Catalog (603)

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat. It shows a beautiful fine crazing from many years of careful us...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. Two windows on two sides were left unglazed. One was decorated in iron oxide engobe with an image of a tree and a tea house, the other half was decorated with a sketch of a fence in iron...

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blosso...

Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.

Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita).

This is a typical piece of the Ogama ty...

From our family collection of Japanese art from Living National Treasures: perfectly shaped Bizen Chawan from legendary Kaneshige Toyo (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his particular speci...

A real piece of art: Shino-Oribe Tea Bowl from the early Edo Period (around 1620, early 17th century). It is a shoe shaped Kutsugata Chawan covered with a whitish Shino-Oribe glaze over an iron oxide engobe in two quarter sections, where a triangle has been scratched into the dark engobe. The other two opposite quarters show a decoration of two squares in the style of mimasu - three squares.

The roughly cut foot ring and its surrounding show the typical little refined Mino clay. Th...

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

Wonderful white Raku Chawan with a barley seen notched foot and highly sophisticated form. It was made in the Kaei Era 4, which is the year 1851 during the Japanese Edo Period. The original antique wooden box with a note of the manufacturing year is included.

It is one of such rare wabi sabi Raku tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but that subtly transform the spaces they inhabit.

No chips or cracks.

Siz...

One of such rare antique Hagi Chawan with wonderful milky white glaze from the 18th century, perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

Like many of the great Japanese ceramic traditions of western Japan, Hagi originated with Korean potters. Indeed, in the Momoyama era (1573-1603) and in the early years of the Edo period (1603 - 1867), ceramics like Karatsu, Agano, ...

One of a kind - a rare 17th century Kiyomizu Chawan with a wonderful thick and vivid hand painted Sakura scenery. Such old Kiyomizu items in perfect antique condition are very, very rare.

It comes with an antique wooden box.

Kyo ware/Kiyomizu ware are works of art that illustrate the scenery of the four seasons in Kyoto or feature drawings that bring good luck. A lot of the vessels are made by using the technique wherein the clay is baked once before being painted. They...

A striking late 19th century Shigaraki Chawan with one of the most beautiful Kintsugi repairs we have ever seen. A mixture of lacquer and gold powder showing a traditional Karakusa pattern - a real unicum.

This aesthetically pleasing highest quality Kintsugi gold repair was made and in 1974 by Arakawa Kentaro, former master craftsman of the Tokyo National Museum.

The 'kara' of Karakusa means 'China', while 'kusa' means 'plant'. The Karakusa pattern came to Japan from China...

Early 17th century (Edo Period 1603-1868) distorted shoe shaped (tsutsugata) white Shino Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in the lower part of the body and around the foot ring.

This bowl was covered with a white Shino type of ash glaze. Under the transparent glaze two young pine tries were painted in iron oxide.

The young pine tree decoration is a popular attribute of New Y...

An antique Khmer wood sculpture of Jayavarman VII /Mahā Paramasangata Pada), added to our family collection in 1930 from a private Japanese collection. It was made in mid 19th century.

Lacking any royal or divine attributes, this King Jayavarman VII statue represents a simple, spiritual man.

His facial expression is accentuated by semi-closed eyes, a slight smile, large forehead, lips that are neither thin nor thick, and long ear lobes. All of these traits represent the ...

Late Momoyama period cylinder shaped (Hantsutsu - slightly destorted but not a Kutsugata yet) tea bowl made of light, rough Mino clay. The fastly but expertly thrown body in the style of a Narumi-oribe bowl, which is a variation of green Oribe style. The whole body with the exception of the foot and it surrounding area are covered with a thin ash glaze, a low iron content of the body has coloured the the glazed part light brown; the brim is accented with copper oxide glaze. The underglaze dec...

Up for sale is this wonderfully textured 19th century Japanese cast iron tea kettle made by noted Kyoto-school tetsubin craftsman Kibundo ( 1812-1892 ).

It is cast in high relief with the image of a landscape and plants.

This fine kettle bears the body-mark “Kibundo zo” and a remnant of the square seal mark of Kibundo on the bottom.

The quality of the relief casting is superb. A peculiar punching technique called “oshinuki” was applied to the body, pro...

We present a real rare item. A fantastic tea bowl by legendary potter Nin'ami Dohachi made about 180 years ago, during Japanese Edo Period. Take your chance to get it.

Nin’ami Dohachi (born as Takahashi Mitsutoki; 1783-1855) worked in Awata until he set up a kiln in Fushimi, near Kyoto, in 1842. Dohachi was specialized in tea ceramics and was famous for his recreations of other styles in stoneware and porcelain, especially his efforts to revive the Ninsei and Kenzan styles.

