Catalog (604)

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans. The unrefined clay indicates, that this piece was produced during the mid Ed...

We continue to offer you the most important chawans and present you this wonderful Tsutsui-Iga Chawan, dating back to the Momoyama period or even the Muromachi Era.

Cylindrical shape - hanzutsu - built up from clay coils and squeezen into shape, the foot roughly cut on a hand wheel. This technique is usually affiliated with the Muromachi period, but was used in Iga well into the Momoyama period.

The bowl was fired in an anagama (single chamber tunnel kiln), where it was ...

Extremely rare: Korean Amamori Chawan of Choson (Yi) Dynasty (1392-1910). Wan shaped tea bowl, thrown from light, refined clay, with very little iron oxide, covered with a white feldspatic glaze with fine crackles and pin holes including the small foot.

Through many years of use the tea has seeped through the holes and crack to discolour the white clay body underneath, creating an effect called amamory - rain leak. The effect is especially strong along the rim. It takes a couple of...

We proudly like to offer a 400 year old perfect Korean Gohon Ido shape chawan.

The fine, little iron bearing clay has been mixed with sand (suna gohon) and thrown into an ido shape widening towards the rim.

The light body is covered with a clear, little greyish ash glaze, reacting with the iron oxide in the body to develop the pink spots typical for that kind of Gohon bowls.

The high foot has been trimmed when the clay was leather hard producing a rough surfac...

Here we present a real fine example of Korean art: smaller rounded wan-shaped bowl with high foot of the bamboo node style - the dark, fine clay with some enclosures is expertly thrown. The chawan was decorated with a white engobe in brushstrokes with a straw brush (hakeme) before the whole bowl was covered with an ash glaze. No chips or cracks. Great antique condition.

Hakeme bowls belong to the Mishima (Buncheon) group of Korean ceramics popular in the early Choseon period 14th - 16...

We like to present you this Korean Hori Mishima tea bowl for the Japanese Tea ceremony, made in the late 16th/early 17th century.

It is a low wan shaped tea bowl. Its expertly thrown body with its lower part was trimmed with a potters knife and shaped into the typical Korean bamboo node foot, creating a chirimen (crepe de chine) effect at the bottom. The bowl is decorated on the inside with an incised fish bone pattern and stamped flowers, both filled with a white engobe. On the out...

Flat shaped and elegant modulated Korean Ido chawan from the mid Joseon Period (16-17 century). It is thinly coated with a creamy yellow glaze and very scenic drippings. Shape and form are inspired by the Buncheong Dynasty Gqey yl Chawans a period before.

Great antique condition with two spots of very old gintsugi (kintsugi) gold restoration, with impressing 'kannyu' (crackle) and a high density of 'keshiki' landscape.

This rare tea bowl has also a comfortable feeling of ...

Rough unrefined Shigaraki clay, with little iron oxide, thrown into the shape of a small tsubo called 'uzukumaru'. The unglazed body was scorched by the fire to a beautiful red discolouration. The bottom plate shows two stripes called 'geta', which held the pot in place on the hand wheel. Some flying ash has created a natural glaze on the shoulder and the mouth. Inside some lacquer or other chemical has been applied to prevent the vase from leaking - a common practice with unglazed Shigaraki ...

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years. Although counted as one of the an...

Only one of a kind - fantastic kuro bizen tokkuri with unusual form by famous potter Masao Akiye.

He was born in Saitama near Tokyo in 1968.

After having studied under Isezaki Jun, Bizen Living National Treasure for 10 years, he founded his anagama kiln in 2008.

His work won already many important awards, the Tanabe-Mus...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.

Circumventing lines and dots are scratched into the black glaze be...

Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns. This is a ty...

Distorted shoe shaped (kutsugata) tea bowl with a flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and its brim. It dates back to the early Edo Period (1603-1868).

It is covered with a very deep black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with two fish nets hung for drying.

On the other side w-shaped and was left unglazed and w...

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blosso...

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze.

From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze. On the other...

Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868). The expertly thrown body was trimmed with a potter's knife in its lower part.

In the style of Oribe-Kuro bowls the bowl was covered with a black glaze which was not achieved by hikidashi (pulling the red hot bowl from the kiln) but by adding cobalt the the iron oxide glaze.

A window on the side was left unglazed and was deco...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was partly covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the other half it is decorated with two oxcart wheels. This beautiful Chawan was made in the 19th century during the Edo Pe...

An absolutely stunning Edo period (1700s) Kuro Oribe Chawan covered in thick, ink-black crackle glaze and some fine cream colored decoration.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers. A high quality box called Shiho-zan is part of the offer. The four sides of the box are surrounded.

