Catalog: Antiques: Regional Art (115)

DESCRIPTION: A large, carved wood figure of the Chinese deity Guanyin (also Quanyin, or Kwan-yin), seated on a throne with right leg folded and right hand extended in the abhaya mudra position, a gesture of reassurance, blessing and protection (or “do not fear”). Her hair is worn pulled up in a chignon inside her crown, and around her shoulders is draped a short shawl with flowing ribbons. In good, solid condition with minor age wear; early 20th C...

DESCRIPTION: A rare and beautiful Chinese daybed or opium bed (also referred to as a lady's couch bed, lohan, or "ta" bed), the black lacquered wood back and side panels shaped as an unfurled scroll with elaborate decorations including figural scenes, animals, flowers and birds, Chinese poetry and pierced gilt carvings. These surround a rectangular support frame topped with a woven mat seat. Below the seat an elaborately carved skirt stretches between thick, boldly carved legs...

DESCRIPTION: An attractive scholar's calligraphy brush, crafted using long brown horsehair bristles attached to a bulbous ox-horn ferrule and segmented, solid ox- horn shaft. A very handsome brush in good condition from the latter Qing Dynasty, which would have been used for calligraphy or painting. DIMENSIONS: 14” long (35.5 cm).

DESCRIPTION: An attractive antique Chinese stoneware jar with wide body and outward turning rim, hand crafted with a pleasing celadon glaze over a raised border of circular designs. In original firing condition and dating from the early 20th C. Though the origin is Chinese, this crock would lend a nice touch of "country" in a cottage or farmhouse setting. DIMENSIONS: 7.5” high (19 cm) x 8” diameter (20.3 cm).

DESCRIPTION: A fine Chinese boxwood water-well basket toggle, intricately carved in an acorn shape with a realistic and detailed basket weave pattern with carved wood rim. The arched overhead handle has a free-carved wood ring attached; the interior is hollowed out. Excellent condition, a beautiful toggle, 19th C. For a similar example see: Schuyler Cammann, Substance and Symbol in Chinese Toggles, #188, p.228. DIMENSIONS: 1-3/4” high.

DESCRIPTION: A large, non-damper opium pipe, consisting of a long bamboo tube terminating at one end with a bowl of brass and copper overlay acting as the saddle, socket and damper. A tapering brass tip finishes the other end. Around the bowl is a double flower design in copper and brass, and on each side is a decorative brass fish with scales. Attached along the bamboo stem are lengths of braded yarn, one of which terminates in a brass ring for hanging...

DESCRIPTION: A fine and very sculptural Chinese Duan ink stone in the form of a bell with a deeply carved water well on one end, and a flaring flat surface on the other for mixing ink. The stone is raised on two elongated prong feet, between which is a five character inscription...

DESCRIPTION: A large and masterfully carved Chinese shou shan stone (soapstone) seal in tall rectangular form, the knob carved with a crouching dragon having both wings tucked back covering its sides, and whose mouth is poised to grasp the sacred pearl. On each flat surface of the base are engraved inscriptions and characters among idyllic scenes of rivers with boats, hills, houses and pavilions. The bottom seal characters leave a positive (red) impression...

DESCRIPTION: Outstanding Japanese porcelain Imari charger, circa 1880, acquired in Brussels, Belgium. This charger is profusely painted in under-glazed blue, red, green and gilt with a central blue medallion of scrolls highlighted in gilt. Surrounding the medallion is a wide border of alternating cartouches enclosing pairs of birds with bamboo leaves, and flowers issuing from rockwork with butterfly. The reverse is painted with three sets of flowering blue branches...

DESCRIPTION: A handsome scholar's calligraphy brush, crafted using a dark brown bamboo for the shaft which connects to a shaped horn ferrule and long, natural bristle brush. One of the "four treasures of the scholar’s studio," this striking scholar’s brush would have been used for calligraphy or painting. This attractive, well made brush dates from the early 20th C. DIMENSIONS: 13.25” long (33.5 cm).

DESCRIPTION: This outstanding and rare antique Japanese Tonkotsu, or tobacco box, has been crafted from boxwood in the form of the Three Wise Monkeys, with a beautifully carved Iwazaru, or “Speak no Evil” monkey, serving as the main tobacco container. Mizaru, or “See No Evil”, forms the ojime and Kikazaru, or “Hear No Evil”, forms the netsuke to complete the set. Each of these has been meticulously carved with inlaid eyes and finely delineated fur...

DESCRIPTION: This large, boldly decorated early 19th century Japanese Arita sometsuke (blue and white) porcelain dish in square form (“kaku-zara”) is hand painted in deep cobalt blue with a center floral design against thin parallel lines. This center ground is bordered by diaper designs around the raised rim with floral cartouches at each corner. Such a dish was used in Japanese tea ceremonies for serving raw fish or shellfish...

An attractive antique Chinese porcelain plate, hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this deep-dish plate would have served as a large shallow bowl as well...

DESCRIPTION: An engaging Spanish Colonial carved santo figure depicting Saint Anthony holding the Christ Child. St. Anthony of Padua is perhaps one of the most loved and admired saints in the Catholic Church. Born in Portugal in 1195, he was a Portuguese Catholic priest and friar of the Franciscan Order who later did much of his work in Italy. Here St. Anthony is dressed in a brown friar's habit with head tilted to one side, gently holding the Christ Child in his arms...

DESCRIPTION: An antique Chinese toggle (guajian), carved from boxwood in the form of a Buddha's hand fruit (or fingered citron), a symbol of happiness, longevity and good fortune in China. The fingered citron is unusually shaped with bright yellow fruit segmented into finger-like sections, resembling a human hand. Highly fragrant, it is used predominantly in China for perfuming rooms and personal items such as clothing...

DESCRIPTION: An appealing Chinese toggle (guajian), carved from Huanghuali wood (a hardwood similar to Rosewood) in the form of a Buddhist lion seated on a plinth with one paw placed on top of a ball. With raised tail, textured fur on his back, and brass studs decorating the eyes and each limb, this foo dog would have been used as a counterweight for a tobacco pouch or other object suspended from a belt. Displaying a luscious patina from use and handling, this little grinning lion is a real ch...

An attractive pair of antique Chinese porcelain plates, each hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this pair of deep-dish plates would have served as large shallow bowls as well. Dating from the Yongzheng to Qianlong Periods (AD 1723 - ...

DESCRIPTION: A large polychromed wood figure of Saint Martin De Porres, Peruvian, 18th C. Here he is depicted gazing upward toward heaven, arms outstretched, wearing his Dominican robe embroidered in gold with a long painted rosary dangling past his waist. His white undergarment is richly painted with flowers and gold leafy tendrils. Carved in full round, his head is set with glass eyes and he retains a good amount of the original paint. DIMENSIONS: 26 inches high (66 cm).

SAINT MARTIN...