of 19th century. Dimensions: 31.5 x 23 x 13 cm. State of conservation: Very good

Marine ivory okimono depicting Shoki grasping an Oni, who is attempting to take a rolled scroll on top of a box. Shoki holds the demon with one hand while in the other he holds a sword, a symbol of his courage and his will to protect what is sacred. Signed under the Gyokushi base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 6 x 4 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle...

Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish. The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care. Origin: Japan Period: Meiji end of 19th century. Dimensions: 24.5 x 10 x 6.5 cm. State of conservation: Very good

A marine ivory okimono, depicting a Ryu dragon fleeing upwards into the clouds passing under the arm of a character sitting on the tatami. Signature 'Gekko (?) tō' 月古かたな engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 20 x 8 x 6 cm. State of conservation: Very good

Bronze okimono depicting a player of the biwa (琵琶), a short-necked Japanese stringed musical instrument, portrayed in a sitting position. Signature engraved under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15.5 x 14 x 12 cm. – Weight: 1.2 kg. State of conservation: Very good

Ivory okimono depicting a Japanese farmer tying three daikon turnips with a rope. The details of the farmer are finely engraved and sculpted, testifying to the artist's mastery. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 12.5 x 9.5 cm. Ivory dimensions: 7 x 8.5 x 5 cm. State of conservation: Very good

Kogo box 香合, incense and perfume holder, in polychrome enamels in the cloisonné technique with a turquoise background depicting a mandarin duck. On the sides there are floral motifs of bamboo and lotus flowers. The turquoise background evokes the image of crystal clear waters and clear skies. The interior is covered with an original fabric. Origin: Japan Period: Meiji end of 19th century. Dimensions: 3.3 x 6 x 4.5 cm. State of conservation: Very good

Table screen composed of four cloisonné panels worked in the ginbari technique with translucent enamels on a red background decorated with polychrome irises. The red background provides a contrast for the polychrome irises, which represent the rebirth and beauty of nature. On the back of the screen the swallows are engraved on silver metal. Origin: Japan Period: Taisho-Showa 1920 ca. Dimensions: 18 x 33 x 0.3 cm. State of conservation: Very good

Bronze okimono from the Tokyo school, depicting a farmer with a basket, which contains seeds. The farmer is represented in a working position, intent on sowing seeds. Signed Seiya six within square reserve on the relief base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26.5 x 13.5 x 13.5 cm. State of conservation: Very good

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysanthemums are depicted, with precision and detail, which differ in the shape, color and size of the petals, creating a fascinating visual effect. Signed under the base Kinkozan in gold on a framed black background and signature imprinted in the ceramic. Origin: Japan Period: Meiji end of 19th century. Dim...