Catalog (603)

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters. It is written, that this vase is a tribute to the art which was made during the great Einin-Era.

A similar vase - but made during the Kamakura Period - was also part of our collection (item number 0083) and is sold al...

Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed and bestowed with symbolic imagery, this piece has the added distinction of being created by Raku XI Keinyu, the...

Pure Aka-Raku Chawan by the 9th generation Raku Ryonyu (Raku Kichizaemon IX) 楽了入 (9代 楽吉左衛門) enclosed in its originally signed and sealed wooden box and made around the beginning of 19th century about 200 years ago during the Edo era.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Ryonyu was the second...

An antique 18th century Chinese Bronze Buddha seated in the varda or granting of Boons mudra. 

This lovely Buddha is seated in the lotus or Padmasana position, with each foot placed on the opposite thigh. His robes cascade fluidly from his left shoulder.  His robe is draped to leave the right shoulder bare, and a portion of the garment that covers the left wrist falls behind the figure.

The lower hem of the robe comes all the way down so that the undercloth or skirt...

Modern Hagi Chawan By Miwa Kyusetsu X (Kyuwa) (1885-1981)

The rough white Hagi clay with fairly big enclosures is expertly thrown into half cylinder shape (hanzutsu); The light feldspatic hagi glaze turning to yellow beige; inside the foot ring stamped Kyusetsu.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one spli...

Striking antique Siam mid to late 19th. century Ayutthaya Kampheng head of Buddha Sakyamuni (The Awakened One). His face with serene expression, closed eyes, aquiline nose, smiling lips and elongated earlobes with earrings.

The head is hollow inside and mounted on a wood base. It has a weight of almost 6 kg. No repairs, good condition.

Size incl. wood base: 49 cm height x 23 cm width x 23 cm length.

Shipping included

Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.

The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze.

The decoration in white Shino glaze on this ...

We present a rare medium sized Tenmoku tea bowl with partrige feather mottles (Chinese: 'Zhegu Ban'), made during the Southern Song Dynasty (1127-1279) or earlier. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The deep rounded sides of this elegantly potted tenmoku chawan are rising from a short straight foot to a lipped rim, covered overall...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with a scetch of a fence in iron oxide engobe with an image of drying shibukaki on rice strings, the o...

This magnificent chawan is a perfect embodiment of the Oribe tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box.

He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation. He has developed his own way of expressing himself through ceramics, basing his work on traditional styles from the M...

We like to present you this Korean Hori Mishima tea bowl for the Japanese Tea ceremony, made in the late 16th/early 17th century.

It is a low wan shaped tea bowl. Its expertly thrown body with its lower part was trimmed with a potters knife and shaped into the typical Korean bamboo node foot, creating a chirimen (crepe de chine) effect at the bottom. The bowl is decorated on the inside with an incised fish bone pattern and stamped flowers, both filled with a white engobe. On the out...

Extremely rare: Korean Amamori Chawan of Choson (Yi) Dynasty (1392-1910). Wan shaped tea bowl, thrown from light, refined clay, with very little iron oxide, covered with a white feldspatic glaze with fine crackles and pin holes including the small foot.

Through many years of use the tea has seeped through the holes and crack to discolour the white clay body underneath, creating an effect called amamory - rain leak. The effect is especially strong along the rim. It takes a couple of...

What a rare and impressive Chawan, made during the mid Edo Period (1603-1868) - Seto-Karatsu Kutsu Chawan with a wonderful shape and a vivid Seto glaze, which which partly looks like the glaze of Chinese Song-Dynasty Tenmoku tea bowls. Really one of a kind.

It has no chips, cracks or repairs and comes with an old Japanese wooden box. The inside of the lid bares the appraisal of the first Mashimizu Zoroku 初代 真清水蔵六 (1822-1877). Shimizu Tasaburo the First learned pottery...

Have you ever seen a shuro made of Shino-yaki from the Momoyama-Period? Try to hunt for it on the antique market, it is very rare. Also on trocadero you will not find one except ours. This is for the deep lovers of ancient Japanese Culture and art.

In the days of traditional Japanese wooden buildings keeping warm must have been a constant preoccupation. Hand warmers like the present example were small hibachi which would have a layer of sand on which charcoal would be burned to enab...

Please take a look on this extraordinary 15 inches large Guanyin, made of dark spinach green jade. It dates from Qing Dynasty 18th.century or earlier.

Rich and fine details and a serene and elegant expression in the face.

A statue like this is very rare on the antique market. Fine condition with no repairs.

Size: 15" H x 5" W x 2.7" D

We like to offer this large and stunning Tea Pot by famous Takeuchi Shugo, enclosed in the original signed and stamped wooden box.

Like most of the best contemporary potters, Takeuchi Shugo is a true artist and creator, and his work reflects his strength and his dynamism.

This great item is another splendid evidence of the mastery of this artist.

Takeuchi Shugo, born in 1938, is a worldwide acclaimed Mashiko based potter. He has exhibited worldwide, and his w...

Here is a fascinating Oribe Chawan (tea bowl) made by Koie Ryoji, one of the best internationally known contemporary Japanese potters. It is another embodiment of the artist’s spirit, with a shape that remains free and moving, rough, unique and dynamic. Its colors and its rawness is reminiscent of a wild landscape. As with many works by the famous artist, this piece’s dynamism conveys pure energy and raw strength. Through its shiny glaze, rough texture and primitive markings, one gets t...

A wonderful Oribe Chawan by Higashida Shigemasa enclosed in the original signed wooden box.

Born in Hiroshima in 1955 Shigemasa received his BA at Shimonoseki Municipal University in 1978 and did a postgraduate course in ceramics at Gifu Prefectural Tajimi Technical High School. He set up his studio in Tokyo where he works predominantly in Shino and Oribe.

His works are characterized by the expression of forms that can only be created by clay and that differ from those o...