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Description:
A stone turtle was in an amusing look.
By simple carving lines, the turtle was vividly depicted.
Enduring through long time of age, the decorative lines were blurred.
But the overall condition was perfect.
Date: 19th century.
Length:10.5cm
A stone turtle was in an amusing look.
By simple carving lines, the turtle was vividly depicted.
Enduring through long time of age, the decorative lines were blurred.
But the overall condition was perfect.
Date: 19th century.
Length:10.5cm
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Description:
In Chinese, he was called "Yao Shi Fo".
In the English language, Bhaisajyaguru is commonly referred to as the "Medicine Buddha" or the "Medicine King Bodhisattva".
The bronze Buddha here was heavily cast.
Depicted with decorations on the robe, he was applied with gold leaf on the surface, from which most had been faded but revealed with the darken blackish patina.
He was well carved in details on the features and at the ushnisa at the top...
In Chinese, he was called "Yao Shi Fo".
In the English language, Bhaisajyaguru is commonly referred to as the "Medicine Buddha" or the "Medicine King Bodhisattva".
The bronze Buddha here was heavily cast.
Depicted with decorations on the robe, he was applied with gold leaf on the surface, from which most had been faded but revealed with the darken blackish patina.
He was well carved in details on the features and at the ushnisa at the top...
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Description:
A light tinted celadon cup was in unique octagonal shape.
Well crackled in the glaze, the cup was supported by the short stem foot from which the brownish body clay was revealed at the bottom.
It was probably being used as a wine cup or for tea drinking.
Whatsoever, it was a fine piece by all the characteristics with old condition.
Date: Ming Dynasty, 1368-1644.
Width:8.6cm. Height:5.8cm.
A light tinted celadon cup was in unique octagonal shape.
Well crackled in the glaze, the cup was supported by the short stem foot from which the brownish body clay was revealed at the bottom.
It was probably being used as a wine cup or for tea drinking.
Whatsoever, it was a fine piece by all the characteristics with old condition.
Date: Ming Dynasty, 1368-1644.
Width:8.6cm. Height:5.8cm.
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Description:
A Junyao dish in beautiful curved rim was supported by finely shaped foot ring with wall.
Applied with attractive blue-sky glaze on the surface, the dish’s surface was decorated with one stroke of purple-red splash which by casually-rendered way.
Minute glaze-shrinking effects were yielded when finely spread crackles were incursioned by burial earth.
The buff-tinted incursions were happened to the intersection of the glaze and the body clay. too...
A Junyao dish in beautiful curved rim was supported by finely shaped foot ring with wall.
Applied with attractive blue-sky glaze on the surface, the dish’s surface was decorated with one stroke of purple-red splash which by casually-rendered way.
Minute glaze-shrinking effects were yielded when finely spread crackles were incursioned by burial earth.
The buff-tinted incursions were happened to the intersection of the glaze and the body clay. too...
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Description:
A black lacquered wood stand with mother-of-pearl inlay was in a very elegant style.
Well crafted, excellently executed and meticulously inlayed with the beautiful design, the wood lacquered stand would be a focus item as well as an ideal stand for other elegant curiosities.
Date: Qing Dynasty, 18th/19th Century.
Height: 39.5cm.
Condition: In a firm condition only with some frets and missing of the shells.
A CUSTOM-MADE SILK BOX IS INCLUDED...
A black lacquered wood stand with mother-of-pearl inlay was in a very elegant style.
Well crafted, excellently executed and meticulously inlayed with the beautiful design, the wood lacquered stand would be a focus item as well as an ideal stand for other elegant curiosities.
Date: Qing Dynasty, 18th/19th Century.
Height: 39.5cm.
Condition: In a firm condition only with some frets and missing of the shells.
A CUSTOM-MADE SILK BOX IS INCLUDED...
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Description:
A Chinese iron kettle was cast in decent form.
By well arched handle in nice shape, the body of the tea pot was in drum-like shape, and was cast with motif of Buddhist Treasures on one side and with date inscription of Qianlong Xin-Yo NienZi(Made in AD1741, Qinglong reign) and with Chinese lucky words of FunTiaYuXun in a roundlet.
It was very rare to find a iron kettle from Chinese origin, and when it was in such nice shape.
Date: Qing Dynasty...
A Chinese iron kettle was cast in decent form.