Very fine Tibetan Bronze Buddha Vajrasattva on wooden pedestal, 17th. century or older.

The right hand holding a vajra vertical in front of his heart center, the lowered left holding a bell. Seated in dhyana-asana. Powerful body and meek facial expression. Wearing a multi-leaved crown as well as the jewelry and clothes of an enlightened Buddhist Bodhisattva. The bell was separately casted. Bottom covered with consecration plate. Slight signs of age. From a private German collectio...

Stunning Chinese Buddha Head made of natural stone, late Qing Dynasty (1626-1911). It comes on a custom made natural stone stand and has a total weight of 18,8 KG.

The Buddha Head is in great antique condition. The natural stone base has a small flaking at the back left, which is hardly visible.

Size: 37 cm height x 20 x 20

Very nice Chinese bronze Buddha statue with great expression. Made in the early stage of the Qing Dynasty, perhaps earlier.

Very good condition.

Size: 8,5'' height, 3,5'' bottom (1 inch = 2,5 cm). Weight 1,1 kg

Shipping included.

A beautiful example of an antique Shigaraki Tsubo (storage jar) Vase displaying classic Shigaraki markings of red ochre, pale and natural ash glaze.

This eye-catching tsubo dates back to the the beginning of the 17th century, early Edo Period (1603-1868).

Standing in front of this massive tsubo with its aesthetic form, its Higaki Mon (檜垣文, cypress fence pattern), its rough natural glazes and sparkling tsuchi-aji (clay flavor), one cannot help but feel in awe of thei...

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone). At the rim is a repair in silver lacquer ( refer to pic number ...

Another precious Buddha statue of our collection. Here we offer a Chinese Buddha from the Qing Dynasty, 19th. century.

The body is gilded with fantastic signs of age. The clothes, the detailed parts of its head and the expression of its face are exquisite.

Size: 9,6'' height. Bottom 5,75''-4,5''. Weight 4 lbs!

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six. At 26,he received his title of Ninth Ohi Chozaemon following after his father. In...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.

Circumventing lines and dots are scratched into the black glaze be...

Up on offer is this white and wonderful large Qing Dynasty Porcelain Guanyin. Wearing a long robe, leaning left hand on a beast stand, marked on the back the master's name He Chaozong.

It is in good condition with only some traces of its age. No chips, no cracks.

Size: 12,5'' in height!! weight 2,6 kg

This gorgeous grey Shino-Oribe Chawan was made around 1620, the late Momoyama and early Edo Period.

The cylinder shaped (hanzutsu) chawan is made of light, fine, unrefined Mino clay. Shape and style (flaring mouth) make it contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immedia...

Mint and elegant tea bowl by one of the greatest potters, Rokubei Kiyomizu VI.

This Kyoto-yaki item was made 70 years ago. It has a tasteful painting of pine on it. On the bottom you find Kiyomizu's seal. The tea bowl will be delivered with its original signed wood box.

The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period. From the Meiji they began producing tableware for expo...

Huge and heavy Thai bronze Ayutthaya Buddha, dating back to the 18th/19th century.

The Ayutthaya Buddha is sitting in the Earth Touching, Calling the Earth to Witness, or The victory over (Subduing) Mara position.

He sits with folded legs (right on top of the left). The Ayutthaya Buddha is seated on an interesting representation of a boat.

The boat is decorated with flowing designs. Each side comes up in a stylized point much like the royal boats that paddl...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. The style of the foot lets it appear contemporary with the late Oribe bowls. But the shape of the expertly thrown body, the orange skin effect on the typical Shino glaze with beautiful orange 'fire colour' recalls the days of the single chamber kilns, but the glaze and the somewhat irregular foot is typical for the late production of the 1620's at the Motoyashiki and Kamagane kilns.

The bowl has a beaut...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blossom painted...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the Edo Period.

Blackish-brown glaze amalgamates with a wild and roughly thrown body and a still vivid and strong Seto Glaze. It is very heavy for a tea bowl, 503g. Please note that there is also an interesting kiln mark.

Setoguro yaki is high-fired ware that originated in the late 16th century. Black glaze is achieved by removing the iron-glazed pots from the kiln when they are red-hot (a technique ca...

Distorted shoe shaped (kutsugata)tea bowl made of light, fine, unrefined Mino clay.

Shape and style (note the trimmed walls and the flaring mouth) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of four cedar trees and grass on the reverse side have been applied in iron oxid (oni ita). Just the foot ring and its immediate surroundin...

