Catalog (3336)

Oil on canvas still life of a small statuette of a horse and a copper vessel on a small table, 13" by 15" (14" by 16 1/2" as framed), signed at lower right "Virginia Weaver". I do not see a listing for the artist but evidently she was quite talented, as the perspective and flattening of the picture plane shows familiarity with modernist trends of the early 20th century. The painting has some condition issues, such as a depression at top that shows as a shadowed area in the photos taken in angl...

Watercolor on paper laid down long ago on a thin old board, the subject being fruit, including green and purple grapes as well as a melon, measuring 10 3/4" by 18 1/4" inside the mat (19" by 26 1/2" as framed), apparently unsigned, dating likely to the late nineteenth century. This is a fine example of American still life art of the period. I would imagine the unknown artist would be listed, due to the quality of the work. Condition is excellent, with fresh colors and no water stains or foxin...

Oil on canvasboard, 16" by 20" and 1 1/4" dark stained oak frame, signed at lower left with initial "D", and executed en grisaille (grays, whites, black). This is a work by an accomplished artist, showing what appears to be a solemn funeral gathering, with a minister reading from the bible as a black gravedigger looks on at right. The style of dress of the mourners suggests the 19th century as the period depicted. I thought this might be a work by the major illustrator Harvey Dunn, and ran th...

Oil on canvas landscape oil, unmounted/unstretched, contained loosely in a decorative and complementary modern white metal frame, measuring 5" by 7" (7 1/2" by 10" as framed), signed at lower left "A. Schilling". I would date this to the late 19th century or early years of the 20th. Schilling (1859-1937) exhibited in Chicago at the Art Institute, St. Louis at the world's fair, at the Pennsylvania Academy, and elsewhere. Though listed in a number of reference works, there does not seem to be a...

Oil on masonite, 18" by 24", (23" by 29" as framed), the subject a copper kettle on a small wooden stand on a table, with a cup and saucer, small blue milk pitcher and poinsettia in a decorative blue vase filling out the scene. The painting is signed at lower right "L. Johnson". I do not seem to be able to connect this to any listed artist so am offering it as a decorative work. It was found in San Diego, and the poinsettia suggests a California origin. Frame is vintage and no doubt origina...

Watercolor on paper, 16 1/2" by 11 1/4" inside the mat, 23 3/4" by 17 1/2" as framed, signed boldly at lower right by the California listed artist ALFRED OWLES (1894-1978). Owles was born in England and is today perhaps best known for his accurate watercolors of aircraft and early aviation, including depictions of World War I dogfights, with which he was personally familiar, having flown in the early craft as a photographer. He worked for many years in a San Francisco studio, and later in life...

In the style of noted and popular late 19th century/early 20th century pastel artist WILLIAM CHANDLER, this is a nicely executed work featuring purple grapes, a sectioned orange, a peach in the back, and some seeds and grape leaves. Measuring 10 3/4" by 14" (15 1/2" by 18 1/2" as framed), signed "MAYER" at lower right, I have been unable to match this up with a listed artist, but the work, dating to as late as 1930 or so, is very decorative and folky and in excellent condition, as is the frame.

Gouache and watercolor on paper ink signed landscape showing the famous old California Mojave Desert ghost down of Calico, 15 1/4" by 19 1/4" (24" by 28" in simple blond wood frame without glass), by California artist ANNA WILSON. This is an impressionistic work showing the small and insignificant hand of man in a grand wild desert landscape. There is a listing for an Anna Wilson in California but I do not believe that this is by the same artist. Condition is excellent despite the fact that t...

Oil on canvas, 50" by 31", unframed, signed on the spine of the book at lower center in true trompe l'oeil style and dated there 1901. This is a beautifully painted work by an historical painter of late 19th century California, ALBERT JENKS (1830-1901). It is already quite impressive as it is, but, with a gold frame around it, I can envision this gracing the wall of a law office or museum. Jenks was born in upstate New York, and kept moving west throughout his life; to Illinois by 1836, where...

This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting. Further research no doubt could resolve th...

Here is a decorative Americana item, if you enjoy the work of one of America's most beloved and famous painters, EDWARD HOPPER, but you can't afford to buy the real thing (priced well into the millions), and yet you want something more than an offset print in a plastic frame. A Hopper painting similar to this is in the collection of the Metropolitan Museum of Art in New York, and it measures 29 1/2" by 43 1/2". This oil on canvas is signed at lower right "Allesee" and is quite a bit smaller, m...