No chips or repairs.

It is unsigned, as would be typical of older tea implements.

S...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design. The somewhat irregular foot reminds of the late production of Oribe tea bowls of the 1620-ies at th...

Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.

The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.

On three sides a round space was spared from black glaze. The unglazed areas were decorated with the aoi-m...

Kuro-Raku Chawan by the 14th generation Kakunyu Kichizaemon (1918-1980) enclosed in its originally signed and sealed wooden box. The inside of the lid bears an appraisal of the the 13th Iemoto (tea master) of Omotesenke, Sokuchusai (1901-1979). He named the Kakunyu Chawan 'han chiru', which can be translated as 'April moon appearing'.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl, even though no distinctive tr...

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box and made around the end of 19th century about 120-130 years ago.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed, this piece has the added distinction of be...

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku.

His Kuro ...

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family busines...

Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu 三代 楽吉左衛門 道入 (1599 - 1656) also known as Nonko. It was made around 1650 and was named 'Hekigan' which means 'Pale blue water of a mountain stream'.

It comes in great antique condition. The wooden box bears sign and seal of Judai Tannyû X Kichzaemon (1794-1854) and the authentication of the 11th Urasenke Generation Seichu Soshitsu (Gengensai, 1810-77).

Donyu, who was Jo...

Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu also known as Nonko. It was made around 1650 and was named 'chidori' which means 'a thousand birds' or 'plover'.

It is in great antique condition and has one of the best and finest Kintsugi gold repair landscapes I have ever seen. You can still find the tong mark on the bowl - please look at picture number 9 and 4.

Born the eldest son of Jôkei. He is also known as Nonkô, later...

Perfectly shaped Kuro Raku Chawan of Nitten Exhibition Potter Kiraku Kuzu with a beautiful jet black glaze. The Chawan was made 30 years ago.

It is in mint condition and comes with its originally signed and sealed wooden box and an appraisal of the famous Japanese Daitokji Temple, which makes this Chawan very special.

No chips or cracks.

Size: 8,5 cm height x 12 cm in diameter.

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô. In particular, his invention of a new type of glaze, s...

One of a kind, a treasure with a special cultural and historical significance.: Kuro Raku Chawan, named 'Departing Geese', by legendary Tamamizu Ichigen (Ichigen I) with perfect kintsugi.

Ichigen was an illegitimate son of Kichizaemon Ichinyu (Ichinyu IV). He was raised in the Raku family until he was in late teens. Later he moved to Tamamizu village (present Idecho, Tsuzuki-gun, Kyoto), the hometown of his mother, and beside his studies with Raku ware he started Tamamizu ware main...

Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed and bestowed with symbolic imagery, this piece has the added distinction of being created by Raku XI Keinyu, the...

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its signed and sealed wooden box and made around the end of 19th century about 120-130 years ago. The inside of the wooden box lid bears an appraisal of the 14th headmaster of the Urasenke Tea School, Sekisō Sōshitsu 碩叟 宗室 (1893-1964), Mugensai無限斎.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another rem...

Wonderful Kuro Raku Chawan by one of the best Raku artists of the 20th century, Choko Heian. This tea bowl was made 40 years ago and it is in mint condition.

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter is also included.

Size: 9 cm height x 12,2 cm in diameter.

Impressive antique Kuro Raku Chawan, over 100 years old, by great artist Rintaro Ohashi with family crest. The bowl was made in Taishō era 8 (1919), its also written on the inside of the lid. I comes with the originally signed and sealed wooden box.

No chips or cracks.

Size: 8,2 cm high x 11,8 cm in diameter.

This beautiful chawan (tea bowl) is a Raku ware made by famous Kyuraku Kimura. It was made about 40-50 years ago. The seal of Raku is stamped on the bottom.

It comes with its originally signed and sealed wooden box and an appraisal of the Daitoku-ji Temple, Kyoto. This temple is very famous for its knowledge about chanoyu (Japanese tea ceremony). Tea ceremony items with a signature and an appraisal of the Daitoku-ji Temple have a high evaluation for collectors.

Also, the...

Wonderful Kutani Guinomi (Sake cup) with typical wan shape, produced by one of the most famous contemporary artists of Kutani, Tokuda Yasokichi III (1933-2009).

The stone ware clay was covered with dark purple glaze, which turns to light blue towards the brim. His stamp (Masahiko) is inside the unglazed foot ring.

It comes with its originally sealed and signed wooden box, inscribed on the lid: guinomi - kutani - masahiko saku.

Size: 4,4 cm height x 6,6 cm in dia...