From our family collection of antique and vintage African Art we present you an antique wooden Aghogho mask from the early 20th. century, approx. 90-100 years old. It is 42 cm high and is in great condition with no repairs.

Unique objects from West Africa still have the power to surprise and challenge even the most astute and knowledgeable collector. Its' the case with this wonderful mask. This is a testament to the imagination and creativity of the African carver and the great var...

Sold! Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay during the Edo Period with strong black ink glaze and a rarely seen patina.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. The chawan has a very rare 'decoration' with hanging persimmons (hoshikaki) scratched into the engobe and a tea room window inside and a plum blossom painted under the clear glaze. This is a typical Momoyama...

Very nice and large gilt Chinese bronze Buddha, made in the late 19th century, 19'' height and 8,9 kg heavy. Marked 'Da Ming Yong Le Nian Shi'.

The statue is in good antique condition with no repairs.

Shipping included.

Elegant and sophisticated Shino Chawan, wonderful dialogue of brown and cream Shino crackle glaze, made during the early to the mid Edo period.

It is decorated outside with the Imperial Seal of Japan, the Chrysanthemum Seal and inside with two stars. This design I have never seen on other tea bowls before.

No cracks or repairs, just aesthetic inborn kiln cracks. Gorgeous and rare.

Box and shipping included.

Wonderful kneeling female Agere Ifa Figure from the Yoruba People made of wood and pigment, carrying a bowl. The figure has good age and shows much handling.

Such figures could well have been used in the divination process among the Yoruba called Ifa. Cowry shells, cola nuts, may have been kept in the bowl being carried by the woman. These objects were used by a Yoruba diviner who would throw them on the ground and read their pattern to determine the will of Orunmila, one of the m...

Here we present a real fine example of Korean art: smaller rounded wan-shaped bowl with high foot of the bamboo node style - the dark, fine clay with some enclosures is expertly thrown. The chawan was decorated with a white engobe in brushstrokes with a straw brush (hakeme) before the whole bowl was covered with an ash glaze. No chips or cracks. Great antique condition.

Hakeme bowls belong to the Mishima (Buncheon) group of Korean ceramics popular in the early Choseon period 14th - 16...

Here is a fascinating Chawan (tea bowl) made by Koie Ryoji, one of the best internationally known contemporary Japanese potters. It is another embodiment of the artist’s spirit, with a shape that remains free and moving, rough, unique and dynamic. Its colors and its rawness is reminiscent of a wild landscape. As with many works by the famous artist, this piece’s dynamism conveys pure energy and raw strength. Through its glaze, rough texture and primitive markings, one gets the sense of th...

Beautiful half cylinder shaped (hanzutsu) tea bowl from the early stage of the Edo Period (1603 - 1868) with a rounded brim, made of iron bearing, coarse, unrefined Narumi Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The unglazed foot is relatively large. In the style of Ao-Oribe bowls this bowl was covered with a green copper oxide glaze - leaving a window on one side, which was decorated with turtle pattern in iron oxide under a clear a...

We present a rare Tenmoku tea bowl with partrige feather mottles (Chinese: 'Zhegu Ban'), made during the Southern Song Dynasty (1127-1279) or earlier. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The deep rounded sides of this elegantly potted tenmoku chawan are rising from a short straight foot to a lipped rim, covered overall in a black g...

Elegantly shaped Ki-Seto Chawan from the Edo Period, early 19th century with a rarely seen gold rim. Precious metal rings were added when the chawan was made for the aristocracy and for the high nobility.

The beautiful and glossy glaze (guinomi-de) has a fantastic crazing. The bowl has also a decoration with vivid tanpan marks ( copper green marks ).

This Ki-Seto tea bowl is in very good condition, very unusual for a chawan of this age. Absolutely highly recommanded for ...

Antique Raku Chawan of rarest color, made by the 1st Choraku Ogawa, one of the most legendary potters of the 20th century. The Chawan is in great antique condition and comes with its originally signed and sealed wooden box. No chips or repairs. Only natural inborn kiln cracks caused during firing.

Ogawa Choraku was the founder of the Choraku lineage of Raku potters. Choraku studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku family, and in 1904, with the support of K...

What a great Chawan! Cylinder shaped (hanzutsu) tea bowl thrown on a kick wheel. The little iron oxide bearing clay has been fully (except the footring and its surrounding) covered with a wood ash glaze which reacted with the iron oxide in the clay.

The thick and glossy glaze (guinomi-de) has a fine beautiful crazing. Before the glazing a flower and patterns have been incised, which where highlited by wonderful and vivid tanpan marks ( copper green marks ).