This is a heavy-for-its size (about six pounds) sculpture in a heavy, dark wood like mahogany (ironwood?), measuring about 10" high by about 5" on a side. In addition to the dark heavy wood, there are carved teeth of bone, and carefully applied white paint detail in the eyes. Carved into the base are the words "Ngambela Mataa". I have googled the term and it seems to be applied to a figure who was in Zambia in the late 19th century to as late as 1928, when there was some murder there. I don'...

This is a powerful little painting of The Netherlands, 6 1/8" by 8 3/4", painted on a wood panel, and a narrow simple frame, signed at lower left in the paint by well listed German artist ADOLF STADEMANN (1824-1895). Its diminutive size notwithstanding, the wonderful quality of this oil---in particular the masterful handling of the winter light---is immediately apparent. The artist, who specialized in this "Eisvergnugen" (roughly translated from the German as "ice play" or "enjoyment on the ice...

Oil on canvas, 20" by 16" and simple wood frame 1 3/4" wide, signed at lower left in capital letters by the artist, ARTHUR CARL WEIGLE, and dated there "30". This is a charming scene of an earlier California, the iconic subject being the 18th century Mission Santa Barbara. Note the figure curled up on the steps, the leaning palm, and the beautifully painted eucalyptus leaves. The overall light palette reminds one of C. W. Nicholson's works or possibly Dana Bartlett. Surprisingly, I do not se...

Drawing on paper executed in soft pencil, 7" by 8 1/4", essentially unframed (in a protective frame only), the subject an arid desert landscape butte under a crescent moon, the drawing signed at lower left "ARCH SINCLAIR". There is a listing for an Archie Sinclair (1895-), a student of Henry Keller. Sinclair is listed in many reference works. He is said to be associated with Oregon, so, this might be a scene from the dry eastern part of that state. Evidently he worked in the east as well. T...

This is a scarce, even rare work in watercolor, pencil and, I believe, gouache, 17 5/8" by 11 1/4" (24 1/2" by 18 3/4" as framed) signed at lower right and dated there 1937 by painter and sculptor Angelina Beloff (1884-1969). The scene is inscribed "Jalapa"---corresponding to the colonial highlands city in southeastern Mexico on the main road between Mexico City and the coastal city of Vera Cruz. Beloff was a talented Russian-born artist, her oils selling today at Sotheby's Latin American Art ...

This is a rather typical work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996), the full sheet affixed to a board measuring 18" by 23 1/2". Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled home with tourists to the island. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or, occasionally...

This is a nineteenth century European painting facsimile, consisting of hand coloring over a photo-mechanical print, the finished product quite convincing and possessing considerable decorative value. The work measures 10" by 7 3/4" (16" by 13" framed). The name of the artist who created the original painting from which this was derived appears in red at lower right, the name "Marqueta" or similar. These facsimiles of oil paintings can fool even some gallery and auction house personnel if the...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

PAIR of oil on gray art board panels, each 14" by 4 3/4", 20" by 10 1/2" as framed, unsigned, the subject of each a picturesque old castle perched on a prominent mountain outcrop, in each view, a bridge with tiny figures crossing a torrent in the foreground. These could be a "before and after" scene of the same view, as one bridge is of stone and obviously more substantial than the other, which is of wood. The artist did not sign the works, but on the reverse of each is penciled in 19th centur...

Pencil on paper with added color in crayon, 13" by 19 1/2", (unframed, but a damaged frame in which it was found is available with it). The scene, of a circa 1870 house with barn, outbuildings and neat haystacks, and a man on a horse drawn carriage, is titled at bottom "RES. OF HON. CHRISTIAN PARKER. SKETCHED BY. ED. A. SCHRANTZ." I thought this perhaps a New England or Mid Atlantic scene, or perhaps even Ohio, Illinois or Wisconsin, but thanks to the internet, this old survivor, which otherw...

Truly old nineteenth century oil painting, 29" by 24 3/4" (32" by 27 3/4" framed), apparently unsigned, the subject probably Mary Magdalene, an extensive landscape visible at distant right. The painting's precise age is difficult to pinpoint, but mid 19th century would be close to the mark. No doubt it is a copy after an original Italian master work of the 16th century. The canvas as seen on the front is more coarse in appearance than the fine weave canvas seen on the reverse, leading me to t...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...

An extensive landscape with picturesque castle ruins at left on a leafy Arcadian glen overlooking a lake and distant mountains, unsigned, 16" by 24" (25" by 32 1/2" in wide gold frame), presenting at first a Hudson River School appearance, but perhaps more likely by an English or Scottish artist, or by a period American artist imitating an English style and scenery. Jasper Francis Cropsey painted similarly (but I am not suggesting that this is his work). The piece is beautifully painted but fr...