By well arched handle in nice shape, the body of the tea pot was in drum-like shape, and was cast with motif of Buddhist Treasures on one side and with date inscription of Qianlong Xin-Yo NienZi(Made in AD1741, Qinglong reign) and with Chinese lucky words of FunTiaYuXun in a roundlet.
It was very rare to find a iron kettle from Chinese origin, and when it was in such nice shape.
Date: Qing Dynasty...
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Description:
Done by top-quality marble stone, a great Buddha’s head was well carved.
A typical piece of the early to mid-Tang periods, the marble head was well carved by the hands of the excellent craftsman.
The religious piece was well depicted in details: on top, the spiral ushnisa and the features of the face –the full cheek, almond eyelids and well-defined lips, all were meticulously rendered by affluent and sleek carving skills...
Done by top-quality marble stone, a great Buddha’s head was well carved.
A typical piece of the early to mid-Tang periods, the marble head was well carved by the hands of the excellent craftsman.
The religious piece was well depicted in details: on top, the spiral ushnisa and the features of the face –the full cheek, almond eyelids and well-defined lips, all were meticulously rendered by affluent and sleek carving skills...
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Description:
A Changsha ewer pot was rarely kept with the original cap.
Being applied with yellowish glaze, the ewer was decorated on the body with characteristic brownish stripes.
Intriguingly made to imitate a fowl, two wings and a tail were squeezed to the body. They were also the characteristic form for the Changsha wares.
The glaze was transparent and in greasy look while immensely spread crackles were yielded and were accompanied with incursioned earth...
A Changsha ewer pot was rarely kept with the original cap.
Being applied with yellowish glaze, the ewer was decorated on the body with characteristic brownish stripes.
Intriguingly made to imitate a fowl, two wings and a tail were squeezed to the body. They were also the characteristic form for the Changsha wares.
The glaze was transparent and in greasy look while immensely spread crackles were yielded and were accompanied with incursioned earth...
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Description:
A Cizhou tea bowl was in decent oval shape and was well decorated with russet splashes on the outer surface.
At the inner surface, it was in darken brownish nearing black tint when spiral molding scars were obviously observed.
For authentication, there are whitish and stardust-like incursions revealed especially obvious at the inner surface of the bowl...
A Cizhou tea bowl was in decent oval shape and was well decorated with russet splashes on the outer surface.
At the inner surface, it was in darken brownish nearing black tint when spiral molding scars were obviously observed.
For authentication, there are whitish and stardust-like incursions revealed especially obvious at the inner surface of the bowl...
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Description:
A big oil painting on cotton was in striking image.
Full of original spirits of the minority people of southern China, the subject of this painting was the Daoist deities of Earthern Father(Tu Di Gon), Earthern Mother(Tu Di Puo) and Guandi who separately stands for Prosperity, Fertilization and Wealthness.
Used the bold colors, the painting was rendered by fluent sketching lines and was finished with profuse tableau...
A big oil painting on cotton was in striking image.
Full of original spirits of the minority people of southern China, the subject of this painting was the Daoist deities of Earthern Father(Tu Di Gon), Earthern Mother(Tu Di Puo) and Guandi who separately stands for Prosperity, Fertilization and Wealthness.
Used the bold colors, the painting was rendered by fluent sketching lines and was finished with profuse tableau...
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Description:
A green-glazed jarlet was mold in a trumpet form.
On the wide shoulder, a circular band of flower motifs were decorated in a fine look.
It was well preserved except some old frets were found on the rims.
Fine crackles and iridescence condition were yielded due to age.
Date: Liao Dynasty, 907-1125.
Width: 10.9cm, Height: 7.3cm.
A FITTED SILK BOX IS INCLUDED.
A green-glazed jarlet was mold in a trumpet form.
On the wide shoulder, a circular band of flower motifs were decorated in a fine look.
It was well preserved except some old frets were found on the rims.
Fine crackles and iridescence condition were yielded due to age.
Date: Liao Dynasty, 907-1125.
Width: 10.9cm, Height: 7.3cm.
A FITTED SILK BOX IS INCLUDED.
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Description:
A white-glazed pillow was produced from the Cizhou kiln of Northern Song Dynasty.
By affluent carving strokes, the motif of a boy playing in the garden was vividly rendered.
Apparently found from excavation accompanied with enduring old characteristics, the porcelain was incursioned somehow to the surface when one crack line was yielded...