Ki-Seto is said...

Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning.

Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron oxide engobe is very uniq...

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto. The chawan shows a lot of fantastic t...

We like to offer you a sophisticated Hagi Chawan, made during the early Meiji Era (1868-1912), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

It comes with a good Japanese wooden box.

Size: 8,2 cm height x 12,9 cm in diameter.

Perfectly shaped Ko-Seto Chawan dating back to the mid Edo Period (1603-1868). The expertly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content

The importance of this sublime tea bowl is underlined by the fact that it was equipped with a tailor made double box and by the fact that the box bears the attestation of a tea master who judged that this bowl was made during the Edo Pe...

Extraordinary Vajradhara Buddha Bronze Statue from Nepal. It was made in the late 19th cent. and decorated with the rare color mixture of gold and Jade green.

Great antique condition with no flaws.

Vajradhara is considered to be one of the original Buddhas, he is represented with a bell and vajra, his arms are crossed over his chest. The Asiatic symbolizes the union of opposites (Unio mystica = removes suffering for those who experience it). So the vajra (male) goes to th...

Early Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. Such 17th century Shino tea bowls without cracks and repairs are very rare.

It is in perfect antique condition and comes with Gomotsu-bukuro (Shifuku) and a lacquered wooden box with corner protections.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they w...

We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.

Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.

This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men).

...

Museum piece from the Late Edo Period (could be earlier) from Iga in Mie Prefecture near Shigaraki, another great kiln producing area outside of Kyoto.

If you are a ceramic collector you know, that a piece like this is very, very rare.

Size: 26.5 centimeters in height, diameter 11 centimeters, trunk diameter 12.5 centimeters, 1300 grams in weight.

Excellent condition.

Shipping cost included.

A comparetivly large sized Japanese Kannon Bosatsu from the Edo Period - about 250 years old - used in Sōfuku-ji ( 崇福寺 ) Temple in Gifu and since 80 years in our collection.

It is made of premium wood and has been carved by a master craftsman. The golden colour is still vivid and shiny and looks absolutely amazing. Buddha Statues of this quality are very rare.

It is in good condition with little wears of age.

Size: Width 5.9 in : Leng...

Ido Ware, Korean Joseon Dynasty (16th-17th century). The light cream bowl is decorated overall with a crackled cream glaze.

Rustic and sophisticated at the same time, this vessel is another great example of the beauty of Korean Ido chawans.

"Ido" chawan (tea bowl) is the first of three types of famous Japanese Tea Ceremony bowls. A very famous saying in the Tea Ceremony is "First Ido, second Raku, third Karatsu". It means Ido chawan is the highest grade tea bowl. Even th...

We are proud to present you a very rare Korean Irabo Chawan made in the early Edo Period on Japanese order.

This is a Wan shaped tea bowl made of coarse, unrefined clay with a high content of iron oxide. The clay shows impurities and stones - some of them have exploded ('ishihaze'). Over the dark clay a thin, transparent ash glaze has been applied, inside is an aesthetic brush stroke (hake me) in white engobe.

The bowl has a beautiful shape and is well balanced. It has b...

This is a vintage Japanese pottery tea bowl of Hagi ware, which was made by the great potter, the 14th Shinbei Sakakura (1917-1975) about 60 years ago. The glaze has a variaton of light red and grayish colors, intermitted by golden lines of the kintsugi.

He was one of the greatest potters of Hagi ware, who was identified as an important human cultural treasure of Yamaguchi prefecutre, Japan in 1972.

The seal of the potter is stamped on the bottom.

This tea bo...

Another stunning item from our private Buddha collection.

Large Chinese Guanyin Temple statue made of Jade, with changing jade colours from light green to green, yellow, grey and black. This solid figure is seated on a double lotus flower, one hand holding the pearl and the other a vase.

The Guanyin is in great antique condition with very detailed carvings. Absolutely rare and one of a kind. It dates from the Mid Qing Period (circa late 18th. century). There are some spo...

A rare Qing dynasty gilded bronze Buddha, from the mid 19th century with extraordinary fine face. Please have a look on it!

The base, clothes and expression are very exquisite, especially his clothes. Almost the whole body is still gilt, only some parts are worn off.

Marked leaves relief patterns on the bottom. Worth you get it.

Size: height: 8 1/4"; bottom: 3 3/4-4 3/4"; net weight: 2.409 lbs.

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze has been poured under which a decoration of a willow tree (yanagi) and a fence have been applied in iron oxide (oni ita). Just the foot ring and its immediate surrounding was left unglazed. The somewhat irregular foot is typical ...