Unsigned fine old nineteenth century ink and watercolor drawing of a great tree presiding over a pleasant forested landscape, two tiny figures at right and a small wooden structure at left providing the only evidence of human presence. The watercolor, 14 1/2" by 10 1/2" inside the mat, 24 1/2" by 21" framed, is probably English or continental European, and circa 1860's or thereabouts. The tiny figures are a woman gathering sticks for cooking, and her child. Condition is generally amazingly fr...

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied. All in all a very nice print of traditional subject...

Watercolor on paper painting of a lady sitting in a meadow in a rural landscape with a stream, plane trees, and grazing cows, 11 1/2" by 16 1/2" (" by " framed), with a penciled name "Marie Louise Garfield" on the (very recent) mat only. A nicely worked painting, by an obviously skilled artist, though I do not see a listing by this name, which again appears only on the mat, and not in the work itself. The name may well not have anything to do with the artist, who might have to remain anonymous...

Found in New Hampshire, this is a beautifully and meticulously drawn map of the South American continent, from the Isthmus of Panama to Cape Horn, signed at lower right one "Rosa W. Miner" (or, "Mines"). The work, which measures 13" by 10" in a simple earlier 20th century frame, is drawn in pencil, with watercolor forming the borders of the various countries. Evidently, at some point, educators supplied the school children with pre-printed blanks, so that there would be no need to draw the lat...

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing. I purchased it in Maine, where a dealer had affixed a label attributing it to Pennsylvania artist ...

Circa late 19th century oil on canvas, 14 1/4" by 24" (18" by 27 1/2" framed), unsigned, though I think quite possibly by a listed artist, the subject one of the picturesque lakes surrounded by mountains in southern Germany or Tyrol in Austria, a lakeside chalet at right surrounded by trees and a pair of figures in a small boat just pulling up to the shore after their excursion. The painting is in excellent condition, having been cleaned and relined in 1976, as per a handwritten note in pencil ...

Decorative old antique floral painting, 17 1/4" by 13 1/4" (20 3/4" by 16 3/4" framed), unsigned, featuring a variety of flowers, including a tulip, in a decorative metallic vessel, all against a dark background, in the style going back to 17th century Holland. It is hard to know exactly how old the work is but mid 19th century would likely be a good guess. The canvas weave is rather coarse, promoting the earlier look. The piece is convincingly old, with some small losses and extensive craque...

At first glance appearing to be a print, this is in fact a painstakingly executed watercolor drawing, likely French I am thinking, measuring 16" by 20 1/2" (23 3/4" by 28" framed). The subject is of formal 18th century (earlier?) figures lounging on a classical Versailles-like terrace. They are surrounded by a balustrade, fountain, distant trees, and, in the immediate foreground, a border of oversized flowers. Interestingly, curiously, at bottom center, written in Latin, is the following: "N...

In the style of noted California artist Ellen Burpee Farr, this is a classic late nineteenth century watercolor of the distinctive leaves and "berries" of the pepper tree commonly seen in Southern California. Signed at upper left "A.C. Hough" (or "Haugh"---I don't see a listing for either name), this is a beautiful study that is possibly not finished (the leaves and berries at lower right---could be the artist's intention, or simply unfinished---you judge). It's in original condition, with wav...

An example of the 1928 book by Waldemar George, titled "GROMAIRE", featuring images of the work of the French social realist artist Marcel Gromaire (1892-1971). The book was printed in Paris at the height of the Roaring Twenties, in an edition of only 560 examples, of which this is number 115. The work is part of a series, the first six volumes about other prominent and upcoming artists of the era, including Moise Kisling, Othon Friesz, Marcel Gromaire, Marc Chagall, Giorgio de Chirico, and Ts...

This is a miniature map, 3 3/8" by 4 7/8" inside the mat, titled at upper right "EUROPA", and bearing at lower right the name of the engraver cartographer, Pieter van den Keere (Petrus Kaerius). The entire sweep of Europe is shown, from Greenland and Atlantic islands on the west to as far east as Turkey, the Middle East, and "Tartaria". Kaerius (circa 1571-1646) was born in the Low Countries and fled to London due to religious persecution, in 1584. There he became established in engraving map...

Old print of what I believe are camellias, 10 1/2" by 8 1/2" inside the mat with hand-drawn outlines, 15 1/4" by 13" in what is now (but might not have been originally) a convincingly distressed gold frame, with hand coloring delicately applied. At upper right near the mat is "Pl." and a number so this was no doubt a plate from a book on botany. The item was probably framed in the early 1960's. There is some water staining of the very lowest portion of the mat. If you want to keep the lines ...