Catalog (429)

This rare and interesting pottery figure was made during the early part of the Tang Dynasty (AD 618 - 906). It is made from a grey pottery that is solid (as opposed to being hollow as are the majority of Tang figures) and relatively highly-fired. It has been "cold painted" in various coloured pigments, very good amounts of which still remain. The figure wears a hood and stands alert with his right hand across his chest. Li...

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). It is quite "heavily-potted" for its type and is coated inside and out in a pale Qingbai-type glaze. The glaze falls short of the sturdy foot and the underside of the cover also remains unglazed. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary. There are a couple of small kiln...

This impressive pottery horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery and is quite "heavily-potted". It has been cold-painted in various coloured pigments, good traces of which still remain. The horse stands upright and alert with its head and neck turned very slightly to its left. The rider, with his body turned to the left, has his arms raised as though ho...

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). It is coated inside and out in a pale slightly greenish-blue Qingbai glaze. Around its waist are deeply incised lines for decoration and it stands on quite a sturdy foot. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary.

Height 8 cm. It is in fine condition and has no restor...

This rare and attractive pottery model of a horse & rider was made during the Northern Wei Dynasty (AD 386 - 534). It has been "cold painted" in a base coat of a white pigment on top of which are traces of red and black pigments. The horse stands upright with its head turned a little to its left. The rider's body is also turned to its left with the right arm raised; note also the detail of the rider's clothing.

Height 27.5 ...

This stone panel, sometimes described as a "prayer tablet", was excavated from a Buddhist site in Yunnan province in the South-West of China and dates to the 13th to 14th century, i.e. the Song Dynasty (AD 960 - 1279), Yuan Dynasty (AD 1279 - 1368) or possibly the early Ming Dynasty. It is one of several that we bought nearly twenty years ago to compliment our collection of Yunnan Buddhist pottery, that have since been ...

This stone panel, sometimes described as a "prayer tablet", was excavated from a Buddhist site in Yunnan province in the South-West of China and dates to the 13th to 14th century, i.e. the Song Dynasty (AD 960 - 1279), Yuan Dynasty (AD 1279 - 1368) or possibly the early Ming Dynasty. It is one of several that we bought nearly twenty years ago to compliment our collection of Yunnan Buddhist pottery, that have since been...

This stone panel, sometimes described as a "prayer tablet", was excavated from a Buddhist site in Yunnan province in the South-West of China and dates to the 13th to 14th century, i.e. the Song Dynasty (AD 960 - 1279), Yuan Dynasty (AD 1279 - 1368) or possibly the early Ming Dynasty. It is one of several that we bought nearly twenty years ago to compliment our collection of Yunnan Buddhist pottery, that have since been in sto...

This stone panel, sometimes described as a "prayer tablet", was excavated from a Buddhist site in Yunnan province in the South-West of China and dates to the 13th to 14th century, i.e. the Song Dynasty (AD 960 - 1279), Yuan Dynasty (AD 1279 - 1368) or possibly the early Ming Dynasty. It is one of several that we bought nearly twenty years ago to compliment our collection of Yunnan Buddhist pottery, that have since been in sto...

This stone panel, sometimes described as a "prayer tablet", was excavated from a Buddhist site in Yunnan province in the South-West of China and dates to the 13th to 14th century, i.e. the Song Dynasty (AD 960 - 1279), Yuan Dynasty (AD 1279 - 1368) or possibly the early Ming Dynasty. It is one of several that we bought nearly twenty years ago to compliment our collection of Yunnan Buddhist pottery, that have since been in sto...

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It is made from a relatively high-fired creamy-white pottery (often regarded as better quality and more desirable than red-pottery figures) that has been cold-painted in various coloured pigments, good traces of which still remain. He stands obediently, hands clasped together across his waist, with his head turned very slightly to his left. This figure is particularly well-de...

This attractive pottery model of a horse and rider was made during the Northern Zhou Dynasty (AD 557 - 581). It is made from a relatively high-fired reddish pottery that has been "cold painted" in a base coat of white pigment on top of which have been applied red, pink and black pigments. The rider is a musician, a drummer, and is in the act of beating his drum. Interestingly in both clasped hands can be seen the faint remains ...

This very rare and unusual pottery jar was made during the Western Han Dynasty (206 BC - AD 8). It is made from a grey pottery and has been formed in a two-piece mould, each half having been luted together at the sides. The cover is in the form of a bird and, likewise, has also been made in a two-piece mould. The body of the jar has two moulded ring handles. Both jar and cover have been "cold painted" in a "swirling" pattern compri...

This pottery jar of "hu" form was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a reddish pottery and has simple incised decorative bands surrounding the jar just above its waist. It is coated in an attractive orange/amber glaze, the shade of which varies slightly according to the thickness of the glaze. There are a couple of kiln scars within the glaze ...

"A Millennium of Monochromes: From the Great Tang to the High Qing. The Baur and the Zhuyuetang Collections" by Peter Y.K. Lam; Monique Crick; Laure Schwartz-Arenales.

New and in publisher's original shrink wrap. Published price $100 / £80. Our price: £55. Publication Date: 2019. Binding: Hardcover.

391 printed pages. 200 examples of monochrome porcelain photographed in colour (including photographs of the marks) and describ...

This moulded and "heavily-potted" pottery tile was made during the Jin Dynasty (AD 1115 - 1234) and has been excavated from Shanxi province in the northern region of China. Theatre, opera and music was immensely popular during the Jin Dynasty and in recent years various pottery tiles have been excavated depicting a whole range of musicians and characters from various musical and artistic performances. 

This particular tile de...

These fine and very rare pottery ladies were made during either the Sui Dynasty (AD 581 - 518) or the early part of the Tang Dynasty (AD 618 - 906). They are made from a fine-grained grey pottery and are particularly well-detailed; note the detail of the faces, the hairstyle, the folds of the clothing with the very long sleeves. Traces of the original "cold painted" surface pigment remain. 

Height 25.5 cm. Fine condition with...

This fine example of a painted pottery ding was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The lower part stands on three long curved legs and has two curved square-cup handles on opposing sides. The upper part is adorned with three moulded appliqués (horses with ...