A white-glazed pillow was produced from the Cizhou kiln of Northern Song Dynasty.
By affluent carving strokes, the motif of a boy playing in the garden was vividly rendered.
Apparently found from excavation accompanied with enduring old characteristics, the porcelain was incursioned somehow to the surface when one crack line was yielded...
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Description:
A well-modelled cat shown coiled on a circular base which surrounded by Bo-Shan(mountain ridges) with head turned and resting on its back, the tail emerging in the center and three paws together at the front.
Comparing to the pieces we’ve usually seen in obvious bronze material and was gilt on the surface, this tiger weight was calcified totally and was covered with the burial BaoJiang(the mineral coatings)...
A well-modelled cat shown coiled on a circular base which surrounded by Bo-Shan(mountain ridges) with head turned and resting on its back, the tail emerging in the center and three paws together at the front.
Comparing to the pieces we’ve usually seen in obvious bronze material and was gilt on the surface, this tiger weight was calcified totally and was covered with the burial BaoJiang(the mineral coatings)...
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Description:
A recumbent beast was shown with its head turned back and slightly tilting upwards.
The Bixie was well carved with protruding eyes, ruyi-shaped nose, curved ears and single-horned head...
A recumbent beast was shown with its head turned back and slightly tilting upwards.
The Bixie was well carved with protruding eyes, ruyi-shaped nose, curved ears and single-horned head...
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Description:
A black-glazed Cizhou tea bowl was uniquely decorated on the surface with vertical creamy-white ribs.
By a striking image, the tea bowl was mold in a flatten shape which was elegant and was full of the mood of Zen spirits.
The typical dark-brownish almost black glaze and the light gray-tinted body clay at the base are typical of this type of ware. Stardust-like incursions are evident throughout the glaze.
The bowl has a “foggy” surface condition that com...
A black-glazed Cizhou tea bowl was uniquely decorated on the surface with vertical creamy-white ribs.
By a striking image, the tea bowl was mold in a flatten shape which was elegant and was full of the mood of Zen spirits.
The typical dark-brownish almost black glaze and the light gray-tinted body clay at the base are typical of this type of ware. Stardust-like incursions are evident throughout the glaze.
The bowl has a “foggy” surface condition that com...
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Description:
A Longquan jarlet was mold with two looped handles nearing to the short neck.
By retrospective celadon tint, the jarlet was yielded on the surface with enduring old crackles in the glaze.
Characteristic firing red was rendered at the body clay underneath.
Being added with a wooden plug, the ancient jarlet can be a fine tea caddy for a practical use.
Date:Yuan Dynasty,13th century.
Height: 7.0cm
A Longquan jarlet was mold with two looped handles nearing to the short neck.
By retrospective celadon tint, the jarlet was yielded on the surface with enduring old crackles in the glaze.
Characteristic firing red was rendered at the body clay underneath.
Being added with a wooden plug, the ancient jarlet can be a fine tea caddy for a practical use.
Date:Yuan Dynasty,13th century.
Height: 7.0cm
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Description:
A blue and white tea caddy was from Qianlong period of Qing Dynasty by characteristic picturesque.
A custom-made wooden cap was made to suite this decent jarlet.
Date:Qing , Qianlong period,1736-1796.
Height without cap:9.2cm
A blue and white tea caddy was from Qianlong period of Qing Dynasty by characteristic picturesque.
A custom-made wooden cap was made to suite this decent jarlet.
Date:Qing , Qianlong period,1736-1796.
Height without cap:9.2cm
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Description:
A Zitan wood brushpot was nicely carved to imitate the original wood trunk.
Carved from one block of Zitan wood, the brushpot was very heavy and was meticulously rendered on the surface with the natural tree bark.
An inscription of Jing-Wei was found at the lower portion of the brushpot.
It was probably from the carver’s name.
Date:Late Qing periods, late 19th century.
Height:16.2cm.Width: 16.1cm.
Condition: Perfect.
A Zitan wood brushpot was nicely carved to imitate the original wood trunk.
Carved from one block of Zitan wood, the brushpot was very heavy and was meticulously rendered on the surface with the natural tree bark.
An inscription of Jing-Wei was found at the lower portion of the brushpot.
It was probably from the carver’s name.
Date:Late Qing periods, late 19th century.
Height:16.2cm.Width: 16.1cm.
Condition: Perfect.